Excellent talk.
Via: Deterritorial Investigations Unit
Part of: Digital Transformations of Work

Spatial Machinations
Via Tony Sampson. All the names you’d expect/want to see and a few more… (can’t help finding it amusing that Thrift is opening the event).
It’d be interesting to hear what Rouvroy has to say…
16.15 to 16.30: COFFEE BREAK
This issue of Fibreculture on “apps and affect” from last year (2015), stemming from a conference of the same name, has some fairly substantial looking contributions from interesting people. These include a conversation between Alexander Galloway & Patricia Ticineto Clough, the ‘algorithmic agartha‘ paper by Nandita Biswas Mellamphy & Dan Mellamphy I’ve linked to before and (of particular interest to me at the mo) a paper by Melissa Gregg on speculative labour & app development. It’s edited by Svitlana Matviyenko, Nandita Biswas Mellamphy, Nick Dyer-Witheford, Alison Hearn, and Andrew Murphie.
Introduction
In William Gibson’s recent futurist novel The Peripheral, the planet has been devastated by a massive eco-techno-political catastrophe (‘the jackpot’) but remaining inhabitants are still able to enjoy the luxury of activating digital devices simply by tapping their tongues on the roof of their mouths. This touch is sufficient to set into play systems that communicate across space and time – enabling the establishment of connections back in time, for example, to people closer to our own present-day, for whom mobiles are still (somewhat) separate from the body. Thirty years ago, in his first novel Neuromancer, Gibson immortalised cyberspace with the account of what now sounds like an amazingly clunky process whereby the hero ‘jacks-in’ to virtual reality. But in The Peripheral the process of translation and transition into networks is streamlined – occluded, internal, intimate and implanted – right at the tip of the tongue.
This issue of the Fibreculture Journal explores a moment along this hypothetical trajectory by investigating the contemporary intersection of ‘Apps and Affect’, publishing papers from a conference of that name organised in October 2013 by faculty and students at Western University (specifically from its Faculty of Information and Media Studies and Center for the Study of Theory and Criticism). By recognising apps as objects that are related to the constitution of subjects, as a component of biopolitical assemblages, and as a means of digital production and consumption, our conference aimed to make an intervention in what had – since the announcements of the App-Store and the iPhone3 in 2008 – been a largely technical and rather technophiliac public discussion of apps.
Isn’t it paradoxical, we asked, that instead of becoming ‘transparent’ and ‘invisible’ – as envisioned by the thinkers of ubiquitous computing decades ago – the app-ecosystem manifests itself as permanent excess: excessive downloads, excessive connections, excessive proximity, excessive ‘friends’-qua-‘contacts’, excessive speeds and excessive amounts of information? How does the app as ‘technique’ (Tenner), indeed as ‘cultural technique’ (Siegert) and as ‘technics’ (Stiegler), channel our ways of maintaining relations with/in the media environment? Do the specific and circumscribed operations of individual applications foster or foreclose what media theorists call the transformative and transductive potential of collective technological individuation (Simondon)? How might we think about the social, political and technical implications of this movement away from open-ended networks like the internet towards specific, focused, and individualised modes of computing? Do apps represent ‘a new reticular condition of trans-individuation grammatising new forms of social relations’ (Stiegler) or do they signal instead the triumph of ‘regulatory’ networks over ‘generative’ ones (Zittrain)? If apps are micro-programs residing by the hundreds and thousands on cell-phones, mobile-devices and tablets, and affects are corporeal excitements (and depressions) running beneath and beyond cognition, what is the relation of apps to affects?
– See more at: http://twentyfive.fibreculturejournal.org/#sthash.6y9K3uyP.dpuf
I’ve mentioned this here before but Dan Ross wrote an excellent and accessible summary or guide to Stiegler’s first and perhaps most extraordinary volume of the series at the heart of his project Technics and Time, which was the Wikipedia page for that book. Unfortunately this has been open to some questionable editing and so it is great that Dan has uploaded his version to Academia.edu as a free-to-access PDF. I recommend this as a support to a reading of T&T 1. Dan’s knowledge and interpretation of Steigler’s work is brilliant.
Another interesting article out in the ‘Online Early’ section of Social & Cultural Geography is by Gillian Rose, from the “Provocations of the Present” OU event, way back in 2014(!).
Gillian gave an interesting talk on the day, which resonated with things I’ve written, and it’s interesting to read the ‘final’ version, entitled “Cultural Geography Going Viral“.
