Reflecting on the field trip to Kilburn

Montage of Kilburn High Road using pictures taken by the author

At the end of October 2014, I accompanied 140 students in their first year of studying geography at the University of Exeter on a field trip to London to put into practise some of what they have learned so far on the BA Geography course. While many of the activities were located in central London locations, including Hyde Park and the V&A museum, all 140 students also visited Kilburn. You may ask: Why? Obvious answers would include that ‘it’s a diverse area’, with which you may or may not agree. Then again, as Zadie Smith argued, at the launch of her novel “NW”: “But that is only the dullest thing that can be said about Kilburn, that’s it’s so ‘diverse’.”

We took the students to Kilburn for a number of reasons: that it is precisely not ‘central London’ but still has carries the attributes of being situated within a ‘world city’ like London; that immigration has helped shape Kilburn in interesting ways; that the High Road marks a boundary, between Brent and Camden; and, significantly for me at least, because Kilburn has previously been an inspiration to the geographer Doreen Massey.

In her 1991 article “A Global Sense of Place”, Massey uses the narrative of a walk down Kilburn High Road to illustrate the various ways we can understand feelings of place not as territories encompassed by boundaries but instead as ‘articulated moments in networks of social relations’. It is the vitality and the various movements, the comings and goings of shoppers, families, locals and visitors alike, the businesses opening and closing: all of these connections through space AND time that come to make up our sense of place. This is the shared ‘Kilburnosity’ about which Zadie Smith writes. For Massey, places – and Kilburn in particular – are not solely local. The global threads through the local (producing those movements of people, money and goods) and, in the same way, the local builds the global.

The students enjoyed their brief exposure to ‘Kilburnosity’ and I enjoyed the questions Kilburn prompted them to begin to ask of themselves in the process: of how ‘places’ get continually made and of our various roles in that process. I think we all began to see why Zadie Smith boldly stated: “I’d rather walk down Kilburn High Road than the King’s Road – than any road in London. For selfish reasons: there’s so much more to see, and hear.”

Reblog > Deleuze in Southend-on-Sea (Tony Sampson)

In a very cogent performance of Deleuzian theory through a discussion of Southend-as-assemblage, Tony D. Sampson (author of, amongst other things, Virality) gave one of the opening talks of Club Critical Theory, a really lovely idea for bringing about public engagement with critical theory–resolutely beyond the ‘ivory towers’ (or concrete slabs in some cases) of academia. Definitely worth a read:

Deleuze in Southend-on-Sea

Applying Deleuze to Southend in the context a Club Critical Theory discussion is a doubly difficult task. To begin with Deleuze introduces a new vocabulary that sits atop of an already complex layer of philosophical debate. We will need to grapple with complexity theory and a strange incorporeal materialism. Then there are personal reasons that make this task problematic relating to my own situation here as a Southender. Deleuze, for me, represents an escape from certain aspects of my early working life in Southend at the local college and particularly my time spent in what we referred to then as the School of Media and Fascism. Deleuze was part of my escape plan from this horror, so returning to Southend with him in mind presents all kinds of problems, but let’s put those aside for a moment and see where Deleuze in Southend takes us.

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Mattering Press – a new STS publishing initiative

I was really pleased to see that ‘Mattering Press‘ has been formed as a new publishing initiative for STS, committed to the creation and publishing of widely accessible, carefully produced, and intellectually vibrant books in Science and Technology Studies (STS). The first books are due to be published this year (2014). One of the core team leading the initiative is fellow (trans/inter-disciplinary) geographer Sebastian Abrahamsson (Amsterdam, working with Annemarie Mol).

I have copied below the post about this on the EASST website:

Mattering Press started in early 2010 as a publishing initiative of the Flows, Doings, Edges collective: a peer-support group of early career researchers interested in relational research. Sensitive to the relational and material politics of knowledge production, in early 2012 we began to explore the possibilities of alternative modes of engaging with works we find interesting and important. The term ‘mattering’ comes from Science and Technology Studies, and captures at least three important components of our thinking about Open Access publishing.

  1. The first is materiality, that is, the STS insight that all knowledge comes from particular places and its successful formulation strongly depends on the alignment of all kinds of entities, from buildings through laboratory equipment to physical bodies. Within academic life, texts are not only crucial parts of such alignments, but are also often considered to be their most important outcomes. We believe it is fascinating and increasingly necessary to consider their production as experimental interventions in research practice, rather than its afterlife.
  2. The second is that the way academic texts are produced matters – both analytically and politically. Dominant publishing practices work with assumptions about the conditions of academic knowledge production that rarely reflect what goes on in laboratories, field sites, university offices, libraries, and various workshops and conferences. They tend to deal with almost complete manuscripts and a small number of authors, who are greatly dependent on the politics of the publishing industry. This is particularly true in the social sciences and the humanities, where books have a great importance, not only in academic debates, but also in (early) career development.
  3. The third component is to consider publishing as an ongoing process: mattering suggests that working with authors and manuscripts is an activity that doesn’t necessarily start with almost complete manuscripts and hardly ever ends with the publishing of a book. What constitute book-like texts and how they circulate are questions just as important as those related to their commissioning and editing.

