A Future for Intersectional Black Feminist Technology Studies – @safiyanoble

United Nations "women shouldn't..." advert concerning equality

This article is well worth a read, I’ve copied a bit below – but go over to the S&F website to read the whole thing. Safiya Noble has a new book coming out: Algorithms of Oppression – looks good.

A Future for Intersectional Black Feminist Technology Studies

by Safiya Umoja Noble

The most general statement of our politics at the present time would be that we are actively committed to struggling against racial, sexual, heterosexual, and class oppression and see as our particular task the development of integrated analysis and practice based on the fact that the major systems of oppression are interlocking.
–Combahee River Collective, 1986[1]

When we are able to end hyper-criminalization and sexualization of Black people and end the poverty, control, and surveillance of Black people, every single person in this world has a better shot at getting and staying free. When Black people get free, everybody gets free. This is why we call on Black people and our allies to take up the call that Black lives matter. We’re not saying Black lives are more important than other lives, or that other lives are not criminalized and oppressed in various ways. We remain in active solidarity with all oppressed people who are fighting for their liberation and we know that our destinies are intertwined.
–Alicia Garza, Patrisse Cullors, and Opal Tometi, 2014[2]

Introduction

Neoliberal narratives of digital technologies and the internet have flourished in information and internet studies and suggest that the web is a panacea of social liberation and empowerment. These ideas have been refuted with much evidence by critical theorists in the field, yet work remains to be done in shifting the complex, global patterns of capital that build the material infrastructures of the information and communications revolution at the expense of Black life diasporically.

Meanwhile, in other academic and political arenas, the struggle to recognize multiple, interlocking systems of oppression has been ongoing for roughly 40 years. Brittney Cooper has already offered a detailed analysis of intersectional theory,[3] tracing the emergence of the term “intersectionality”[4] and its problematics and possibilities. Yet the term remains highly pertinent to the field of information and communication studies, which has not sufficiently responded to nor benefitted from intersectional lenses such as Black queer feminist intervention. Indeed, systems of interlocking oppression have rarely been a framework of analysis in the field of internet studies, overlooked in favor of dominant and frequently technologically deterministic perspectives that ignore interlocking, structural, and globalized sites of oppression.

What is potent about Black feminism is its focus on the liberation of Black women globally, intentionally linking Black women in the West with Black women in the Third World, and making interdependent experiences shaped by race, gender, patriarchy, capitalism, and imperialism a driving imperative for liberation movements to end oppression. This through line–from the pan-Africanist movement of the early twentieth century, to the Combahee River Collective–powerfully resurfaced in the 2014 statement by the three Black and queer women who founded the #BlackLivesMatter movement. It is this lens that I wish to invoke in theorizing whether a liberatory, intersectional internet is even plausible, when contextualized in a Black feminist tradition.

In doing so, I explore the ways that the internet and its infrastructure are central to the myriad oppressive conditions facing Black life in the US and in the African diaspora. The goal of theorizing a liberatory, intersectional internet is to heighten awareness of how the global communications infrastructure is not just a site of communications affordance, nor is it made equally and equitably available to all people. On the contrary, it is implicated in a number of environmental and oppressive conditions for Black life. By making these connections more visible, my hope is to shift discourses away from simple arguments about the liberatory possibilities of the internet toward more critical engagements with how the internet is a site of power and control over Black life–a perspective relevant to scholars working in Black Studies, gender studies, and information studies.

Intersectionality was developed by many feminist, antiracist scholars and activists of color as a framework for deepening an analysis of power and oppression across multiple axes.[5] Intersectionality, however, has been woefully under-engaged as a way of thinking about the political economy of the internet and has, in fact, been separated from its Black feminist roots. To echo the critiques that Black women have levied at feminist movements over time, the pervasive under-commitment to the concerns of Black women as we intersect with, and are intersected by, technologies exemplifies a broader unwillingness among those promulgating mainstream discourses to engage with notions of racism, class, and sexuality in the fields of computer science, digital media studies, information, and technology studies.

We need more interdisciplinary research and theorizing about how a range of digital technologies are embedded with intersectional and uneven power relations, from the ways in which technologies are structured, through the range of engagements that happen on the web, to the materiality of digital communications infrastructures that include the role of the state and capital in the extraction, manufacture, and disposal of the digital.

