An interesting project from Mushon Zer-Aviv, with shades of Canguilhem:
I am pleased to share that an article I co-authored with Rebecca Sandover (1st author) and Steve Hinchliffe has finally been published in Geoforum. I would like to congratulate my co-author Rebecca Sandover for this achievement – the article went through a lengthy review process but is now available as an open access article. You can read the whole article, for free, on the Geoforum website. To get a sense of the argument, here is the abstract:
Geographers and other social scientists have for some time been interested in how scientific and environmental controversies emerge and become public or collective issues. Social media are now key platforms through which these issues are publicly raised and through which groups or publics can organise themselves. As media that generate data and traces of networking activity, these platforms also provide an opportunity for scholars to study the character and constitution of those groupings. In this paper we lay out a method for studying these ‘issue publics’: emergent groupings involved in publicising an issue. We focus on the controversy surrounding the state-sanctioned cull of wild badgers in England as a contested means of disease management in cattle. We analyse two overlapping groupings to demonstrate how online issue publics function in a variety of ways – from the ‘echo chambers’ of online sharing of information, to the marshalling of agreements on strategies for action, to more dialogic patterns of debate. We demonstrate the ways in which digital media platforms are themselves performative in the formation of issue publics and that, while this creates issues, we should not retreat into debates around the ‘proper object’ of research but rather engage with the productive complications of mapping social media data into knowledge (Whatmore, 2009). In turn, we argue that online issue publics are not homogeneous and that the lines of heterogeneity are neither simple or to be expected and merit study as a means to understand the suite of processes and novel contexts involved in the emergence of a public.
Via Nancy Baym.
All those digits aren’t illegit,
they got it all mapped out for you…
Worth a listen/watch:
This looks interesting. Read the full call here.
On 16-18 May 2019, the Humanities, Arts, Science, and Technology Alliance and Collaboratory (HASTAC), in partnership with the Institute for Critical Indigenous Studies at the University of British Columbia (UBC) and the Department of English at the University of Victoria (UVic), will be guests on the traditional, ancestral, and unceded territory of the h?n?q??min??m?-speaking Musqueam (x?m??k??y??m) people, facilitating a conference about decolonizing technologies and reprogramming education.
Deadline for proposals is Monday 15 October 2018.
Submit a proposal. Please note: This link will take you to a new website (HASTAC’s installation of ConfTool), where you will create a new user account to submit your proposal. Proposals may be submitted in English, French, or Spanish.
- Conference Theme
- Presentation Formats
- Plenary Presentations
- Submit a Proposal
- Conference Logo
- Partners and Sponsors
- Pre-conference Activities
- en français
- en español
The conference will hold up and support Indigenous scholars and knowledges, centering work by Indigenous women and women of colour. It will engage how technologies are, can be, and have been decolonized. How, for instance, are extraction technologies repurposed for resurgence? Or, echoing Ellen Cushman, how do we decolonize digital archives? Equally important, how do decolonial and anti-colonial practices shape technologies and education? How, following Kimberlé Crenshaw, are such practices intersectional? How do they correspond with what Grace Dillon calls Indigenous Futurisms? And how do they foster what Eve Tuck and Wayne Yang describe as an ethic of incommensurability, unsettling not only assumptions of innocence but also discourses of reconciliation?
With these investments, HASTAC 2019: “Decolonizing Technologies, Reprogramming Education” invites submissions addressing topics such as:
- Indigenous new media and infrastructures,
- Self-determination and data sovereignty, accountability, and consent,
- Racist data and biased algorithms,
- Land-based pedagogy and practices,
- Art, history, and theory as decolonial or anti-colonial practices,
- Decolonizing the classroom or university,
- Decolonial or anti-colonial approaches involving intersectional feminist, trans-feminist, critical race, and queer research methods,
- The roles of technologies and education in the reclamation of language, land, and water,
- Decolonial or anti-colonial approaches to technologies and education around the world,
- Everyday and radical resistance to dispossession, extraction, and appropriation,
- Decolonial or anti-colonial design, engineering, and computing,
- Alternatives to settler heteropatriarchy and institutionalized ableism in education,
- Unsettling or defying settler geopolitics and frontiers,
- Trans-Indigenous activism, networks, and knowledges, and
- Indigenous resurgence through technologies and education.
Everything below is copied from here.
