Making space for failure – article by Harrowell, Davies & Disney

statue of a man holding his head with his right hand

An article about making space for failure in research in The Professional Geographer caught my eye in a Twitter post today. I’ve copied the title and abstract below, with a link to the article.

Making Space for Failure in Geographic Research

The idea that field research is an inherently “messy” process has become widely accepted by geographers in recent years. There has thus far been little acknowledgment, however, of the role that failure plays in doing human geography. In this article we push back against this, arguing that failure should be recognized as a central component of what it means to do qualitative geographical field research. This article seeks to use failure proactively and provocatively as a powerful resource to improve research practice and outcomes, reconsidering and giving voice to it as everyday, productive, and necessary to our continual development as researchers and academics. This article argues that there is much value to be found in failure if it is critically examined and shared, and–crucially–if there is a supportive space in which to exchange our experiences of failing in the field.

I really value the honesty that Elly Harrowell, Thom Davies and Tom Disney bring to their accounts of how hey dealt with perceived failures in their own research. It makes me think about all sorts of things from my own research.

First, it makes me think of my own shambolic and fairly short PhD fieldwork experience. In 2008, when doingwhat was  my first ‘proper’ fieldwork I was visiting lots of different labs and research centres, driving all over ‘Silicon Valley. I attended ‘meet-ups’ and open lectures at various tech campuses as a way of networking and recruiting participants. Two memorable things stand out: first – locking myself in a toilet in a large multinational tech company HQ and being unable to get out without someone calling security for me; and second, leaving my ethics forms in a different bag and then getting roundly told off by a research participant – which led onto an interesting discussion about their own research ethics.

If you are able to laugh at yourself I think it helps. This is something I’m honestly not that good at and remembering these things can be painful. However, as Harrowell, Davies and Disney all outline in their article – failure can be productive, it can lead to different insights and reveal things for and about your research you might otherwise not appreciate.

Second, the article reminded me of a theme in my PhD research, which I didn’t really pursue – lots of the people involved in tech R&D I interviewed talked about the hidden nature of failure, that it’s an important part of their work but that, because it doesn’t lead to reward, via papers and patents, it doesn’t really get discussed or made present. The sad thing about this is that several people talked about seeing projects at other institutions that repeated their own ‘mistakes’ or ‘failures’ several years later.

This is a common theme and there’s been some commentary about this in terms of ‘scientific progress’ – in the sense that if you don’t know that other people have tried something and it didn’t work then you may well unknowingly repeat an experiment that will fail. About eight years ago this was a theme also brought up in worries about the metricisation of scientific recognition and publications and a journal was proposed and set up called the Journal of Negative Results in BioMedicine.

One of the key arguments for ‘open’ research, I think, is that, if set in the right context, it offers a space for failure. Two key parts of that ‘right context’ stand out for me: First, if you are not punished (in terms of reward and recognition and wider measurements such as the UK REF) for saying ‘we tried this and it didn’t work’ more people might publish ‘negative results’. Second, others need to be able to access that information and ‘open’ research promises a means of facilitating that…

Read the article: Making Space for Failure in Geographic Research

Putting the philosophy of geography into practice – RGS-IBG 2017

conference session with someone holding up a sign saying 'dis-agree'

There are two sessions at the RGS-IBG conference this year concerned with putting the philosophy of geography into practice. These sessions have a diverse range of speakers and paper topics that address both the pleasures and the problems of ‘doing theory’ in geography – both for research and in teaching.

This is not an esoteric and navel-gazing exercise in bolstering a sense of disciplinarity or individual eminence but rather a means to discuss the relations between the everyday practises of doing geography and the, sometimes-maligned, theoretical-methodological techniques we variously employ in geographical research and teaching.

Please find below the list of papers with links to the sessions in the online conference programme.

Session 1: ‘Putting philosophies of geography into practice in research‘ (session 88), Wednesday, Session 3 (14:40 – 16:20), Skempton Building, Room 307.