Past event > Technology’s Limits: Automation, Invention, Labour, and the Exhausted Environment

Glitched image of a mural of Prometheus giving humans' fire in Freiberg

This looks like it was a fascinating event…

Workshop hosted by the Digital Life Research Program 

An abstract artwork of a light background with brown and red rectangles of various sizes.

Artwork by Stephen Scrivener Opens in a new window

Event Details

Date: Friday March 10, 2017
Time: 10am – 4.30pm
Venue: EB.G.21, Parramatta South campus

Among its many political preoccupations, 2016 was marked by an obsessive concern with the new powers of the machine to erase human labour and employment. Science fiction dystopias – among them, the French Trepalium and the Brazilian 3% – saddled older anxieties about a world without work to a more novel recognition of resource depletion and scarcity. Academic publishing houses, conference organisers, funding agencies and the press have responded with a deluge of content covering algorithms, automation and the Anthropocene. Meanwhile, a less conspicuous narrative about the decline of innovation has resurfaced with claims that the rate of fundamental new technology inventions is slowing and jeopardising long term global productivity returns. What happens when technology hits its limits? Velocity and volume excite machinic economies, but do little to confront some of the core problems and challenges facing planetary labour and life today.

This workshop brings together leading Australian scholars of technology and society with contemporary German and French reflections on the prevailing discourses of technology’s limits. Since the 1990s, Bernard Stiegler has been a leading philosopher and critic of technology, and in his recent book Automatic Society he directly tackles problems of automation and algorithms for the distribution of financial and social resources to populations increasingly bereft of economic capital and political agency. Building upon Frankfurt School critical theory and Kittlerian media theory, contemporary German critique intersects with similar questions by combining investigations of epistemology, history and the technical. The Australian take on these European developments is simultaneously appreciative and critical, though often oriented toward more regional conditions that arise in part due to different economic, cultural and political relations with Asia.

The morning session of the workshop will introduce current theoretical European work on technology. Daniel Ross will develop a critical introduction to Bernard Stiegler, whose recent work in Automatic Society and In the Disruption continues to mount a wide-ranging and provocative critique of technology. Armin Beverungen will then offer an overview of his research on algorithmic management and high-frequency trading, with Ned Rossiter introducing logistical media as technologies of automation and labour control. In the afternoon, Gay Hawkins will outline her theoretical interest in nonhuman and technical objects and their irreducible role in making humans and ecologies. A key empirical example will be the history of plastic and the emergence of its technical agency and capacity to reconfigure life. Nicholas Carah will follow with a discussion of his latest work on algorithms, brand management and media engineering. The workshop will close with an audience-driven panel session and discussion. These interventions will be held in conjunction with a close reading of the key texts below.

Register

Attendance numbers will be limited so please register in advance. No registration fee required.

RSVP by 7 March on Eventbrite Opens in a new window

Speakers

  • Armin Beverungen
    Junior Director at the Digital Cultures Research Lab (DCRL) at Leuphana Universität Lüneburg & Visiting Fellow, Institute for Culture and Society, Western Sydney University
  • Nicholas Carah
    Author of Brand Machines, Sensory Media and Calculative Culture (2016)
  • Gay Hawkins
    Author of Plastic Water: The Social and Material Life of Bottled Water (2015)
  • Liam Magee
    Author of Interwoven Cities (2016)
  • Nicole Pepperell
    Author of Dissembling Capital (forthcoming, 2017)
  • Daniel Ross
    Translator of Bernard Stiegler’s Automatic Society (2016) and numerous other works
  • Ned Rossiter
    Author of Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares (2016).

Co-chairs: Liam Magee and Ned Rossiter, co-convenors of the Institute for Culture and Society’s Digital Life research program.