The 3rd International Geomedia Conference: “Revisiting the Home”
Karlstad, Sweden, 7-10 May 2019
Welcome to the 3rd International Geomedia Conference! The term geomedia captures the fundamental role of media in organizing and giving meaning to processes and activities in space. Geomedia also alludes to the geographical attributes of media, for example flows of digital signals between particular places and the infrastructures carrying those flows. The rapid expansion of mobile media, location-based services, GIS and increasingly complex patterns of surveillance/interveillance has amplified the need for critical studies and theorizations of geomedia. The 3rd Geomedia Conference welcomes contributions (full sessions/panels as well as individual papers) that analyze and problematize the relations between the any and all communication media and various forms of spatial creativity, performance and production across material, cultural, social and political dimensions. Geomedia 2019 provides a genuinely interdisciplinary arena for research carried out at the crossroads of geography, media and film studies. It also builds bridges to such fields as urban studies, rural studies, regional planning, cultural studies and tourism studies.
The special theme of Geomedia 2019 is “Revisiting the Home”. It responds to the prevailing need to problematize the meaning of home in an “era of globalized homelessness”, in times of extended mobility (migration, tourism, multiple homes, etc.) and digital information flows (notably social media). While such ongoing transitions point to a condition where home-making becomes an increasingly liquid and de-territorialized undertaking, there is also a growing preoccupation with questions of what counts as home and who has the right to claim something as (one’s) home. Home is a construct that actualizes the multilayered tensions between belonging, inclusion and security, on the one hand, and alienation, exclusion and surveillance, on the other. The theme of Geomedia 2019 centers on how media are culturally and materially integrated in and reshaping the home-place (e.g., the “smart home” and the “home-office”) and connecting it to other places and spaces. It also concerns the phenomenological and discursive constructions of home, ranging from the intimate social interaction of domestic spaces to the popular (and sometimes politicized) media nostalgia of imagined communities (nation states, homelands, etc.). Ultimately, “Revisiting the Home” addresses the home as a theoretical concept and its implications for geomedia studies. The theme will be addressed through invited keynote talks, a plenary panel, film screenings and artistic installations. Participants are also encouraged to submit proposals for paper sessions addressing the conference theme.
Melissa Gregg – Intel Corporation, USA
Tristan Thielmann – Universität Siegen, Germany
“Dreaming of Home: Film and Imaginary Territories of the Real”
Nilgun Bayraktar – California College of the Arts
Christine Molloy – Film director and producer, Desperate Optimists
Les Roberts – University of Liverpool
John Lynch (chair) – Karlstad University
Geomedia 2019 welcomes proposals for individual papers as well as thematic panels in English.
Individual paper proposals: The author submits an abstract of 200-250 words. Accepted papers are grouped by the organizers into sessions of 5 papers according to thematic area.
Thematic panel proposals: The chair of the panel submits a proposal consisting of 4-5 individual paper abstracts (200-250 words) along with a general panel presentation of 200-250 words.
Suggested paper topics include, but are not limited to:
- Art and event spaces
- Cinematic geographies
- Everyday communication geographies
- Epistemologies and methodologies of geomedia
- Geographies of media and culture industries
- Geographies of news
- Geomedia and education
- Historical perspectives of geomedia
- Home and belonging
- Lifestyle and tourism mobilities
- Locative and spatial media
- Material geographies of media
- Media ecologies
- Mediatization and space
- Migration and media
- Mobility and governance
- Policy mobilities
- Power geometries and mobility capital
- Surveillance and spatial control
- Urban and rural media spaces
September 24th 2018: Submission system opens
December 10th 2018: Deadline for thematic panel and individual paper proposals
January 25th 2019: Notes of acceptance and registration opens
February 28th 2019: Early Bird pricing ends
March 15th 2019: Last day of registration
Contact: You can reach us at firstname.lastname@example.org
Organizers and venue:
Geomedia 2019 is hosted by the Geomedia Research Group at the Department of Geography, Media and Communication, Karlstad University, Sweden.
Conference director: Lena Grip
Assistant conference director: Stina Bergman
Director of the Geomedia Research Group and chair of scientific committee: André Jansson
Doing public comms of science is hard, and it’s good to have people trying to make things accessible and good to excite and interest people about finding things out about the world… but it can tip over into being daft pretty easily.
— Victoria Derbyshire (@VictoriaLIVE) October 17, 2017
This made me wonder how Hubert Dreyfus would attempt to dispel the d:ream (don’t all groan at once!) as the ‘simulation of brains/minds’ is precisely the version of AI that Dreyfus was critiquing in the 1970s. If you’re interested in further discussion of ‘mind uploading’, and not my flippant remarks, see John Danaher’s writing on this on his excellent blog.
Another interesting ‘long form’ essay on the Institute of Network Cultures site. This piece by Anastasia Kubrak and Sander Manse directly addresses some contemporary themes in geographyland – access, ‘digital’-ness, exclusion, ‘rights to the city’, technology & urbanism and ‘verticality’. The piece turns around an exploration of the idea of a ‘zone’ – ‘urban zoning’, ‘special economic zones’, ‘export processing zones’, ‘free economic/enterprise zones’, ‘no-go zones’. Some of this, of course, covers familiar ground for geographers but its interesting to see the argument play out. It seems to resonate, for example, with Matt Wilson’s book New Lines…
Here’s some blockquoted bits (all links are in the original).