Performance, theory and economy in geography
Lizzie Richardson (Durham University, UK)

This intervention examines the variety of relationships between performance and theory in geography. It outlines three different performances of theory in geography. One is theories of space that might be understood as a core concern of the discipline although not always expressed in geographical scholarship. Another is attempts to find space and place in forms of philosophy and theory ‘beyond’ geography. A final performance is the movement (or lack thereof) of theory through space and time, into and out of geographical scholarship. These theoretical performances each have different implications for what is understood of as geography and geographical knowledge. The intervention then moves on to examine how theorisations of performance itself cut across these three different approaches with a variety of implications for constructions of contemporary geographical knowledge. This is examined through the example of the changing parameters of ‘economic geography’ and approaches to economy in geography.

Transdisciplinarity and Translation
Keith Harris (University of Washington, USA)

This paper focuses on the problem and potential of collective knowledge production by revisiting the notion of transdisciplinarity as it was practiced by the Centre d’études, de recherches et de formation institutionnelles (CERFI). CERFI was social science research collective founded by Félix Guattari in 1967 as a practical outgrowth the Fédération des groups d’études de recherches sur la functionnement des institutions (FGERI), which he had established two years earlier in an effort to gather and intensively share research from independent research groups focused not only on psychoanalysis – Guattari’s own domain as the co-director of the La Borde psychiatric clinic in the Loire Valley – but also from “teachers and professors, urban planners, architects, economists, filmmakers, [and] alternative military service teachers” (Dosse 2010, 76; cf. Morford 1985 and Fourquet 1982). The journal Recherches (1966-1983) was the vehicle for disseminating CERFI’s and other FGERI groups’ work, and was staunchly transdisciplinary in its attempt to challenge various disciplines to articulate their research trajectories in a way that neither repeated the jargon unique to each discipline nor diluted the complexity of the research for the alleged benefit of readers from other disciplines (an approach that Guattari and Gilles Deleuze adopted in their own coauthored work). Instead, the journal was envisioned as a place where different disciplines could create “‘distinctive oppositions’ rather than remaining in antagonistic structures of mutual misunderstanding” (Guattari 1966, 3, my translation). The paper also addresses Guattari’s concept of transversality (Guattari 2015), which underpins these groups’ commitment to transdisciplinarity, and explicitly address how the contemporary activity of translating such work – in particular, my current efforts to co-translate CERFI’s research on urban problems and problematization that was published in Recherches 13 (Fourquet and Murard 1973) – extends the process of collective knowledge production both spatially and temporally, and opens up new avenues for contemporary interventions, discussions, and connections across disciplines.

Combining post-human, participatory and situated philosophies of geography: a humble research practice?
Samantha Saville (Aberystwyth University, UK)

In this paper, I explore what kinds of research practice are suggested when combining insights from posthuman philosophies and ethical leanings of participatory, co-produced, situated knowledges. I argue that one potential conceptual framework these directions could lead to is the notion of a ‘humble geography’. Through examples from my doctoral research in Svalbard, in which a humble geographic practice emerged and developed, I sketch out some ideas as to how such philosophies play out ‘in the field’ and indeed afterwards when ‘writing-up’, re-presenting and re-producing knowledges. The humble approach I outline sits at odds with traditional senses of academic authority and with rising pressures to sell oneself and work as highly impactful, important, in short anything but humble. In this way, there is scope to join thinking with the emerging ideas of slow scholarship, activist and gentle geographies.

Disruptive interventions: Art practice and the generation of politically complex cultural geographies
Veronica Vickery (University of Exeter, UK)

Current commentaries on art-geographies tend to focus on questions of inter-disciplinarity, rather than the potential for art practice-as-research to be generative of politically complex cultural geographies. Reflecting on the way that human-scaled landscape events can be haunted by deep-time Earth forces, I undertook a series of live-art-to-camera performances, leading to a productive theoretical engagement bringing new materialisms into dialogue with landscape studies. This work demonstrates the unpredictability and riskiness of researching through a critical arts practice. It also shows how these conditions, or disruptive interventions, can be generative of new ways of (body)knowing in the world; ways of knowing which in this project serve to confront the violence and contradictions of a fast changing enviro/geopolitical landscape. I propose that landscape is inherently violent, and that as such, landscaping practices are always politically differentiated and situated. It is a violence in which there can be no innocent place of on-looking; we are all mutually implicated in landscape and landscaping-practices, and indeed, the ghosts of our own vulnerabilities are never far away. Therefore, working from within an art practice–as geographical research–can contribute a perspective of political complexity and generative encounter, in which unexpected collisions, between things, practices, and bodies function to produce spatial connections beyond contemporary analysis.

