New arrival & blogging less frequently

I am not one for advertising personal information but I thought it might be worth recording here that blogging is and will continue to happen less frequently because of the recent arrival of a new member of my family. So, if you find what I already infrequently blog here of interest – please bear with me.

“Crossovers” – performance dialogues

I stumbled across the Performance Matters ‘Crossovers‘ series of films through Twitter a little while ago and wanted to post something about what looks like a really interesting set of films that stem from productive practice-based research projects. Performance Matters, as an umbrella for a number of projects, is led by Gavin Butt (Goldsmiths), Adrian Heathfield (Roehampton) and Lois Keidan (Live Art Development Agency).

‘Crossovers’ is a series of films/dialogues that attempt to reflect”the potential of marginal artforms and intense ideas within popular media.” In particular, the series of film/dialogues between Adrain Heathfield and a number of interesting contemporary philosophers/theorists look really good:

Writing Not Yet Thought, Hélène Cixous with Adrian Heathfield.The acclaimed author discusses the practice of writing alongside its relation to painting, music and philosophy. See here for details of the Writing Not Yet Thought DVD.

Transfigured Night, A Conversation with Alphonso Lingis.  An exchange between the celebrated American philosopher Alphonso Lingis and Adrian Heathfield. See here for details of the Transfigured Night film and DVD.

No Such Thing As Rest, A Walk with Brian Massumi. Setting thoughts and conversation in constant motion, Adrian Heathfield encounters the philosopher and cultural theorist while walking the streets of Montreal. See here for details of the No Such Thing As Rest DVD.

A nice trailer for the film/dialogue with Massumi is available on vimeo, which I wanted to share here:

No Such Thing as Rest: a walk with Brian Massumi [Trailer] from Adrian Heathfield on Vimeo.

Apparently there is also a film/dialogue with Bernard Stiegler, which would be interesting to see.

Reblog > Hybrid assemblages, environments and happenings – Eric Paulos

Eric Paulos reflects on a wealth of experience of interdisciplinary and participatory research, particularly in relation to the maker movement. Eric offers some great reflections on Mark Weiser’s interdisciplinarity and the importance of creative practice.

Hybrid Assemblages, Environments & Happenings -Eric Paulos

Abstract: This talk will present and critique a body of work evolving across several years of research at the intersection of computer science and design research. It will present an augment for hybrid materials, methods, and artifacts as strategic tools for insight and innovation within computing culture. It will explore and demonstrate the value of urban computing, citizen science, and maker culture as opportunistic landscapes for intervention, micro-volunteerism, and a new expert amateur. Finally, it will present and question emerging materials and strategies from the perspective of engineering, design, and new media.

https://twitter.com/epaulos

VIDEOS > Categorisation and processes of individuation – Stiegler

Simon Lincelles, apparently on behalf of the ‘indexation and editorialisation’ group at the Institute for Research and Innovation (IRI, founded at the Pompidou Centre by Bernard Stiegler), has posted some really interesting videos featuring edited excerpts from a seminar run at IRI cut together with relevant additional materials. There are English subtitles for the spoken French.

In particular, these videos offer an interesting and valuable introduction to how Stiegler conceptualises the idea of ‘categorisation’ in relation to processes of retention/protention (broadly – memory and anticipation) and how this is important to processes of becoming (co- and trans-individuation). This speaks more broadly to an understanding of how we share experiences within/of the world and how we might think about contributing to that sharing using various forms of technique/technology, which has become a significant concern for IRI and their focus on a ‘digital studies‘. Definitely worth a watch!

II 1 Categorization and transindividuation from Simon Lincelles on Vimeo.

II 2 Psychic Individuation and categorisation from Simon Lincelles on Vimeo.

II 3 Remarques sur l’expérience. from Simon Lincelles on Vimeo.

