Workshop on feminist philosophy of technology – Vienna 25-26 Oct ’18

Donna Harraway

Via Mark Coeckelbergh.

Workshop on feminist philosophy of technology

Organizers: Dr. Janina Loh, Prof. Dr. Mark Coeckelbergh
Date: October 25-26, 2018
Venue: University of Vienna, Department of Philosophy, Universitätsstr. 7 (NIG), 1010 Vienna

There has been little attention to feminism and gender issues in mainstream philosophy of technology and vice versa: many feminists have focused on societal matters and relationships without taking into account how technics (i.e. technologies and techniques) shape those societies and relationships. However, since the beginning of the second-wave feminism by the mid 20th century, a growing awareness of the gravity and urgency for a critical reflection of technology and the sciences within feminist discourses can be observed. But feminist thinkers have not throughout interpreted technology and science as potentially emancipatory and liberating in every respect. In the same breath, the inherent structures of dominance, marginalization, and oppression have been confronted and disqualified within the feminist paradigm. The question of defining and ascribing responsibility in science and technics – regarding for instance the technological transformation of labor, the life in the information society, and the relationship between humans and machines – is essential for this workshop. Critical posthumanism and new feminist materialism define promising examples for a reformulation of known challenges such as essentialism and relativism, a transformation of hypostatized perspectives on traditional categories and dichotomies, as well as the claim to think off the beaten paths of socialist, liberal, and radical feminism. Confirmed keynote speakers are Corinna Bath, Rick Dolphijn, Nina Lykke, Kathleen Richardson, Lucy Suchman, and Judy Wajcman. The workshop Feminist Philosophy of Technology has two main aims: It shall present and spark a dialogue between the prominent approaches within feminist philosophy of technology (first day). On the second day we would like to explore and discuss potential challenges and perspectives within current movements of feminist philosophy of technology. We welcome submissions on any – but not limited to – the following issues:

  • critical posthumanism
  • new materialist feminism
  • feminist philosophy of technology
  • technofeminism
  • cyberfeminism
  • xenofeminism
  • human-machine-interaction
  • relationships with machines
  • sexrobotics
  • the future of work (industry 4.0, automatization, digitalization)
  • women, technics, and education
  • women, technics, and arts.

Please submit abstracts of around 500 words to janina.loh@univie.ac.at, by July 30. Acceptance notifications will be sent out by the end of August.

How Technology Changes Us – Ihde & Verbeek [video]

A statue of three men hammering

A video of a fairly accessible discussion of broadly ‘post-phenomenological’ theories of technology with the philosophers Don Ihde & Peter-Paul Verbeek. Via dmf.

How Technology Changes Us – Lecture and discussion with philosophers of technology Don Ihde and Peter-Paul Verbeek

Thursday 11 January 2018 | 19.30 – 21.15 hrs | Theater Hall C, Radboud University

“From the bow and arrow to smartphones, changes come along with every new technology. According to Don Ihde, one of the founders of North American philosophy of technology, technology does not only offer us new opportunities, it also changes our relation to the world. Come and listen as the Dutch philosopher of technology Peter-Paul Verbeek and his mentor Don Ihde talk about philosophy and technology in the past, present, and future.”

Reblog> Lecture by Stelarc and discussion in DesignLab, U. Twente

Peter Paul Verbeek blogged this, looks good! >>

Lecture by Stelarc and discussion in DesignLab

Thursday 24th of May from 4-7 pm

Location: DesignLab Universiteit Twente

The Australian performance artist Stelarc has visually probed and acoustically amplified his body and is well known for his pioneering work and ideas about extending the capabilities of the human body with technology. From 17th of May until 19th of August, Tetem is presenting the exhibition StickMan by Stelarc. During his stay in Enschede, Stelarc will give an extensive lecture in DesignLab about his pioneering performances and installations – for which he uses prosthetics, robotics, medical instruments, suspension, VR, biotechnology and internet to investigate the psychological and physical limitations of the body.

The event will be introduced by Frank Kresin (managing director of DesignLab). After Stelarc’s lecture, there will be a discussion with Stelarc, Herman van der Kooij (professor in Biomechatronics and Rehabilitation Technology and director of Wearable Robotics Lab) and Peter-Paul Verbeek (professor of Philosophy of Technology and co-director of DesignLab). During the discussion, led by moderator Wilja Jurg (director Tetem), we will explore the scientific, social and ethical implications of wearable robotics.