Recommended Readings

Frank Pasquale (2017), Duped by the Automated Public Sphere Opens in a new window
Lee Rainer and Janna Anderson [Pew Research Center] (2017), Code-Dependent: Pros and Cons of the Algorithm Age Opens in a new window
Bernard Stiegler (2012), Die Aufklärung in the Age of Philosophical Engineering (opens in a new window)
Bernard Stiegler (2015), Escaping the Anthropocene Opens in a new window
Bernard Stiegler (2015), On Automatic Society Opens in a new window
Sonia Sodha [The Guardian] (2017), Is Finland’s basic universal income a solution to automation, fewer jobs and lower wages? Opens in a new window

Related Readings

Bruce Braun (2014), A New Urban Dispositif? Governing Life in an Age of Climate Change Opens in a new window
Nick Dyer-Witheford (2013), Contemporary Schools of Thought and the Problem of Labour Algorithms (opens in a new window)
Victor Galaz (2015), A Manifesto for Algorithms in the Environment Opens in a new window
Victor Galaz et al. (2017), The Biosphere Code Opens in a new window
Orit Halpern (2015), Cloudy Architectures Opens in a new window
Erich Hörl (2014), Prostheses of Desire: On Bernard Stiegler’s New Critique of Projection Opens in a new window
Yuk Hui (2015), Algorithmic Catastrophe: The Revenge of Contingency (opens in a new window)
International Labour Organisation (2016), ASEAN in Transformation Opens in a new window
Lilly Irani (2015), The Cultural Work of Microwork Opens in a new window
MIT Technology Review (2012), The Future of Work Opens in a new window
Cathy O’Neill (2016), How Algorithms Rule Our Working Lives Opens in a new window
Elaine Ou (2017), Working for an Algorithm Might Be an Improvement (opens in a new window)
The Guardian (2016), Robot Factories Could Threaten Jobs of Millions of Garment Workers Opens in a new window
Tommaso Venturini, Pablo Jensen, Bruno Latour (2015), Fill in the Gap. A New Alliance for Social and Natural Sciences Opens in a new window

Agenda

  • 10:00 –10:10: Liam Magee, Ned Rossiter: Welcome and Introduction
  • 10:10–11:10: Daniel Ross
  • 11:10–11:30: Q&A
  • 11:30–11:45: Coffee
  • 11:45–1:00: Armin Beverungen, Ned Rossiter
  • 1:00–2:00: Lunch
  • 2:00–3:15: Gay Hawkins, Nicholas Carah
  • 3:15–4:15: Panel discussion responding to automation: Dan / Gay / Nicholas / Armin / Nicole – Liam & Ned to chair
  • 4:15–4:30: Closing thoughts, future actions

The ambiguity of sharing images

Two tweets, about 12 hours apart. It seems to me, in an entirely unsystematic, morning coffee kind of analysis, that the two posts demonstrate something of the ambiguity of image sharing practices and circulation of images (on Twitter)… at least in my experience of one platform, Twitter.

The “Grease” tweet, through humour, attempts to comment on contemporary geopolitics. The veracity (or not) of the image possibly doesn’t matter.

The ‘fact check’ nature of the later tweet directly addresses the (lack of) authenticity of the image itself. Showing the ‘original’.

So there’s something about ‘fakeness’ of media, the politics of circulation, something about simulacrum and the convening of publics and maybe something about the ambivalence of image making and sharing practices that falls within the “meme” discourse.

In discussing her work as part of the RGS-IBG ‘digital geographies’ working group symposium about 10 days ago, Gillian Rose discussed the ways in which we may or may not malign the ‘everydayness’ of photographic or image practices and why it remains necessary to study and engage with the everyday practices of meaning-making (there’s a course for this, co-convened by Gillian).

This perhaps prompts some questions about the above tweets. For example, what is it we can or might want to say about the images themselves, their circulation and how they fit into wider, everyday, meaning-making practices? The doctored image fits into a particular aesthetic of ‘memes’ and is contextualised in text in the post, which also goes for the ‘fact check’ tweet too, in a way. How do we interpret the (likely) different intentions behind the thousands of retweets of the above? How might we capture the ‘polymedia’ (following Miller et al.) lives of such images? (Is that even possible?) How might we interrogate what I’m suggesting is the ambivalence of ‘sharing’? I suggest this cannot be served by the mass analysis of image corpora (following Manovich), nor is it really reducible to the ‘attention economy’ – it’s not only about the labour of sharing or the advertising it enables. Instead, I guess what I’m fumbling towards is asking for the analysis of the circulation practices for (copies of) a single image within a network (which may or may not span different platforms).