VIDEO > Trevor Pinch discusses the ‘material turn’ in STS

In this video from Edinburgh, STS scholar Prof. Trevor Pinch wrinkles his nose at multi-species ethnography and then goes on to identify what he sees as some of the problematic ways in which materiality has been discussed in STS. In particular he problematises the use of the term ‘affordance’, thinking through the various forms of intentionality that asks us to assume about both the ‘object’ to which the affordance is said to belong and the human ‘subject’ for which, Pinch suggests, that affordance is intended. Don’t think I would agree necessarily but I think this is an interesting voice to add to the broader material turn conversation…

Found via ANTHEM.

Mattering Press – a new STS publishing initiative

I was really pleased to see that ‘Mattering Press‘ has been formed as a new publishing initiative for STS, committed to the creation and publishing of widely accessible, carefully produced, and intellectually vibrant books in Science and Technology Studies (STS). The first books are due to be published this year (2014). One of the core team leading the initiative is fellow (trans/inter-disciplinary) geographer Sebastian Abrahamsson (Amsterdam, working with Annemarie Mol).

I have copied below the post about this on the EASST website:

Mattering Press started in early 2010 as a publishing initiative of the Flows, Doings, Edges collective: a peer-support group of early career researchers interested in relational research. Sensitive to the relational and material politics of knowledge production, in early 2012 we began to explore the possibilities of alternative modes of engaging with works we find interesting and important. The term ‘mattering’ comes from Science and Technology Studies, and captures at least three important components of our thinking about Open Access publishing.

  1. The first is materiality, that is, the STS insight that all knowledge comes from particular places and its successful formulation strongly depends on the alignment of all kinds of entities, from buildings through laboratory equipment to physical bodies. Within academic life, texts are not only crucial parts of such alignments, but are also often considered to be their most important outcomes. We believe it is fascinating and increasingly necessary to consider their production as experimental interventions in research practice, rather than its afterlife.
  2. The second is that the way academic texts are produced matters – both analytically and politically. Dominant publishing practices work with assumptions about the conditions of academic knowledge production that rarely reflect what goes on in laboratories, field sites, university offices, libraries, and various workshops and conferences. They tend to deal with almost complete manuscripts and a small number of authors, who are greatly dependent on the politics of the publishing industry. This is particularly true in the social sciences and the humanities, where books have a great importance, not only in academic debates, but also in (early) career development.
  3. The third component is to consider publishing as an ongoing process: mattering suggests that working with authors and manuscripts is an activity that doesn’t necessarily start with almost complete manuscripts and hardly ever ends with the publishing of a book. What constitute book-like texts and how they circulate are questions just as important as those related to their commissioning and editing.

These are the concerns that we hope Mattering Press will be able to hold in focus as part of a growing and ever-changing STS community, and as part of an active initiative to reflect on and innovate around our own knowledge production practices. Informed by these points, Mattering Press is organised around the following three sets of practices, each of which in turn draws on our ongoing thinking about what new relations more careful modes of academic knowledge production might produce.

  1. We care about open access to academic work. This means that all our books will be accessible as digital texts and downloadable e-books for free on our website. We are committed to sharing both academic knowledge, and the very practical knowledge that we are acquiring over the course of setting up this project. In this vein, we are working on a number of collaborative initiatives that will hopefully benefit not just us, but more widely the Open Access community. We also care for printed academic books, and so will sell high quality, professionally designed copies of all Mattering books, partly as a way of generating revenue for the press, and partly because we value the material tactility of books.
  2. Like all academic presses, we care a lot about quality and academic standing of our publications. Unlike most presses, however, we believe that double blind peer review is not always the best way of ensuring academic excellence. Rather, we believe that academic work in the social sciences benefits from open, productive collaboration of authors and reviewers. We are therefore recommend that reviewers provide open, signed peer reviews where possible. We expect this will help to establish a relationship of care between reviewers, authors and editors, and will eventually also benefit the resulting texts. For some texts, we are also experimenting with more sustained collaborative relationships between reviewers and authors which we expect to be particularly beneficial for early career researchers.
  3. Last but not least, care in open access academic publishing means working towards the financial sustainability of the press and to try to pay those who do not have a stake themselves in academic knowledge production (such as typesetters, website programmers, proofreaders, text editors, and designers). This means trying to develop a financially viable model of open access book production in the difficult institutional and industry funding landscape of academic publishing. This also means engaging potential readers in the practical and financial challenges of open access book production, given that we suspect that many will have very little idea of the work that goes into the production of not simply a book, but a self-sustaining academic press. Getting the press up and running has already taken many hundreds of hours of unpaid labor not just from us, but a range of friends and supporters. We are therefore keen to experiment with ways of making this work visible on our website and possibly in our books, as a way of drawing potential readers into the debate about what it really means for academics to take responsibility for the outcomes of their own knowledge production practices.