This event is organized in collaboration with DesignLab as part of StickMan exhibition in Tetem. DesignLab is a creative and cross-disciplinary ecosystem at the University of Twente, connecting science and society through design: https://www.utwente.nl/en/designlab/.

Short description about StickMan:

The StickMan is a minimal but full-body exoskeleton, that algorithmically actuates the artist with six degrees-of-freedom. 64 possible combinations of gestures are generated. Sensors on StickMan generate sounds that augment the pneumatic noise and register the limb movements. A ring of speakers circulates the sounds, immersing the audience in an acoustic landscape as an extension of StickMan’s body.

The StickMan is an anthropomorphized, programmable motion and sound machine which functions with not only the body connected, but also as an installation by itself. A smaller replica of StickMan enables visitors to record and play their choreography by bending the limbs into a sequence of positions, which also inadvertently composes the sounds generated.

StickMan is shown for the first time in Europe. The smaller replica of StickMan was made especially for the exhibition in Tetem.

For more information and events visit:

http://www.tetem.nl/portfolio/stickman/

Transduction

A huge array of overhead wires on a street

From the footnotes of Dan Ross’ introduction to Stiegler’s Neganthropocene comes this limpid definition (p. 271):

‘Transductive’, here, refers to an approach to thinking processes in which the terms of a relation cannot be understood as preceding the relation itself.

There is a danger with much ontology talk we encounter, especially in geographyland, for the ontological category of the thing to stand, almost static, in place of the necessary engagement with what is encountered in the world. In this sense, to think transductively, I suggest, is to follow a counterflow to the monolithic ontology talk that, for all of the appeals to vitality and the lively effervescence of the world, tends to fix things in catch-all concepts (such as ‘affect’, ‘atmosphere’ and other ‘a’s) without really engaging with the relations of the stuff of/under study. To ‘do’ transduction then might involve more than merely pointing it out – of which I am rather guilty.

That’s my quick and not very coherent take at the moment… I think this is actually a constructive form of critique – I believe there is a way forward in this kind of deconstructive thinking but it needs much more fleshing out.

Seminar> Charis Thompson: On the Posthuman in the Age of Automation and Augmentation

Still from the video for All is Love by Bjork

If you happen to be in Exeter on Friday 11th May then I urge you to attend this really interesting talk by Prof. Charis Thompson (UC Berkeley), organised by Sociology & Philosophy at Exeter. Here’s the info:

Guest speaker – Professor Charis Thompson: On the Posthuman in the Age of Automation and Augmentation

A Department of Sociology & Philosophy lecture
Date 11 May 2018
Time 14:00 to 15:15
Place IAIS Building/LT1

Charis Thompson is Chancellor’s Professor, Gender and Women’s Studies and the Center for Science, Technology, Medicine and Society, UC Berkeley, and Professor, Department of Sociology, London School of Economics. She is the author of Making Parents; The Ontological Choreography of Reproductive Technologies (MIT Press 2007), which won the Rachel Carson Prize from the Society of the Social Studies of Science, and of Good Science: The Ethical Choreography of Stem Cell Research (MIT Press 2013). Her book in progress, Getting Ahead, revisits classic questions on the relation between science and democracy in an age of populism and inequality, focusing particularly on genome editing and AI.

She served on the Nuffield Council Working Group on Genome Editing, and serves on the World Economic Forum’s Global Technology Council on Technology, Values and Policy. Thompson is a recipient of UC Berkeley’s Social Science Distinguished Teaching Award.  In 2017, she was awarded an honorary doctorate from the National Science and Technology University of Norway for work on science and society.

