Talking with Mikayla

Talking with Mikayla, the Museum of Contemporary Commodities GuideImage credit: Mike Duggan.

At the RGS-IBG Annual International Conference 2017, co-originator of the Museum of Contemporary Commodities (MoCC) Paula Crutchlow and I staged a conversation with Mikayla the MoCC guide, a hacked ‘My Cayla Doll’. This was part of two sessions that capped off the presence of MoCC at the RGS-IBG and was performed alongside a range of other provocations on the theme(s) of ‘data-place-trade-value’. The doll was only mildly disobedient and it was fun to be able to show the subversion of an object of commercial surveillance in a playful way. Below is the visuals that displayed during the conversation, with additional sound…

For more, please do go and read Paula’s excellent blogpost about Mikayla on the MoCC website.

Hyperland

glitches image of a 1990s NASA VR experience

A bit of nostalgia… ‘practising tomorrows‘ and all that.

Lots of things to crit with the benefit of hindsight, which I’m sure some folks did – I mean, the peculiar sort of aesthetic policing implied is funny and the fact that none of the folk used as talking heads can imagine a collaborative form of authorship is quite interesting. This programme came out in 1990, around the same time Berners Lee is pioneering the web – a rather different, perhaps more “interactive” vision of ‘multimedia’ – insofar as with the web we can all contribute to the creation as well as consumption of media [he writes in the dialog box of the “Add New Post” page of the WordPress interface]…

A slightly geeky thing I appreciate though is the very clear visual reference to the 1987 Apple Computer ‘video prototype’ called ‘Knowledge Navigator‘ (<–follow the link, third video down, see also), which I’m certain is deliberate.

19 ‘AI’-related links

Twiki the robot from Buck Rogers

Here’s some links from various sources on what “AI” may or may not mean and what sorts of questions that prompts… If I was productive, not sleep-deprived (if… if… etc. etc.) I’d write something about this, but instead I’m just posting links.

The dystopian ‘megacity’ future according to US Defence Dept.

dystopian city

Via the Intercept.

Megacities Urban Future, the “Emerging Complexity,” from Philippe Desrosiers on Vimeo.

According to a startling Pentagon video obtained by The Intercept, the future of global cities will be an amalgam of the settings of “Escape from New York“ and “Robocop“ – with dashes of the “Warriors“ and “Divergent“ thrown in. It will be a world of Robert Kaplan-esque urban hellscapes – brutal and anarchic supercities filled with gangs of youth-gone-wild, a restive underclass, criminal syndicates, and bands of malicious hackers.

At least that’s the scenario outlined in “Megacities: Urban Future, the Emerging Complexity,” a five-minute video that has been used at the Pentagon’s Joint Special Operations University. All that stands between the coming chaos and the good people of Lagos and Dhaka (or maybe even New York City) is the U.S. Army, according to the video, which The Intercept obtained via the Freedom of Information Act.

65% of future non-existent jobs (which doesn’t exist) 70% of jobs automated (just not yet)

Twiki the robot from Buck Rogers

The future of work is the work of imagination. We are, repeatedly, and have been for a while, bombarded with (pseudo-)facts about what the future of work will bring. These are, of course, part of well-known, long-standing, narratives about ‘innovation’, ‘growth’, technological advance and, of course, ‘automation’.

Martin shared a good post by , on his site Long View on Education, about some persistent kinds of story around the nature of work our schools are preparing children for, or not. Here’s  an abridged, and selective, version of the story…

“The top 10 in demand jobs in 2010 did not exist in 2004. We are currently preparing students for jobs that don’t exist yet, using technologies that haven’t been invented, in order to solve problems we don’t even know are problems yet.”

Shift Happens videos (2007).

People repeat the claim again and again, but in slightly different forms. Sometimes they remove the dates and change the numbers; 65% is now in fashion. Respected academics who study education, such as Linda Darling-Hammond (1:30), have picked up and continue to repeat a mutated form of the factoid, as has the World Economic Forum and the OECD.

[…]

“By one popular estimate 65% of children entering primary schools  today will ultimately work in new job types and  functions that currently don’t yet exist. Technological  trends such as the Fourth Industrial Revolution will  create many new cross-functional roles for which  employees will need both technical and social and analytical skills. Most existing education systems at all levels provide highly siloed training and continue a  number of 20th century practices that are hindering  progress on today’s talent and labour market issues.  “¦  Businesses should work closely with governments,  education providers and others to imagine what a true 21st century curriculum might look like.”

The WeF Future of Jobs report

[…]

Cathy Davidson (May 2017) explains up how she came to the factoid:

“I first read this figure in futurist Jim Carroll’s book, Ready, Set, Done (2007). I tracked his citation down to an Australian website where the “65%” figure was quoted with some visuals and categories of new jobs that hadn’t existed before. “Genetic counseling” was the one I cited in the book.

After Now You See It appeared, that 65% figure kept being quoted so I attempted to contact the authors of the study to be able to learn more about their findings but with no luck.  By then, the site was down and even the Innovation Council of Australia had been closed by a new government.”

The BBC radio programme More or Less picks up the story from here, demonstrating how it most likely has no factual basis derived from any identifiable source (there never was an Innovation Council of Australia, for example).

Davidson sort of defends this through dissimulation, in an interview for More or Less, by saying she believes that 100% of jobs have been affected by ‘the digital era we now live in’.