Critical Realism, Spatial Relations and Social Science Research
Alan Patterson (Sheffield Hallam University, UK)

Arguing for a critical realist approach, this paper draws upon the work of Bhaskar, Sayer, and others to focus on the relational nature of causality, and the significance of this for undertaking ‘real world’ research – i.e. human geography!
The paper addresses the often ambiguous and ill-defined role of ‘space’ in social science research. Only rarely are the causal mechanisms and structures which result in spatial differentiation explicitly considered. Where attempts have been made to consider such factors this is often undertaken in a simplistic fashion, as though concrete reality was simply the result of an unproblematic ‘mapping out’ of abstract processes. These approaches are considered to be inadequate and the discussion takes up the question of the importance of spatial structures to the understanding of causal processes, and examines the implications of this for the design of social science research. In particular, an original ‘relational’ view of causality is presented (which sees reality as forged only when social objects are concretised in a specific set of spatial and temporal relations) which has the potential to resolve the incipient aspatiality of abstract research. It is concluded that the use of intensive case study methods, contextualised within a theoretically informed research design, is a fundamental requirement in order to obtain adequate explanations of complicated social phenomena.

Session 2: ‘Putting philosophies of geography into practice in teaching‘ (session 119), Wednesday, Session 4 (16:50 – 18:30), Skempton Building, Room 307.

Thinking media through the urban: Practicing geography beyond classroom and discipline
Scott Rodgers (Birkbeck, University of London, UK)

This paper addresses two linked questions. How might philosophies of geography be put into pedagogical practice beyond the classroom? And how might this pedagogical practice be negotiated, when the classroom in question lies beyond the discipline of geography? In recent years I have designed and taught a final year undergraduate module titled The Mediated City. This module, directed at media studies as well as general arts and humanities students, encourages an approach to media forms as they emerge through everyday experiences of urban environments and urban living. In so doing, the course interfaces with the ordinary modalities of Birkbeck students, who attend classes at night, tending to work during the day, and in so doing traverse all manner of London spaces. My discussion will centre on an alternative assessment used in this module, in which students build up a compilation of encountered ‘urban media’ examples including text, photos, audio, video, maps and other elements, combining the use of mobile media technologies with a personal blog. Through this coursework, students practice geographical forms of knowing through ordinary urban encounters. In opening themselves to the ordinary and unexpected, they are invited to challenge representational knowledge narrowly conceived. But for the first time in their studies, they are also asked to reckon with the more formal representational knowledge of geography-as-discipline. I will argue that in provisionally deploying geographical philosophies, beyond classroom and discipline, openings are created that challenge media centrism, encouraging students to see and experience media as inherent to their everyday worlds.

Teaching critical GIS historically
Matthew Wilson (Harvard University, USA / University of Kentucky, USA)

In the nearly twenty-years since the publication of Nadine Schuurman’s dissertation on critical GIS, there have been sustained and wide-ranging conversations around what it means to practice criticality with and about geographic information systems. For a new generation of GIScience practitioners and scholars, there is an open question around the role of an historical approach to technical training that has deep roots in early 20th century approaches to Anglophone cartographic education. More recently, advancements by feminist critiques of GIS and mapping have inspired renewed contextualization of mapping techniques, offering either/both social and historical contingencies and implications in critical GIS practice. The point, I argue, is not to teach students a singular history or origin story of geospatial innovations and techniques, but to assist students in understanding that there were many ways forward in the development of GIS and that an historical approach should inspire further tinkering and experimentation — beyond a pervasive ‘recipe-book approach’ within more conventional GIScience pedagogy. In this presentation, I overview and reflect upon both successful as well as more challenged efforts to forward a critical GIS approach in undergraduate teaching and chart an agenda of continued debate and inquiry into the role and responsibility of GIS in the discipline of Geography.