The danger, I increasingly feel, is that we all-too-quickly resort to super-imposing onto these case studies our ontotheological or ideological meta-narratives – so, it may ‘really’ be about affect, neoliberalism and so on… except of course, it isn’t only about those things, and while they may be important analytical frames they may not address the questions we’re interested in, or should be, posing. I’m not saying such framings are wrong, I’m saying they’re not the only frames of analysis.

All of this leads me to confess that I am beginning to wonder if our ‘digital methods‘ (following Rogers and others) are really up to this sort of task… As yet I’ve not read anything to convince me otherwise, which actually sort of surprises me. The closest I’ve got is the media ethnography work of the outstanding Why We Post project – but, of course, that isn’t particularly a “digital” method, which maybe says something (maybe about my own bias). I’d be interested to know if anyone has any thoughts.

A further thing I wonder is whether or not these sorts of practices will remain stable enough for long enough to warrant the ‘slower’, considered, kinds of research that might enable us to begin to get at answers to my all-too-general, or misplaced, questions above. I remain haunted by undergraduate and masters research into now-defunct platforms and styles of media use… friendster and myspace anyone?

Some relevant links:

Reblog> CFP: Affect, Politics, Social Media

Via Tony Sampson.

This may be of interest to followers of this blog…

Call for papers: Affect, Politics, Social Media

In prolongation of Affect and Social Media #3 Conjunctions: Transdisciplinary Journal of Cultural Participation welcomes proposals that interpret and explore affective and emotional encounters with social media and the ways in which the interfaces of social media in return modulate affectivity. Fake news have come to be a highly debated framework to understand the consequences of the entanglements of affect, politics and social media. But theories on fake news often fail to grasp the consequences and significance of social media content that are not necessarily fake, but are merely intended to affectively intensify certain political positions.

It is in this context that it becomes crucial to understand the role of affect in relation to the ways in which social media interfaces function, how affective relations are altered on social media and not least how politics is transformed in the attempt to capitalize on the affective relations and intensities potentially fostered on social media.

This special issue invites empirical, theoretical and practical contributions that focus on recent (political) media events – such as Brexit, the US and French elections and the refugee crisis – and how these unfolded on, and are informed by, social media. Proposals might, for instance, address how the Trump campaign allows us to develop a new understanding of the relationship between social media and politics. As such the issue seeks papers that develop new understandings of affective politics and take into account shared experiences, affective intensities, emotional engagements and new entanglements with social media.

For more information, including author guidelines, please visit http://www.conjunctions-tjcp.com/

Deadline 28 November 2017

Articles must be submitted to conjunctions@cc.au.dk

A communications primer – Eames

Via dmf.

Or “information theory for beginners”, maybe… A heavily stylised interpretation of Shannon’s information theory for IBM, by the Eames’, which may be of interest to those of a cybernetic persuasion.

… it’s a testament to the work of the US mathematician and ‘father of information theory’ Claude Shannon (1916-2001) that his model of communication, laid out in his landmark book A Mathematical Theory of Communication (1949), is still so broadly applicable.

Working from Shannon’s book, in 1953 the iconic husband-and-wife design team Ray and Charles Eames created the short film A Communications Primer for IBM, intending to ‘interpret and present current ideas on communications theory to architects and planners in an understandable way, and encourage their use as tools in planning and design’. Released at the dawn of the personal computer age, the film’s exploration of symbols, signals and ‘noise’ remains thoroughly – almost stunningly – relevant when viewed some 64 years later.

Reblog> Three new OHP books from: Brian Massumi; Steven Connor; and Érik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski

open access spelled out with books

Via Gary Hall. All of the books are available for free download. Follow links below.

We are pleased to announce the release this month of two new titles in Open Humanities Press’ Immediations series:***

Brian Massumi’s The Principle of Unrest explores the contemporary implications of an activist philosophy, pivoting on the issue of movement. Movement is understood not simply in spatial terms but as qualitative transformation: becoming, emergence, event.

Available for free download at:

http://www.openhumanitiespress.org/books/titles/the-principle-of-unrest/

 

***

Nocturnal Fabulations/Fabulations nocturnes by Érik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski with an Introduction by Erin Manning.