Using the example of Emily Thorberry’s injudicious tweet concerning white vans and the St George’s cross, Gillian explores how the techniques of analysis of such an image and how it is audienced, interpreted, circulated, and so on and, provocatively, discusses how “the skills of the cultural geographer are now widespread”:
In fact, they are probably no more widespread than they ever have been, but social media and online commentary is making them more visible than ever before. Everyone is reading cultural texts and coming to conclusions about their meaning and sharing their interpretations, it seems – and if they can’t understand what’s going on, they ask and they get an answer. Those answers unpack both the symbolism of specific cultural texts but also the production and circulation of those texts by specific forms of media institutions. In other words, cultural interpretation has gone viral.
This resonates in many ways with some of what I argue in my own ‘provocation‘, in which I argue that we (cultural geographers, and others) need to attend to the various ways on understanding mediation when discussing popular culture (and that we need to discuss popular culture more!)
Anyway, all this is simply to say that I recommend reading Prof. Rose’s article.
Some time ago (in 2014), I participated in the Open University’s annual ‘Doreen Massey event’, which had the title Provocations of the Present: What culture for what geography?, and I presented a provocation concerning culture, technology and what is meant by ‘popular’ culture when it’s studied by people like me (broadly – cultural geographers).
I was invited, a few months later, to write this provocation up for a theme section of Social & Cultural Geography. This has finally come to fruition, after some helpful comments by two anonymous reviewers and some very kind help from Nadia Bartolini, Parvati Raghuram & George Revill at the OU and S&CG editor Mary Gilmartin.
I am pleased therefore to share the accepted manuscript as a PDF.
So it’s:
Kinsley, S 2015 “Vulgar Geographies? Popular Cultural Geographies and Technology“, Social & Cultural Geography in press.
This interview/article in Forbes with Imogen Heap offers an interesting insight into what some artists are beginning to think about in relation to how on earth one creates a ‘fair’ mechanism of reward/recognition of work as an artist in a world where one’s work is subject to near infinite digital reproducibility.
This, to me (in my naivety), seems to represent one of the more compelling and believable implementations of what the blockchain can enable. It’s worth checking out Heap’s articulation of Mycelia (the blockchain powered music publishing system she hopes to help create).
For years I’ve been so frustrated with the deep opacity of the music industry stopping me from really making the most out of my career and connecting the dots. The ‘black boxes,’ the NDAs, the endless contracts and statements. In the last few years, auditing labels and publishers seems to have become the norm, as it’s apparent how consistently the books don’t match up. You can pretty much guarantee you’ll find something, but it’s not always intentional; it’s just the deals, trigger points, and percentages are so complex – even more when mergers and acquisitions occur – that it’s hard to get it right every time, if you’re human!
[Mycelia…]
Its success will come from the adoption of millions of music lovers. A grand scale ongoing, collective project like no-other. To document, protect and share that which we love and build a place for it to grow, enabling future generations of artists to blossom as well as honouring those of the past.
Open source, a living, breathing, smart, decentralised, transparent, adaptable, useful, shining home for our love of music. A home which allows creativity to flow, connect and facilitate collaboration on so many levels, many of which just haven’t been possible. With this grand library of all music forming the basis upon which all music businesses from digital radio to tour bookings can then grow and thrive from. Empowering the artists, turning and landing the industry finally on its feet.
Inspired by the largest living organisms on earth, ancient, unseen, core to life itself, Mycelium (plural Mycelia) can stretch for miles, beneath the surface.
Each artist acting like its own Mycelium, in full animated dialogue with others on the global network.
Mycelia is huge, as it holds all music related information ever recorded anywhere ever ever ever but this organism stretches across our planet between hundreds of thousands of personal computers. It is the world’s greatest and most treasured library and it belongs to the two collective parties who solely make music complete. The music makers and their audience.
Interesting new book highlighted by Colin McFarlane, including contributions by Rob Kitchin (and team) and Jennifer Gabrys…
As we all know, there is an incredible amount of hype and noise made about smart cities, much of it by multinational corporations like IBM and Cisco in their effort to sell expensive ‘urban solutions’. In this book, we sought to take this debate on by bringing together a group of critical, international and interdisciplinary researchers.
The book examines how smart city initiatives are being rolled out, and makes a series of arguments that seeks to advance a critical research agenda. It finds, for example, that the discourse is often in reality a justification for the latest round of neoliberal development and displacement. It finds a common tendency to place far too much faith in technology, with far too little attention to the actual urban context. It also finds that most of the time, and despite high profile cases such as Rio’s control room, the smart city discourse is little more than discourse, bolstered by pervasive imagery that globally circulates and effectively constitutes a powerful form of marketing.