‘Geography is what Geographers do’: a Wittgensteinian reprieve
Pauline Couper (York St John University, UK)

The assertion that “Geography is what Geographers do” has been both cited and criticised for so long (e.g. Putnam, 1957; Bird, 1973; Pacione, 1987; MacDougall, 2003) that it has become something of a disciplinary cliché. When considered a definition or description of Geography the criticisms have some justification. This paper instead takes the phrase as a prompt for thinking through ‘what geographers do’ in the everyday practices through which the discipline is brought into being. It draws on Wittgenstein’s later philosophy (Philosophical Investigations, On Certainty) and the work of subsequent philosophers of education (Burbules, Smeyers) to foreground the ‘rough ground’ of everyday acts in which we exercise geographical judgment. A disconnect exists between this rough ground and the structural separation of research and teaching through funding and assessment mechanisms that provides context for (and so shapes) our work. The paper then considers the implications for geographical pedagogy, the ways in which students co-constitute the life of the discipline, and for the organisation of Geographical university education and its departments.

Theory generation in the classroom
Sam Kinsley (University of Exeter, UK)

The generations of theory in human geography are not only performed in conferences, research group meetings and conference panels but also in the classroom. This is a paper concerned with how those generations are made present. By performance of ‘generation’ I mean both the practical generating of theory, through scholarship and research, and the cultural, discursive and temporal generations of scholars themselves. The aim therefore is to sketch out how such performances may function in the classroom. In particular, I want to think through how we might tackle the ways the dialogical relations between generations in the generating of theory may lead to helpful and unhelpful ‘traditions’ (following Scott 2014) and signal how attention to this may be fruitful for the pedagogy of critique.

Stiegler on holiday…

Eddie Murphy in the pool in Beverly Hills Cop 2

The usual round of posts by academics on social media about writing during the summer 'holiday' (made more frenzied by Andrew Adonis' remarks)  has made me think of Stiegler's 2012 interview in Philosophie magazine, in which he says:

To deprogram oneself necessitates keeping to very specific schedules, which are what Foucault, once again, described as techniques of the self, echoing Seneca. Holidays are a moment to practice such programmes. Myself, I use relaxation as a form of deprogramming. When I go on holiday, I work early and write all morning. Then, I swim, a lot, until that state when physical exertion stimulates a rush—because the brain produces a lot of endorphins. Swimming thus becomes a journey within oneself, during the course of which I run back through my memory of everything I wrote several hours earlier. Then I lie in the sun, drained, and I let my mind empty, since this is how unlikely thoughts can arise: something un-programmed emerges from all of this. Then I return to writing: I note all that has arisen — first in the water, then in the sun — all through rereading and annotating what I wrote in the morning.

Under the sun, I sense that this mass of hydrogen that has been combusting for several billion years is a cosmic programme that intervenes in my physiological programmes — muscles, brain, various organs — and which, in this intervention, produces a difference, a change of programme which allows me to write another kind of programme: a book in which I comment generally on other books.

Books, when they are good, are thus deprogramming programmes, unlikely programmes, like poems, in which there must be, wrote Paul Claudel, “a number that prevents counting”.

[My translation]

If only…

 

Reblog> Call for blog post contributions: Help celebrate 25 years of Gender, Place and Culture

A glitched image of a typewriter

From the Gender, Place and Culture blog:

In 2018, Gender, Place and Culture: A Journal of Feminist Geography is celebrating its 25th anniversary, and we’d like to mark the occasion by hearing from those of you who have an interest in all things feminist geography! We are therefore looking for expressions of interest to contribute blog posts to our website!We seek 25 blogs for 25 years. The posts will be released approximately twice a month throughout 2018. And, if we receive more than 25 blogs, we’ll post them more frequently! As well as being shared via our Facebook and Twitter feed (please share with anyone who you think might be interested!) using our special #GPC25 hashtag, the blogs will also be featured on this site and a new GPC@25 website that is currently under construction.

What we need now

All we need at this stage is: 1) title/subject and 2) a short statement of a sentence or two outlining the broad topic. We will decide on the release date of the blogs nearer the time. So at this stage you are only committing yourself to delivering a 750-word blog/essay in principle.

What should I write about?

You may already have a great idea but as a guide, the theme is “Feminist Geographies at 25″. Blogs might reflect on the following ideas, but do not need to be limited to them:

  • Key interventions made by feminist geographers;
  • Histories of feminist geography;
  • Doing feminist geographies;
  • Key themes or issues;
  • Feminist geographers that have inspired your work;
  • Impact of the journal in your work;
  • Calls to action;
  • Why you wanted to be published in Gender, Place and Culture; and

Comments on current events are also appropriate, especially when related to aspects of feminist geography.

Who can write for the site?