This collective, bi-lingual project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time.Available for free download at:

English: http://www.openhumanitiespress.org/books/titles/nocturnal-fabulations/

French: http://www.openhumanitiespress.org/books/titles/fabulations-nocturnes/

***

We are also pleased to announce the latest book in the Technographies series:

Steven Connor’s Dream Machines

Dream Machines is a history of imaginary machines and the ways in which machines come to be imagined. It considers seven different kinds of speculative, projected or impossible machines: machines for teleportation, dream-production, sexual pleasure and medical treatment and cure, along with ‘influencing machines’, invisibility machines and perpetual motion machines.

“This is an engaging and imaginative exploration of various forms of writing, thinking, and fantasizing about dream machines, an endlessly fertile topic probed here from just about every possible angle “¦ a major intervention into current understandings of technology, literature, and identity.”

Matthew Rubery – Queen Mary University of London

“”¦ a deeply original contribution to the history and philosophy of technology and the cultural history of the imagination “¦”Laura Salisbury – University of Exeter

Available for free download at:

http://www.openhumanitiespress.org/books/titles/dream-machines/

With our best wishes,

Sigi, David, Gary

Responsive media

personal media

It’s interesting to compare competing interpretations of the same ‘vision’ for our near-future everyday media experience. They more or less circle around a series of themes that have been a staple of science fiction for some time: media are in the everyday environment and they respond to us, to varying degrees personally.

On the one-hand some tech enthusiasts/developers present ideas such as “responsive media“, a vision put forward by a former head of ubiquitous computing at Xerox PARC, Bo Begole. On the other hand, sceptics have, for quite some time, presented us with dystopian and/or ‘critical’ reflections on the kinds of ethical and political(economic) ills such ideas might mete out upon us (more often than not from a broadly Marxian perspective), recently expressed in Adam Greenfield’s op-ed for the Graun (publicising his new book “Radical Technologies”).

It’s not like there aren’t plenty of start-ups, and bigger companies (Begole now works for Huawei), trying to more-or-less make the things that science fiction books and films (often derived in some way from Phillip K Dick’s oeuvre) present as insidious and nightmarish. Here I can unfairly pick upon two quick examples: the Channel 4 “world’s first personalised advert” (see the video above) and OfferMoments:

While it may be true that many new inventors are subconsciously inspired by the science fiction of their childhoods, this form of inspiration is hardly seen in the world of outdoor media. Not so for OfferMoments – a company offering facial recognition-powered, programmatically-sold billboard tech directly inspired by the 2002 thriller, Minority Report.

I’ve discussed this in probably too-prosaic terms as a ‘politics of anticipation’, but this, by Audrey Watters (originally about EdTech), seems pretty incisive to me:

if you repeat this fantasy, these predictions often enough, if you repeat it in front of powerful investors, university administrators, politicians, journalists, then the fantasy becomes factualized. (Not factual. Not true. But “truthy,” to borrow from Stephen Colbert’s notion of “truthiness.”) So you repeat the fantasy in order to direct and to control the future. Because this is key: the fantasy then becomes the basis for decision-making.

I have come to think this has produced a kind of orientation towards particular ideas and ideals around automation, which I’ve variously been discussing (in the brief moments in which I manage to do research) as an ‘algorithmic’ and more recently an ‘automative‘ imagination (in the manner in which we, geographers, talk about a ‘geographical imagination’).

(Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work – Brooke Erin Duffy

Via Culture Digitally.

This looks like an interesting read by Brooke Erin Duffy. Although I know what Duffy calls here “aspirational work” is popular, I have been a bit surprised by how many of our students at Exeter actively do this kind of work – mostly fashion vlogging. I have had at least one dissertation on the topic for each of the last three years and many of the videos produced for my final year option module draw on these themes. Those I’ve spoken to are acutely aware of the nuances of the negotiations of different norms and values – ‘authenticity’ and getting paid don’t always sit well together it seems.

I hope I have the chance to check out this book so I can actually learn more about what I can only vaguely sketch (perhaps wrongly) at the moment, I hope some of those who read this will too…

Book Announcement: (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work

Fashion bloggers and Instagrammers seem to enjoy a coveted lifestyle–one replete with international jet-setting, designer-comped fetes, and countless other caption-worthy moments. Yet the attention lavished on these so-called “influencers” draws attention away from a much larger class of social media content creators: those aspiring to “make it” amid a precarious, hyper-competitive creative economy.

I tell their story in my new book (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work, and I’m grateful to my publisher Yale University Press for allowing me to share the first chapter with you.