Our presentation at the CRESC conference reception marks the moment when Mattering Press announced itself to some of its potential publics. Next year, we look forward to an official launch of the Press. Our first batch of books will include a collection of essays provisionally titled Practising Comparison: Revitalising the Comparative Act, edited by Joe Deville, Michael Guggenheim and Zuzana Hrdlickova, a collection of essays provisionally titled The Empirical Baroque, edited by John Law and Evelyn Ruppert, and an English translation of a book by a major STS scholar, which we hope to be able to announce soon. It is expected that our second batch of books, to be released in 2015, will include several texts by promising early career researchers. In the meantime, you can find us at: www.matteringpress.org

2013 Design Fictions – postscapes awards

Postscapes have an annual ‘Internet of Things‘ awards, with projects nominated under various categories for which the viewing public (with net access) are invited to vote. This is the third year of the awards and the second in which I have been aware of a ‘design fiction‘ category.

Postscapes identify/define design fiction in the following way:

Grounded as much in imagination as reality, design fiction is about bending the rules. It’s about asking “What if?”, and using the remains to probe the edges of our changing world.

The results may only be props or prototypes – but the best ones, as recognized by the Design Fiction award, end up helping us navigate our near futures and the stories they share.

(I’ve discussed how we might go about defining this sort of thing elsewhere on this blog and collected examples of similar kinds of fictions.)

Last year (in the awards for 2012), the ‘design fiction’ category was ‘won’ by the slightly creepy and maybe a little bit flawed ‘ear hacking’:

Ear Hacking from David Chatting on Vimeo.

In which we are asked to believe that there is a direct correlation between basic features of audio playback and our activity – in particular as runners. Anyway, it serves to demonstrate that humour works well in fostering and audience for design fiction. Notably, this ‘beat’ Google’s now infamous ‘project glass‘ video which, of course, was the forerunner for ‘glass‘.

In the running for the 2013 design fiction awards are a few interesting projects, you can see the whole list on the posts capes website but here are a couple that I think are in some way provocative…

Anne Galloway’s Design Culture Lab investigations of the Merino wool industry (see ‘counting sheep‘), with the lovely ‘bone knitter‘ that produces custom knitted casts for knitting back together broken limbs, and the rather unsettling ‘PermaLamb‘, vision of custom GM lamb production. Check out the ‘counting sheep‘ website for more, its worth exploring.

BoneKnitter during the knitting process.

James Bridle’s ‘surveillance spaulder’, a pithy and playful imagining of a device that viscerally reminds the wearer of their being surveilled:

Spike Jonze’s soon-to-be released film ‘Her’, in the tradition of various imaginings of AI (e.g. Brian Aldiss):

[NB. posting them here doesn’t necessarily mean approval…]

 

Friction – an interdisciplinary conference on technology & resistance

Over on the Virality blog, Tony Sampson highlights this recent and rurally interesting call for papers for a conference concerning technology and resistance. I have reproduced the CFP below but see the original blog for Tony’s take…

Friction: An interdisciplinary conference on technology & resistanceUniversity of Nottingham
Thursday 8th May & Friday 9th May, 2014Keynote talk by Pollyanna Ruiz (LSE)

With workshops led by: Matthew Fuller and Andrew Goffey; University of Leicester Technology Group; Jen Birks and John Downey; and Rachel Jacobs (Active Ingredient).