But the book also finds openings in the smart city discourse, including in the actions of social movements, civil society groups, and critical researchers to use or promote digital technologies in more socially and ecologically relevant ways. In these efforts, it is urbanism and social justice that inform whether or not digital technologies are useful, as opposed to the positivist view that technology can be added to cities awaiting ‘enhancement’ through sensors, dashboards and real-time data management. But as the book shows, it would be far too simple to argue that there is an ‘alternative’ smart city discourse that opposes a ‘mainstream’ discourse, partly because the various overlaps between what may initially appear mainstream and alternative, and partly because many critical initiatives with digital technology reject the entire smart city discourse altogether while others seeks to reframe it.
Here’s the list of contributors and chapter titles:
I offer a here a quick translation of an interview for Le Monde published past week with Bernard Stiegler, following the attacks in Paris in which he addresses Daesh/ISIS within the context of his conceptualisation of ‘disruption’, which is the context of his forthcoming book [Dans la Dusruption ~ “In the Age of Disruption”].
The philosopher Bernard Stiegler develops this thesis in his forthcoming book: “In the Age of Disruption”.
Interview by Margherita Nasi.
For the philosopher Bernard Stiegler “war is economic”. The collapose of employment egenders a dispair that in turn leads to violence. “There is no future without a fundamental reversal of economic value”, he explains.
Since the attacks of the 13th of November the President of the Republic insists” “We are at war”, do you recognise yourself in such a war?
No. What is this “we”? They are at war, not me. War is economic, it is theirs and it creates casualties, including me, who cannot sleep at night, not because of terrorists but because of a lack of future for my children. This is not a war against Daesh, as they suggest, but a global economic war, which takes us into civil war if we do not combat it.
Employment will collapse, especially amongst young people, and dispair breeds violence. We no longer produce reasons for hope today. The attacks of the 13th of November were suicide attacks, which is not insignificant – suicide is developing around the world, especially amongst those young people who know they will not work for a long time.
Both Sarkozy and Hollande failed to provide any kind of prospects for these young people. It is against this stupidity, this madness, that I am at war. A war within myself as well: we are all subject to this tendency to find scapegoats, not to think and not to care. This is barbarism, and that is exactly what Daesh wants: to create civil war. There will be more attacks if we do not change our politics. This is the context of my next book ” In the Age of Disruption”.
What do you mean by disruption?
Disruption is a phenomenon of accelerating inovation which is the foundation of a strategy developed in Silicon Valley: it is a drive to go faster than societies in order to impose upon them models for the destruction of social structures, rendering public powers powerless It is a strategy that tetanises the opponent. In my book, I analyse a text signed by Abu Bakr Al-Naji, as summarised by Ignance Leverrier [former diplomat and journalist], that defines a collective, including former officers of Saddam Hussein that became Islamists. It is a sort of Daesh manual, in the image of corporate bibles that detail the rules to set up a franchise. This book explains how Daesh actors should seize power. One must create chaos and thus exploit the need for some kind of authority.
I compare this strategy with that of the website “Les Barbares attaquent” [The barbarians are coming], founded by Nicolas Colin, a former tax inspector known for his report on the tax system and the digital economy, in which hie highlighted the inadequacy of the tax system for dealing with digital companies, which he describes as the ‘four horsemen of the apocalypse’, in this case GAFA [acronym for: Google, Amazon, Facebook and Apple]. He has since moved to the other side, from public service into the economy which he described as so damaging, to create an investment fund that raises money to practice disruption on the French. Yet, repeating the strategy of GAFA, he can only extend their ecosystem and intensify the colonisation of Europe, wrecking transport, housing, education–all sectors–through new models such as Uber. However, such disruptive practices destroy the social balance, what [German Philosopher] Theodor W. Adorno anticipated by speaking in 1944 of a “new form of barbarism” in relation to the cultural industries.
It is not by declaring war on Daesh that this takes place. This declaration is one way of absolving oneself of one’s own responsibilities by scapegoating people that have become extremely dangerous and who we have co-produced with Daesh.
This radicalisation is thus built on the ruins of ultraliberalism?
Yes. We turn radicalism into a question of religion, and this is outrageous, Most recruits of radical Islam have no religious culture. It is not religion in question but despair. Richard Dur, the murderer of eight members of the Nanterre Council in March 2002, prefigures his actions by speaking about his feelings not existing: he wanted to become somebody by these actions.
In 2012 you launched a call for a global economic peace treaty, is this still a possible contemporary solution for eradicating barbarism?
We need to open out a debate in Europe, take things head-on, since the birth of the web we have all been losing. Exploited by the kinds of disruption practised by GAFA, digital technologies have accentuated the environmental toxicity that has been growing since the beginning of the anthropocene – an era in which humans have become the major geological factor – in terms of the climate, the atmosphere and in mental terms.
There is no future without a fundamental reversal of economic value: only the transition to an economy producing sustainable forms of value will overcome the challenges that are the subject of the COP21 next week.