SPA PGR Conference Committee
Maria Dede
Aimee Middlemiss
Celia Plender
Elena Sharratt

Reblog> digital | visual | cultural

Nvidia's Metropolis platform

Gillian Rose has a new project, which she’s blogged about. It sounds interesting. I was sort of wondering if the analysis of a “specific way of seeing the world through digital visualising technologies emerging” might crossover with Matt Jones’ ‘sensor vernacular‘ and James Bridle‘s, and others’, conceptualisation of a ‘new aesthetic‘…

Lovely that such work is supported by an institution (Oxford). I am sure it will create all sorts of interesting linkages and conversations.

digital | visual | cultural

I’m very excited to announce a new project: Digital | Visual | Cultural.   D|V|C is a series of events which will explore how the extensive use of digital visualising technologies creates new ways of seeing the world.

About Banner

The first event will be on June 28, when Shannon Mattern will give a public lecture in Oxford. Shannon is the author of the brilliant Code and Clay, Data and Dirt as well as lots of great essays for Places Journal. ‘Fifty Eyes on a Scene’ will replay a single urban scene from the perspective of several sets of machinic and creaturely eyes. That lecture will be free to attend but you’ll need to book. Booking opens via the D|V|C website on 23 April. It will also be livestreamed.

I’m working on this with Sterling Mackinnon, and funding is coming from the School of Geography and the Environment, Oxford University, and St John’s College Oxford.

The website has more info at dvcultural.org, and you can follow D|V|C on Twitter @dvcultural and on Instagram at dvcultural. There’ll be a couple more events in 2019 so follow us to stay in touch.

So that’s the practicalities. What’s the logic?

The key questions D|V|C will be asking are: Is a specific way of seeing the world through digital visualising technologies emerging? If so, what are its conditions and consequences?

Read more.

Retooling ‘the human’ – animal constructions and technical knowledge

A crow using a stick as a tool

A really interesting review, by Emma Stamm, of what seems like an equally interesting book: Ashley Shew’s Animal Constructions and Technical Knowledge. Full review on Social Epistemology Review and Reply Collective.

In its investigation of the flaws of anthropocentrism, Animal Constructions implies a deceptively straightforward question: what work does “the human clause” do for us? —  in other words, what has led “the human” to become so inexorably central to our technological and philosophical consciousness? Shew does not address this head-on, but she does give readers plenty of material to begin answering it for themselves. And perhaps they should: while the text resists ethical statements, there is an ethos to this particular question.

Applied at the societal level, an investigation of the roots of “the human clause” could be leveraged toward democratic ends. If we do, in  fact, include tools made and used by nonhuman animals in our definition of technology, it may mar the popular image of technological knowledge as a sort of “magic” or erudite specialization only accessible to certain types of minds. There is clear potential for this epistemological position to be advanced in the name of social inclusivity.

Whether or not readers detect a social project among the conversations engaged by Animal Constructions, its relevance to future studies is undeniable. The maps provided by Animal Constructions and Technical Knowledge do not tell readers where to go, but will certainly come in useful for anybody exploring the nonhuman territories of 21st century. Indeed, Animal Construction and Technical Knowledge is not only a substantive offering to philosophy of technology, but a set of tools whose true power may only be revealed in time.

Reblog> Call for papers: “Human-technology relations: postphenomenology and philosophy of technology”

Via Peter-Paul Verbeek.

Call for papers: “Human-technology relations: postphenomenology and philosophy of technology”

The international conference “Human-Technology Relations: Postphenomenology and Philosophy of Technology” will take place on July 11-13, 2018 at the University of Twente, the Netherlands. The conference intends to bring together philosophers, scholars, artists, designers, and engineers in order to foster dialogue and creative collaborations around the interactions between humans, technologies, and society. As has been emphasized by several authors (e.g. Ihde, Haraway, Feenberg, Vallor, Latour, Verbeek), we cannot uphold strict distinctions between humans and technologies. As human beings, we are always interwoven with technologies in our daily practices. This conference aims to reflect on the consequences of this idea in philosophy, ethics, science, sociology, design, art, politics, anthropology, engineering, etc.

We welcome abstract submissions for posters, papers, panels, and workshops:

* Papers – abstract 250 words, and up to three keywords [20 minutes talk, 10 minutes for discussion].

* Panel proposals – can consist of up to 4 abstracts (see above), should include a general description (200 words) and the CV of participants and organiser.

* Posters – abstract 250 words, and up to three keywords. (Master students only, there will be a poster competition) .

* Workshops – description of 250 words, specific requirements.