These are the concerns that we hope Mattering Press will be able to hold in focus as part of a growing and ever-changing STS community, and as part of an active initiative to reflect on and innovate around our own knowledge production practices. Informed by these points, Mattering Press is organised around the following three sets of practices, each of which in turn draws on our ongoing thinking about what new relations more careful modes of academic knowledge production might produce.

  1. We care about open access to academic work. This means that all our books will be accessible as digital texts and downloadable e-books for free on our website. We are committed to sharing both academic knowledge, and the very practical knowledge that we are acquiring over the course of setting up this project. In this vein, we are working on a number of collaborative initiatives that will hopefully benefit not just us, but more widely the Open Access community. We also care for printed academic books, and so will sell high quality, professionally designed copies of all Mattering books, partly as a way of generating revenue for the press, and partly because we value the material tactility of books.
  2. Like all academic presses, we care a lot about quality and academic standing of our publications. Unlike most presses, however, we believe that double blind peer review is not always the best way of ensuring academic excellence. Rather, we believe that academic work in the social sciences benefits from open, productive collaboration of authors and reviewers. We are therefore recommend that reviewers provide open, signed peer reviews where possible. We expect this will help to establish a relationship of care between reviewers, authors and editors, and will eventually also benefit the resulting texts. For some texts, we are also experimenting with more sustained collaborative relationships between reviewers and authors which we expect to be particularly beneficial for early career researchers.
  3. Last but not least, care in open access academic publishing means working towards the financial sustainability of the press and to try to pay those who do not have a stake themselves in academic knowledge production (such as typesetters, website programmers, proofreaders, text editors, and designers). This means trying to develop a financially viable model of open access book production in the difficult institutional and industry funding landscape of academic publishing. This also means engaging potential readers in the practical and financial challenges of open access book production, given that we suspect that many will have very little idea of the work that goes into the production of not simply a book, but a self-sustaining academic press. Getting the press up and running has already taken many hundreds of hours of unpaid labor not just from us, but a range of friends and supporters. We are therefore keen to experiment with ways of making this work visible on our website and possibly in our books, as a way of drawing potential readers into the debate about what it really means for academics to take responsibility for the outcomes of their own knowledge production practices.

Our presentation at the CRESC conference reception marks the moment when Mattering Press announced itself to some of its potential publics. Next year, we look forward to an official launch of the Press. Our first batch of books will include a collection of essays provisionally titled Practising Comparison: Revitalising the Comparative Act, edited by Joe Deville, Michael Guggenheim and Zuzana Hrdlickova, a collection of essays provisionally titled The Empirical Baroque, edited by John Law and Evelyn Ruppert, and an English translation of a book by a major STS scholar, which we hope to be able to announce soon. It is expected that our second batch of books, to be released in 2015, will include several texts by promising early career researchers. In the meantime, you can find us at: www.matteringpress.org

Border Bumping

While the lines drawn on maps, policed at crossings and customs posts, can apparently clearly delineate a border, other technologies that can also (be used to) place us, on one side of a border or another, may ebb and flow with atmospheric, material and technical differences. In particular, the relatively well known tendency for the cellular mobile phone system to record the location of a given device (via triangulation) as some distance from the actual physical location has been interrogated and played with by artists and activists alike.

One such meditation on the vagaries of the locational capabilities of the GSM system is the Border Bumping project. Julian Oliver has played around with how we traverse borders by examining how phones register with the network and redrawing a map of the borders accordingly. Oliver has created an app that lets owners of Android phones contribute to the project.

Here’s a nice video exploring ‘Border Bumping’:

Close up at a distance, Laura Kurgan

There are a number of people engaging in really thoughtful and thought-provoking artistic, activist and political engagements/interventions with geographical (topographical) technologies, which are very much worth paying attention to. Work by Jordan Crandall, Laura Kurgan, Lisa Price and Trevor Paglen, amongst others, I think offers some really interesting ways of critically thinking about, and engaging with, the various kinds of mappings we (as socieities) are variously undertaking for sometimes not-so-benevolent causes.

Laura Kurgan’s recent Close Up at a Distance: Mapping, Technology and Politics has attracted some deserved attention by geographers and, in a similar vein to Patrick Crogan’s excellent Gameplay Mode, offers an interesting critical engagement with the military origins of satellite mapping and imaging technologies. Kurgan argues that we cannot stand at a ‘critical distance’ to evaluate these technologies but rather –  we are “addressed by and embedded within them”. Thus – “Only through a certain intimacy with these technologies–an encounter with their opacities, their assumptions, their intended aims–can we begin to assess their full ethical and political stakes” (page 14).

Columba Peoples, from the School of Sociology, Politics and International Studies at the University of Bristol, has written a good review of Kurgan’s Close Up at a Distance for the open access book reviews section of Environment and Planning D: Society and Space, which is online here and well worth a read.

Also, Laura Kurgan and Trevor Paglen engaged in a fascinating conversation about their practice at Columbia University earlier this year, which was recorded and is available on YouTube:

Note: Trevor’s mic doesn’t work very well and he’s muffled for a bit at the beginning but it gets fixed so stick with it!