We must launch a new European policy rather than aligning ourselves with the American model that is disruptive and suicidal/ We must invent a new Web in the service of viable marcoeconomic model, rather than developing a completely ruinous economy of data. These are the themes of the “Conversations about a new industrial world”, orgainsed at the Pompidou Centre on the 14th and 15th of December. Only by planning [projetant] a genuine [véritable] future for the planet can we combat Daesh, in other words to combat despair.
A new issue of Parrhesia is out and it contains a new paper from Yuk Hui.
All catastrophes are algorithmic, even the natural ones, when we consider the universe to be governed by regular and automated laws of motion and principles of emergence.
It begins with this bold statement qualified through a reading of Aristotle that leads us to:
But these material, technological catastrophes are not examples of what I am proposing here to call algorithmic catastrophes. Algorithmic catastrophe doesn’t refer to material failure, but rather to the failure of reason.
And it is this form of catastrophe to which the discussion tends. Through a reading of the work of Bernard Steigler, in relation to Martha Nussbaum and Plato/Socrates, Hui argues that the history of Occidental philosophy has the techno-logical ‘accident’:
This resonates with the two senses of accident that we have explained above: on one hand, the revelation of substance through accidents, meaning the accidents become necessary; on the other hand, the overcoming of the irrational through reason.
Hui then expertly dissects understandings of accident and contingency in relation to what is thought of as ‘automatic’, which leads to this lovely passage:
As an engineer and designer, one has to be assured that it is normal to have a catastrophe. If catastrophe is thus anticipated and becomes a principle of operation, it no longer plays the role it did with the laws of nature. This use of anticipation to overcome catastrophes can never be completed, however, and indeed accident expresses itself in a second level of contingency generated by the machines’ own operations. Herein also lies the second difference between the algorithmic contingency and the contingency of laws of nature, which we would like to approach in the next section. It doesn’t mean that the algorithm itself is not perfect, but rather that the complexity it produces overwhelms the simplicity and clarity of algorithmic thinking. This necessity of contingency takes a different form from the necessity in tragedy and in nature…
Automisation then becomes the target of deconstruction, with a haunting of Virilio, explicated through the ‘Flash Crash’. Nevertheless, the tendency here is towards automation that exceeds the human capacity to react, as Hui has it:
The automation of machines will be much faster than human intelligence, and hence will lead to a temporal gap in terms of operation. The gap can produce disastrous effects since the human is always too late, and machines won’t stop on their own. In face of our inability to fully understand the causality, Wiener warns us that “if we adhere simply to the creed of the scientist, that an incomplete knowledge of the world and of ourselves is better than no knowledge, we can still by no means always justify the naive assumption that the faster we rush ahead to employ the new powers for action which are opened up to us, the better it will be.”
The paper moves on to consider a speculative aesthetics of the accident, through a reading of Meillassoux’s ‘speculative realism’. Just as Meillassoux attempts to reach back beyond the ‘ancestrally’ of the human, Hui argues that we are challenged by atomisation, in the figure of algorithms:
exteriorized reasons, where we find more and more that human reason is becoming less and less capable of understanding the system that it has succeeded in constructing.
Thus:
In the digital age, accidents in both senses come to the fore and beyond, as indicated by the contingency, the unknown, which also comes to the front.
…
The algorithmic catastrophe also resonates with current research on speculative reason, especially what Meillasoux proposes as the absolutization of contingency, which reinvents the metaphysical concept of contingency as necessity while it renounces the subjectivist approach towards knowledge. The celebration of speculative reason seems to be an appropriation of the catastrophic aesthetics of our time, where the unknown and black box become the sole explanations.
It is certainly an interesting, if dense, article and probably requires some knowledge of
I am left wondering, as a less-sophisticated non-philosopher, how one might square this argument with technics as the ‘horizon of all possibility to come and all possibility of a future’, pace Stiegler in Technics and Time – the computational ‘transindividuations’ (the becomings of trans-individual assemblages) that we initiate and cultivate through digital ‘industry’ may begin to probe their way into possibilities outside of our sensory or conscious capacities but they remain, at present, limited precisely by their foundation in a human phenomenological domain. Nevertheless, as Hui argues in his final paragraph:
it would be ignorant to just dismiss the algorithmic catastrophe as something from science fiction. The words of the physicists [Hawking et al. warning about the risks of AI] also remind us of Book III of Plato’s Republic, where the physicians return as guardians of the polis. Should these guardians be scientifically well-trained philosophers or philosophically trained physicians is not a question without importance, since it means a new pedagogical program and a new conception of responsibility. Beyond the reach of this single article, what Virilio proposes as a rethinking of responsibility remains largely undiscussed.
I probably don’t know enough of the references Hui is drawing upon to be able to offer a cogent response to this, but it is a very interesting article and worth a read [it is open access!].