Abstracts, along with a short CV, should be sent to phtr2018@gmail.com.

For an extended call for papers and description of the conference, please, visit https://www.utwente.nl/en/phtr/Call%20for%20Papers/

The conference is organized and financially supported by The Netherlands Organisation for Scientific Research (NWO) Project Theorizing Technological Mediation.

‘An Encounter Between Don Ihde and Bernard Stiegler: Philosophy of Technology at the Crossroads Again’ Nijmegen 11-12 Jan. 2018

Glitched image of a mural of Prometheus giving humans' fire in Freiberg

Via Yuk Hui. Fascinating line-up of speakers:

International Expert Workshop: ‘An Encounter Between Don Ihde and Bernard Stiegler: Philosophy of Technology at the Crossroads Again’

Nijmegen, 11-12 January 2018Organized by Pieter Lemmens (Radboud University) and Yoni Van Den Eede (Free University of Brussels)

Quo vadis philosophy of technology? The defining moment in contemporary philosophy of technology has undoubtedly been the “empirical turn” of the 1990s and 2000s. Contra older, so-called essentialist approaches that saw technology as an all-encompassing phenomenon or force, the turn inaugurated more “micro-level” analyses of technologies studied in their specific use contexts. However, the empirical turn is now increasingly being called into question, with scholars asking whether the turn has not been pushed too far – certainly given recent technological developments that seem to give technology an all-encompassing or all-penetrating countenance (again): pervasive automation through algorithms and (ro)bots, nanoprobes, biotechnology, neurotechnology, etc. Also, the ecological urgency characterizing our “anthropocenic condition” appears to call for more broad-ranging perspectives than the mere analysis of concrete use contexts. At the same time, nevertheless, the “empirical attitude” keeps demonstrating its usefulness for the philosophical study of technologies on a day-to-day basis… Where do we go from here?

This two-day workshop will be dedicated to these questions by way of an encounter between two leading “streams” in philosophical thinking on technology today. Quite literally we organize an dialogue between two key figures, Don Ihde and Bernard Stiegler, and their respective frameworks: postphenomenology-mediation theory and techno-phenomenology-general organology. Together with these two thinkers and a select group of scholars, we will reflect upon the near-future form that philosophical thinking on technology should take in a world struggling with multiple global crises – the planetary ecological crisis being the gravest one.

Speakers: Prof. dr. Don Ihde (Stony Brook University), Prof. dr. Bernard Stiegler (University of Compiègne), Prof. dr. Mark Coeckelberg (University of Vienna), Dr. Yoni van den Eede (Free University of Brussels), Dr. Yuk Hui (Leuphana University), Dr. Pieter Lemmens (Radboud University), Dr. Helena de Preester (Ghent University), Prof. dr. Robert C. Scharff (University of New Hampshire), Dr. Dominic Smith (University of Dundee), Prof. dr. Peter-Paul Verbeek (University of Twente), Dr. Galit Wellner (Tel Aviv University)

Venue: Villa Oud Heyendael, Rene? Descartesdreef 21, 6525 GL Nijmegen (Campus RU)
Time: 11 and 12 January 2018, 10.00h – 17.30h

More information: http://www.ru.nl/ftr/actueel/agenda/@1134542/expert-seminar-philosophy-technology-at-the/

Made possible by the the Faculty of Science, the Institute for Science in Society, the Faculty of Philosophy, Theology and Religious Studies, the International Office of Radboud University and the Centre for Ethics and Humanism, Free University of Brussels (VUB)

John Danaher interview – Robot Sex: Social and Ethical Implications

Gigolo Jane and Gigolo Joe robots in the film A.I.

Via Philosophical Disquisitions.

Through the wonders of the modern technology, myself and Adam Ford sat down for an extended video chat about the new book Robot Sex: Social and Ethical Implications (MIT Press, 2017). You can watch the full thing above or on youtube. Topics covered include:

  • Why did I start writing about this topic?
  • Sex work and technological unemployment
  • Can you have sex with a robot?
  • Is there a case to be made for the use of sex robots?
  • The Campaign Against Sex Robots
  • The possibility of valuable, loving relationships between humans and robots
  • Sexbots as a social experiment

Be sure to check out Adam’s other videos and support his work.