We get into an Uber car, and the driver passes by the Kremlin walls, guided by GPS. At the end of the ride, the bill turns out to be three times as expensive than usual. What is the matter? We check the route, and the screen shows that we travelled to an airport outside of Moscow. Impossible. We look again: the moment we approached the Kremlin, our location automatically jumped to Vnukovo. As we learned later, this was caused by a GPS fence set up to confuse and disorient aerial sensors, preventing unwanted drone flyovers.
How can we benefit as citizens from the increase in sensing technologies, remote data-crunching algorithms, leaching geolocation trackers and parasite mapping interfaces? Can the imposed verticality of platform capitalism by some means enrich the surface of the city, and not just exploit it? Maybe our cities deserve a truly augmented reality – reality in which value generated within urban space actually benefits its inhabitants, and is therefore ‘augmented’ in the sense of increased or made greater. Is it possible to consider the extension of zoning not only as an issue, but also as a solution, a way to create room for fairer, more social alternatives? Can we imagine the sprawling of augmented zones today, still of accidental nature, being utilized or artificially designed for purposes other than serving capital?
Gated urban enclaves also proliferate within our ‘normal’ cities, perforating through the existing social fabric. Privatization of urban landscape affects our spatial rights, such as simply the right of passage: luxury stores and guarded residential areas already deny access to the poor and marginalized. But how do these acts of exclusion happen in cities dominated by the logic of platform capitalism? What happens when more tools become available to scan, analyze and reject citizens on the basis of their citizenship or credit score? Accurate user profiles come in handy when security is automated in urban space: surveillance induced by smart technologies, from electronic checkpoints to geofencing, can amplify more exclusion.
This tendency becomes clearly visible with Facebook being able to allow for indirect urban discrimination through targeted advertising. This is triggered by Facebook’s ability to exclude entire social groups from seeing certain ads based on their user profile, so that upscale housing-related ads might be hidden from them, making it harder for them to leave poorer neighborhoods. Meanwhile Uber is charging customers based on the prediction of their wealth, varying prices for rides between richer and poorer areas. This speculation on value enabled by the aggregation of massive amounts of data crystallizes new forms of information inequality in which platforms observe users through a one-way mirror.
If platform economies take the city as a hostage, governmental bodies of the city can seek how to counter privatization on material grounds. The notorious Kremlin’s GPS spoofing fence sends false coordinates to any navigational app within the city center, thereby also disrupting the operation of Uber and Google Maps. Such gaps on the map, blank spaces are usually precoded in spatial software by platforms, and can expel certain technologies from a geographical site, leaving no room for negotiation. Following the example of Free Economic Zones, democratic bodies could gain control over the city again by artificially constructing such spaces of exception. Imagine rigorous cases of hard-line zoning such as geofenced Uber-free Zones, concealed neighborhoods on Airbnb, areas secured from data-mining or user-profile-extraction.
Vertical zoning can alter the very way in which capital manifests itself. The‘Bristol pound’ is an example of city-scale local currency, created specifically to keep added value in circulation within one city. It is accepted by an impressive number of local businesses and for paying monthly wages and taxes. Though the Bristol Pound still circulates in paper, today we can witness a global sprawl of blockchain based community currencies, landing within big cities or even limited to neighborhoods. Remarkably, Colu Local Digital Wallet can be used in Liverpool, the East London area, Tel Aviv and Haifa – areas with a booming tech landscape or strong sense of community.
Via Matt Wilson.
Via Stuart Elden.
Mapping Cyberspace was a formative introduction to ‘geography’ for me as an undergraduate digital arts student. It certainly influenced my (all-too-naive) BSc dissertation ideas… It’s great this is available, it documents so many things that seemed so vital at the time and that now appear almost like peculiar mirages.
Thanks to dmf for sharing this. Roy Ascott was a formative influence for me, via Mike Phillips & Chris Speed and the CAiiA+STAR (Centre for Advanced Inquiry in Interactive Arts [Wales] and Science, Technology + Arts Research [Plymouth]) crew, some of whom constituted the institute for Digital Art & Technology at Plymouth which ran the Bachelors course I took, the wonderful BSc MediaLab Arts (for a flavour see this characteristically [1990s] low-res video of a student show). I still have a copy of a Reframing Consciousness book on my shelf that I ‘borrowed’ from Mike in about 2001… and I basically became a geographer because of Chris, especially his piece Spacelapse.