The Museum of Contemporary Commodities in EXETER

The Museum of Contemporary Commodities

Just a quick note to let you know that the brilliant Paula Crutchlow has brought “The Museum of Contemporary Commodities” (MoCC) to Exeter for the majority of May.

There’s lots going on, much of it creative and interesting – so if you’re in Exeter or nearby: come and visit!

Two immediate things this week:

RIGHT NOW!: help re-create the internet in paper with Artist Louise Ashcroft from 11 -2 in the Exeter University Forum.

TOMORROW: sign up to do a data walkshop with Alison Powell from the LSE on Saturday from 10-1. Places have to be booked, and the Eventbrite page is here https://www.eventbrite.com/e/mocc-data-walkshop-tickets-24464719635

Please do visit the MoCC website for lots more events and activities taking place this month and visit the shop:

87 Fore St,
Exeter
EX46RT

Open 10:00-18:00pm Weds-Sat, 4th-21st May.

Feminism, Digital Culture and the Politics of Transmission – Deborah Withers

I don’t really know why I haven’t seen this before today(?!) but just wanted to flag this really interesting book by Deborah Withers, which I will be ordering ASAP…

Feminism, Digital Culture and the Politics of Transmission argues that despite the prevalence of generational narratives within feminism, the technical processes through which knowledge is transmitted across generations remain unexplored. Taking Bernard Stiegler’s concept of the already-there as its starting point the book considers how the politics of transmission operates within digital culture. It argues that it is necessary to re-orient feminism’s political project within what is already-there so that it may respond to an emergent feminist tradition.Grounded in the author’s work collecting and interpreting the music-making heritage of the UK Women’s Liberation Movement, it explores how digital technologies have enabled empassioned amateurs to make ‘archives’ within the first decade of the 21st century. The book reflects on what is technically and politically at stake in the organization and transmission of digital artifacts, and explores what happens to feminist cultural heritage when circuits shut down, stall or become diverted.

And here’s some praise from Patrick Crogan, whose opinion I trust:

A substantial, judicious, and highly effective mobilisation of key tenets of Stiegler’s work pertaining to memory, technology, and cultural transmission. Withers develops a cogent political reformulation of questions of memory, heritage, and archival matters of preservation and access in the digital age in this book project. Her use of Stiegler is central to this, and indeed represents an important introduction to his philosophical critique of the digital mediated world to an area where his ideas have particular relevance but are under-represented.

Patrick Crogan, Associate Professor of Digital Cultures, University of the West of England

VR… ‘das opium des volkes’? Adam Greenfield on Oculus

Nice blogpost by Adam a short-while ago reflecting on VR as a means of keeping the precariat/proletariat sated with simulation:

As VR’s leading developers straight-up admit in the piece, its function is to camouflage the inequities and insults of an unjust world, by offering the masses high-fidelity simulations of the things their betters get to experience for real. Here’s the money quote, no pun intended: “[S]ome fraction of the desirable experiences of the wealthy can be synthesized and replicated for a much broader range of people.” (That’s John Carmack speaking, for future reference.)

[…]

The idea that all we can do is accede to a world of permanent, vertiginous inequity – inequity so entrenched and so unchallengeable that the best thing we can do with our technology is use it as a palliative and a pacifier

All reminiscent of William Gibson’s rendering of the “Sim/Stim” industry in the Neuromancer trilogy… for example, this passage from the 23rd chapter of Count Zero (the 2nd book):

The interior of the JAL shuttle vanished in a burst of Aegean blue, and she watched the words TALLY ISHAM’S TOP PEOPLE expand across the cloudless sky in elegant sans-serif capitals.

Tally Isham had been a constant in the stim industry for as long as Marly remembered, an ageless Golden Girl who’d
come in on the first wave of the new medium. Now Marly
found herself locked into Tally’s tanned, lithe, tremendously comfortable sensorium. Tally Isham glowed, breathed deeply
and easily, her elegant bones riding in the embrace of a musculature that seemed never to have known tension. Ac- cessing her stim recordings was like falling into a bath of
perfect health, feeling the spring in the star’s high arches and
the jut of her breasts against the silky white Egyptian cotton
of her simple blouse. She was leaning against a pocked white balustrade above the tiny harbor of a Greek island town, a cascade of flowering trees falling away below her down a
hillside built from whitewashed stone and narrow, twisting
stairs A boat sounded in the harbor

“The tourists are hurrying back to their cruise ship now,” Tally said, and smiled; when she smiled, Marly could feel the smoothness of the star’s white teeth, taste the freshness of her mouth, and the stone of the balustrade was pleasantly rough against her bare forearms.

I continue to be surprised by the return to and rehabilitation of the Modernist vision of VR… perhaps I’m not cynical enough?!

‘Vulgar’ cultural geographies and technology (new article online) and other ‘provocations for cultural geography today’

I have a short article/commentary recently published online in Social & Cultural Geography:

Vulgar geographies? Popular cultural geographies and technology

The article is one of several from a forthcoming theme issue that is the result of the OU Open Space Centre’s 2014 Doreen Massey annual event themed on ‘provocations of the present’. The theme issue Provocations for Cultural Geography Today has some great papers in it, including:

I strongly encourage having a read of these articles!

Highly recommended: Theatrical magic and the agenda to enchant the world

Some great articles in the ‘Online Early’ section of Social & Cultural Geography (as Mary Gilmartin tweeted today) and one jewel amongst them is a great new paper from Charlie Rolfe on theatrical magic, ‘unreal experiments’ and the agenda to enchant the world.

Charlie gave an early version of this in what was a tour de force seminar at Exeter Geography and I highly recommend reading the article!

Here’s the abstract:

This paper addresses the agenda of enchantment as it relates to contemporary theatrical magic (those deliberately enigmatic activities that are performed, experienced and commercialized as a form of entertainment). Magic practice is regularly constructed along a particular teleology: ‘action → effect of impossibility → affect of astonishment’. The paper supplements this teleology in four sections. First, a discussion of magicians’ knowledge and the ignorance required for participant-spectators to apprehend effects of impossibility and become astonished. Second, an examination of two forms of reason: one, an investigation into hidden ‘secrets’; the other, a perception of superficial ‘effects’. Third, a critique of the figure of the magician and its disputed role within magic practice. Fourth, a presentation and discussion of three empirical vignettes – professional magician Jay Sankey’s ‘Unreal Experiments’ – which advocate an evental logic with an experimental ethos; thus, enacting a critique of the figure and teleological structure of practice, and posing a challenge to rethink and invitation to expand theatrical magic practice. In conclusion, the paper highlights some of the ways in which theatrical magic participates in the agenda to enchant the world that has so gripped social science.

Article accepted: Vulgar Geographies? Popular Cultural Geographies and Technology

Some time ago (in 2014), I participated in the Open University’s annual ‘Doreen Massey event’, which had the title Provocations of the Present: What culture for what geography?, and I presented a provocation concerning culture, technology and what is meant by ‘popular’ culture when it’s studied by people like me (broadly – cultural geographers).

I was invited, a few months later, to write this provocation up for a theme section of Social & Cultural Geography. This has finally come to fruition, after some helpful comments by two anonymous reviewers and some very kind help from Nadia Bartolini, Parvati Raghuram & George Revill at the OU and S&CG editor Mary Gilmartin.

I am pleased therefore to share the accepted manuscript as a PDF.

So it’s:

Kinsley, S 2015 “Vulgar Geographies? Popular Cultural Geographies and Technology“, Social & Cultural Geography in press.