We welcome submissions from geographers of all career stages – researchers, scholars, master’s and doctoral students, post-docs, undergraduate students, and community activists. We would especially like to encourage doctoral students and early career researchers to contribute.

Where do I submit my idea and my blog?

Submission ideas should be sent to our dedicated GPC@25 website email address (GPCat25 @ gmail.com) by 31st August 2017. These will ideally be posted in the first half of 2018. A second submission date will be set later. Blog ideas will be vetted and selected that reflect the broad interests of feminist geographers. Once your post has been selected, Anna Tarrant the social media coordinator for Gender, Place and Culture, will get in touch with you to provide an approximate timeline for delivering the blog. We would expect that most contributions be sent to us in the space of 2-3 weeks.

If you have any questions, please ask. Ideas do not need to be fully formed at this stage and we are happy to provide further guidance/advice if necessary.

Revisiting a 90s future: AHRC/EPSRC Next Generation of Immersive Experiences

glitches image of a 1990s NASA VR experience

Emails have been circulating this week about this so it may already be familiar, but ‘digital’ academics may be interested in this… The below is more or less the text of the emails I’ve seen.

Sources: Teeside / AHRC

The Arts and Humanities Research Council (AHRC) and the Engineering and Physical Sciences Research Council (EPSRC) offer support to interdisciplinary research partnerships with the potential to create new knowledge and address major challenges for the development of the next generation of immersive experiences.Proposals are invited from interdisciplinary research partnerships in the areas of:

– Memory – how can new immersive experiences extend the access, interpretation and reach of memory-based institutions such as museum, galleries, archives and collections?
– Place – what new experiences can be created by the combination of immersive technology and place based services?
– Performance – what new creative practices are enabled by immersive technology, what new experiences can be offered to audiences and how can this transform or extend models of performance?

One of the primary aims of this call is to build interdisciplinary capabilities, collaborations, and partnership which will be well placed to take advantage of future opportunities for research and innovation (both from UKRI and beyond). As such AHRC expect partnerships funded through this call to have a life beyond the end of the funding period.

It is expected that the outputs from the funded projects and the wider cohort will include:

  • Interdisciplinary partnerships including academic researchers and creative economy partners;
  • The potential research questions within this space to have been further developed and refined;
  • Sufficient proof of concept(s) / prototypes / visualisations to have been developed by researchers;
  • Tangible advances in creativity, insights, knowledge and understanding in the area of immersive experiences across one or more of the themes;
  • Working with AHRC, EPSRC, IUK and other funders to understand the complexities of funding research in the immersive experience space and potential barriers to exploitation and scaling up of research outputs.

All outcomes should ensure that the UK creative economy can be a world leader in the conceptualisation, design, production and distribution of commercial and cultural immersive experiences in the future.

This call represents an initial stage of investment in the next generation of immersive experiences. AHRC are currently scoping what form further stages of investment might be, and the outcomes of this call will help to inform these further stages.

The maximum value of applications at 100% FEC is £75,000; the deadline for submissions is 5 October 2017. For further details, see the AHRC website.

The Call Document (PDF, 239KB) provides further information on the context and aims for, and the scope of, the call as well as information on how to submit applications.

The AHRC are running a series of engagement events in early July 2017 to cover this call. Details of these events can be found here

Jen Jack Gieseking on How to Set Up Your Own Website and Why It’s Worth It

A glitched image of a typewriter

Nice post by Jack Gieseking on why it’s worth setting up a website as an academic. I’d broadly echo many of the points here, albeit from a different standpoint – I’m less prolific and I guess I’m more in curatorial mode on this website at the moment… (I am actually writing again though, so that’s nice)

For Academics: How to Set Up Your Own Website and Why It’s Worth It

Dear Academic Friend,

Over the years, many of you have asked me how to build a website. About eleven years ago, a graduate school friend patiently sat next to me and taught me the ropes using pure HTML. It’s much easier now. If you want a little convincing as to why to do this or want to get firmly rooted on your politics in this, continue reading. If you are already determined to build your own website, click here to skip down. My mantra here: ideas are free; let’s share.

