2013 Design Fictions – postscapes awards

Postscapes have an annual ‘Internet of Things‘ awards, with projects nominated under various categories for which the viewing public (with net access) are invited to vote. This is the third year of the awards and the second in which I have been aware of a ‘design fiction‘ category.

Postscapes identify/define design fiction in the following way:

Grounded as much in imagination as reality, design fiction is about bending the rules. It’s about asking “What if?”, and using the remains to probe the edges of our changing world.

The results may only be props or prototypes – but the best ones, as recognized by the Design Fiction award, end up helping us navigate our near futures and the stories they share.

(I’ve discussed how we might go about defining this sort of thing elsewhere on this blog and collected examples of similar kinds of fictions.)

Last year (in the awards for 2012), the ‘design fiction’ category was ‘won’ by the slightly creepy and maybe a little bit flawed ‘ear hacking’:

Ear Hacking from David Chatting on Vimeo.

In which we are asked to believe that there is a direct correlation between basic features of audio playback and our activity – in particular as runners. Anyway, it serves to demonstrate that humour works well in fostering and audience for design fiction. Notably, this ‘beat’ Google’s now infamous ‘project glass‘ video which, of course, was the forerunner for ‘glass‘.

In the running for the 2013 design fiction awards are a few interesting projects, you can see the whole list on the posts capes website but here are a couple that I think are in some way provocative…

Anne Galloway’s Design Culture Lab investigations of the Merino wool industry (see ‘counting sheep‘), with the lovely ‘bone knitter‘ that produces custom knitted casts for knitting back together broken limbs, and the rather unsettling ‘PermaLamb‘, vision of custom GM lamb production. Check out the ‘counting sheep‘ website for more, its worth exploring.

BoneKnitter during the knitting process.

James Bridle’s ‘surveillance spaulder’, a pithy and playful imagining of a device that viscerally reminds the wearer of their being surveilled:

Spike Jonze’s soon-to-be released film ‘Her’in the tradition of various imaginings of AI (e.g. Brian Aldiss):

[NB. posting them here doesn’t necessarily mean approval…]

 

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