Current workshop themes include: evil media; data, digital leaks and political activism; hacklabs and artistic uses of data.

More TBC

Workshop and talk abstracts, and information about speakers will be appearing on our blog in the forthcoming weeks: http://blogs.nottingham.ac.uk/criticalmoment/

Friction:
noun
[mass noun]
The resistance that one surface or object encounters when moving over another:
· the action of one surface or object rubbing against another
· conflict or animosity caused by a clash of wills, temperaments, or opinions

Oxford English Dictionary, 2013

We are now living in a frictionless economy in which money, jobs and products can move around the world in the blink of an eye. And yet we have not moved to a frictionless society. Rather, many of the technologies that support the frictionless economy create various forms of friction in society. Taking a lead from the University of Nottingham’s Centre for Critical Theory’s Technology and Resistance research strand, we are interested in proposals for papers and workshops that explore the concept/metaphor of ‘friction’ as a starting point for exploring the relationship between everyday technologies and resistance; with resistance understood in both a politically empowering and an inhibitory sense. On the one hand, we’re interested in modes of organised resistance: of activist movements making use of, or reacting against, technological developments. However we’re concerned with resistance in a second sense: of technologies resisting their intended function, breaking down, being exploited by hackers or triggering unexpected socio-economic complications.

We invite people to use the concept of ‘friction’ as a route into exploring these themes, with potential topics for discussion including (but not limited to):

· Data and ethics
· Cultural shifts relating to the capture of data
· The vulnerability of software to hacking and surveillance
· Resistance to surveillance and data harvesting
· Activist uses of data, particularly the circulation of leaked material
· The politics of hacking
· The exploitation of ambiguity in software design by hackers
· Activist and everyday contestations of technological developments
· The sociological and cultural factors required for technologies to ‘work’
· Everyday and/or activist reappropriations of technology
· Tensions between new technologies and existing infrastructures

We are an interdisciplinary group of researchers, including academics from Geography, Business, Critical Theory, Cultural Studies and Media & Communications: so we welcome a diverse range of perspectives and approaches to this theme.

We encourage interactive presentation formats, and will allocate longer time-slots to workshops to accommodate these, but also have space for shorter 20 minute position papers.

Extended deadline for proposals: 1st March 2014

If you are interested in participating please submit a 250 word proposal for a workshop or paper, along with your name and current email address, to centreforcriticaltheory@gmail.com

Please also feel free to contact us with more general enquiries, follow the Centre for Critical Theory’s Twitter account @criticaltheory

Rob Kitchin’s new book submitted and into production: The Data Revolution

Professor Rob Kitchin is currently engaged in a large five year EU-funded project: The Programmable City, concerned with the role of software on the ongoing production, performance and imagination of cities. Over on the blog for the project they have announced that Prof. Kitchin’s most recent book ‘The Data Revolution’ is now with the publishers, Sage, with a view to publication later this year. I’m looking forward to it”¦

Here’s the book outline blogpost from the Programmable City website:

Rob Kitchin has just submitted the final draft of a new book – The Data Revolution: Big Data, Open Data, Data Infrastructures and Their Consequences – to Sage and it’s moved into production.  The chapter titles are below and the book will be published later in the year.

Preface
1.  Conceptualising data
2.  Small data, data infrastructures and data brokers
3.  Open and linked data
4.  Big data
5.  Enablers and sources of big data
6.  Data analytics
7.  The governmental and business rationale for big data
8.  The reframing of science, social science and humanities research
9.  Technical and organisational issues
10. Ethical, political, social and legal concerns
11. Making sense of the data revolution
References