Really, people want to hear about what I do? Let’s begin with the obvious: what you do is important. Wildly important. You may think you are boring, dull, unclear, or talking to your navel, but someone, somewhere needs your work on the lesbian spaces, the history of the lute in 1689, Saharan slavery practices, a rare snail on the coast of the Bahamas, or the relationship of the human-animal of lab scientists studying jellyfish. They truly do. Let’s say you actually choose to believe me for a second and the grip of self-doubt can be put aside for even a few minutes. You know I’m going to encourage you to set up your own website. Now let’s deal with your concerns.

Read the rest of this post on Jack’s website.

The Priority of Injustice – Almost ready…

The Priority of Injustice – BarnettMy colleague Clive Barnett has blogged an update concerning his latest book The Priority of Injustice, with the blurb – see below.

“This original and ambitious work looks anew at a series of intellectual debates about the meaning of democracy. Clive Barnett engages with key thinkers in various traditions of democratic theory and demonstrates the importance of a geographical imagination in interpreting contemporary political change.

Debates about radical democracy, Barnett argues, have become trapped around a set of oppositions between deliberative and agonistic theories–contrasting thinkers who promote the possibility of rational agreement and those who seek to unmask the role of power or violence or difference in shaping human affairs. While these debates are often framed in terms of consensus versus contestation, Barnett unpacks the assumptions about space and time that underlie different understandings of the sources of political conflict and shows how these differences reflect deeper philosophical commitments to theories of creative action or revived ontologies of “the political.” Rather than developing ideal theories of democracy or models of proper politics, he argues that attention should turn toward the practices of claims-making through which political movements express experiences of injustice and make demands for recognition, redress, and repair. By rethinking the spatial grammar of discussions of public space, democratic inclusion, and globalization, Barnett develops a conceptual framework for analyzing the crucial roles played by geographical processes in generating and processing contentious politics.”

 

Excellent postgrad opportunities with Data Justice Lab

From: Data Justice Lab

Funding is currently available for students in postgraduate programmes at Cardiff University, including the MA Digital Media and Society and the PhD in Journalism (with a focus on Digital Media and Society). Applications for the coming academic year (2017/18) are still accepted. Students are welcome to work on issues of data justice and become part of the Lab.

The MA Digital Media and Society explores current challenges in areas such as big data, digital rights, social media, digital culture and economy, internet governance and online politics. The Cardiff School of Journalism, Media and Cultural Studies also offers a wide range of other MA programmes in areas such as journalism studies, data journalism, and political communication.

Cardiff University offers Master’s Excellence Scholarships in the form of a tuition fee discount. To be eligible for the scholarships, please apply for the MA programme no later than 15 June.

The School’s PhD programme encourages students to engage with one of its research clusters, including Digital Media and Society. Applications that are submitted by Friday 2nd June will be considered for an ESRC studentship programme that addresses research challenges in areas such as digital infrastructure and the use of data.

Cardiff’s School of Journalism, Media and Cultural Studies (JOMEC) is one of the world’s leading departments in Media & Communications. In the 2014 Research Excellence Framework the school was ranked 2nd in the UK for the quality of its journalism, media and communications research.

Simondon and Technics event recordings

Glitched image of a mural of Prometheus giving humans' fire in Freiberg

If you were not in Kingston earlier this week but have a desire to be part of the ‘next big thing in theory’, or you’re actually interested in the philosophy of technology, it appears that the talks were recorded… via dmf / Stuart Eldon.

Simondon on Technics: On the Mode of Existence of Technical Objects

Please join the Centre for Research in Modern European Philosophy (CRMEP) for a workshop to discuss Gilbert Simondon’s 1958 On the Mode of Existence of Technical Objects, finally now translated into English in its complete form.

Speakers: Andrea Bardin (Brunel University), Giovanni Carrozzini (CIDES, MSH Paris-Nord), Xavier Guchet (Paris 1 Sorbonne), Cécile Malaspina(translator), Simon Mills (De Monfort University), Pablo Rodriguez (University of Buenos Aires)

The 2016 English translation of Gilbert Simondon’s 1958 On the Mode of Existence of Technical Objects finally introduces the Anglophone reader to a complete version of the French philosopher’s great work: a complex crossover between ontology, epistemology, psycho-sociology and the philosophy of technology. With the participation of international specialists on Simondon’s writings, this workshop aims to explore the main themes of Simondon’s philosophy of technology, connecting them to the relational ontology of communication processes outlined in Individuation in the Light of the Notions of Form and Information.