The book focuses on female content creators and draws upon in-depth interviews with bloggers, vloggers, designers, and more. I learned that, often, these young women were motivated by the wider culture’s siren call to “get paid to do what you love.” But their experiences often fell short of the promise: only a few rise above the din to achieve major success. The rest are un(der)- paid, remunerated with deferred promises of “exposure” or “visibility”–even as they work long hours to satisfy brands and project authenticity to observant audiences.

A grueling balancing act is required, one that I explore through the lens of “aspirational labor.” As both a practice and a worker ideology, aspirational labor shifts content creators’ focus from the present to the future, dangling the prospect of a career where labor and leisure coexist.

Despite the book’s emphasis on gendered work, the concept of “aspirational labor” offers a framework for understanding, critiquing, and anticipating larger transformations in the social media economy. Indeed, the book closes by exploring the striking parallels between social media aspirants’ self-branding labor and the work so many of us undertake in contemporary academe.

CFP> “VIRAL/GLOBAL Popular Culture and Social Media: An International Perspective” 13th Sept 17 CAMRI

Via Tony Sampson.

“VIRAL/GLOBAL Popular Culture and Social Media: An International Perspective” The University of Westminster Communication and Media Research Institute (CAMRI), Sept 13th 2017

Date:
13 September 2017
Time: 9:00am to 7:00pm
Location: 309 Regent Street Regent Campus, 309 Regent Street, London W1B 2HW – View map

Gone-Viral-event-main-photo

Conference organised by the Communication and Media Research Institute (CAMRI)

Keynote Panel

  • Nancy Baym 
  • Emily Keightley
  • Dave Morley (TBC)
  • Tony D Sampson
  • Paddy Scannell

This interdisciplinary conference aims to examine how and why everyday popular culture is produced and consumed on digital platforms. There is increasing interest in studying and discussing the linkages between popular cultural and social media, yet there exist important gaps when comparing such cultural phenomena and modes of consumption in a global, non-west-centric context. The conference addresses a significant gap in theoretical and empirical work on social media by focusing on the politics of digital cultures from below and in the context of everyday life. To use Raymond Williams’s phrase, we seek to rethink digital viral cultures as ‘a whole way of life’; how ‘ordinary’, everyday digital acts can amount to forms of ‘politicity’ that can redefine experience and what is possible.

The conference will examine how social media users engage with cultural products in digital platforms. We will also be assessing how the relationship between social media and popular cultural phenomena generate different meanings and experiences.

The conference engages with the following key questions:

  • How do online users in different global contexts engage with viral/popular cultures?
  • How can the comparative analysis of different global contexts help us contribute to theorising emergent viral cultures in the age of social media?
  • How do viral digital cultures redefine our experience of self and the world?

We welcome papers from scholars that will engage critically with particular aspects of online popular cultures. Themes may include, but are not limited to, the following:

  • Analysing viral media texts: method and theory
  • Theorising virality: new/old concepts
  • Rethinking popular culture in the age of social media
  • Social media, politicity and the viral
  • The political economy of viral cultures
  • Memes, appropriation, collage, virality and trash aesthetics
  • Making/doing/being/consuming viral texts
  • Hybrid strategies of anti-politics in digital media
  • Viral news/Fake news
  • Non-mainstream music, protest, and political discussion
  • Capitalism and viral marketing

PROGRAMME AND REGISTRATION

This one-day conference, taking place on Wednesday, 13th of September 2017, will consist of a keynote panel and panel sessions. The fee for registration for all participants, including presenters, will be £40, with a concessionary rate of £15 for students, to cover all conference documentation, refreshments and administration costs.

DEADLINE FOR ABSTRACTS

The deadline for abstracts is Monday 10 July 2017. Successful applicants will be notified by Monday 17 July of 2017. Abstracts should be 250 words. They must include the presenter’s name, affiliation, email and postal address, together with the title of the paper and a 150-word biographical note on the presenter. Please send all these items together in a single Word file, not as pdf, and entitle the file and message with ‘CAMRI 2017’ followed by your surname. The file should be sent by email to Events Coordinator Karen Foster at har-events@westminster.ac.uk

Original: https://www.westminster.ac.uk/call-for-papers-viral-global-popular-cultures-and-social-media-an-international-perspective