As Audrey Watters has highlighted, statistics like this and the appeal for a ‘disruption’ of education by the tech sector to teach ‘the skills of the future’ etc. can be reasonably interpreted as a marketing smoke screen – ‘the best way to predict the future is to issue a press release’.

An allied claim, that fall within the same oeuvre as the “65%” of not-existing jobs (or should that be non-existent?), is the various statistics for the automation of job roles, with varying timescales. A canonical example, from another “thought leader” (excuse me while I just puke in this bin), is from WIRED maven Kevin Kelly:

There are an awful lot of variations on this theme, focusing on particular countries, especially the USA, or particular sectors, or calculating likelihoods for particular kinds of jobs and so on and so on. This is, of course, big business in and of itself – firms like Deloitte, McKinsey and others sell this bullshit to anyone willing to pay.

What should we make of all this..?

There are a few interpretations we can make of this genre of ‘foresight’. Alongside several other academics I have written about particular ways of communicating possible futures, making them malleable-yet-certain in some way, as a ‘politics of anticipation‘. This politics has various implications, some banal some perhaps more troubling.

First, you might say it’s a perfectly understandable tendency, of pretty much all of us, to try and lend some certainty to the future. So, in our adolescent know-it-all way, we are all wont to lend our speculations some authority, and statistics, however spurious, is a key tool for such a task.

Second, and perhaps allied to the first, is the sense in which methods for speculation become formalised and normative – they’re integrated into various parts of institutional life. So, it becomes normal to talk about speculative (spurious?!) statistics about a future of work, education etc. in the same tone, with the same seriousness, and the same confidence as statistics about a firm’s current inventory, or last year’s GDP trends. Of course, all statistics, all facts, have conditions and degrees of error and so if the calculation of trends for past events is open to change, the rationale might be, perhaps future trends are just as reliable (there’s all sorts of critique available here but I’m not going to delve into that). In this way, consultancies can package up ‘foresight’ as a product/service that can be sold to others. “Futures” are, of course, readily commodified.

Third, an ideological critique might be that it is precisely these forms of storytelling about the redundancy or insufficiency of the labour force that allows those with the large concentrations of capital to accrue more by demeaning the nature of work itself and privatising profits upwards. If we are repeatedly told that the work that generates the good and services that move through our economy is worth less – because it can be automated, because it is ‘out-dated’, because there are other kinds of superior ‘skilled’ work – then it perhaps becomes easier to suppress wage growth, to chip away at labour rights and render work more precarious. Gloomy I know. However, some data (oh no! statistics!) Doxtdator has in his blogpost (and the kinds of data David Harvey uses in his books, such as The Engima of Captial) could be seen as backing up such arguments. For example (source):


These sorts of graphs, tell a different story about yesterday’s future – which didn’t lead to families reaping the rewards of automation and increased productivity by profiting from a share in increased leisure time (following JM Keynes), but rather delivered the profits of these trends to the “1%” (or even the “0.1%”) by massively increasing top executive salaries while keeping wider wage growth comparatively low, if not stagnant. I’m not an economist, so I don’t want to push my luck arguing this point but there are folk out there who argue such points pretty convincingly, such as David Harvey (though see also economic critiques of the ‘zombie’ automation type of argument).

Ultimately, I am, personally, less interested in the numbers themselves – who knows if 65% of today’s school children will be doing new jobs that represent only 70% of the total work we currently undertake?!  I’m more interested in the kinds of (speculative) truth-making or arguing practices they illustrate. The forms of speculative discourse/practice/norms about technology and work we’re all involved in reproducing. It seems to me that if we can’t fathom those things, we’re less able to care for those of us materially affected by what such speculation does, because, of course, sometimes speculation is self-fulfilling.

To try to advance some discussions about the kinds of technological and economic future that get proposed, gain momentum and become something like “truths”, I’ve been puzzling over the various ways we might see the creation of these economic statistics, the narrating of technological ‘innovation’ in particular ways, and the kinds of stories ‘critical’ academics then tell in analysing these things as making up collectively some form of collective imagination. I started out with ‘algorithms’ but I think that’s merely one aspect of a wider set of discourses about automation that I increasingly feel need to be addressed. My placeholder term for the moment is an “automative imaginary” ~ a collective set of discourses and practices by which particular versions of automation, in the present and the future, are brought into being.

Revisiting a 90s future: AHRC/EPSRC Next Generation of Immersive Experiences

glitches image of a 1990s NASA VR experience

Emails have been circulating this week about this so it may already be familiar, but ‘digital’ academics may be interested in this… The below is more or less the text of the emails I’ve seen.

Sources: Teeside / AHRC

The Arts and Humanities Research Council (AHRC) and the Engineering and Physical Sciences Research Council (EPSRC) offer support to interdisciplinary research partnerships with the potential to create new knowledge and address major challenges for the development of the next generation of immersive experiences.Proposals are invited from interdisciplinary research partnerships in the areas of:

– Memory – how can new immersive experiences extend the access, interpretation and reach of memory-based institutions such as museum, galleries, archives and collections?
– Place – what new experiences can be created by the combination of immersive technology and place based services?
– Performance – what new creative practices are enabled by immersive technology, what new experiences can be offered to audiences and how can this transform or extend models of performance?

One of the primary aims of this call is to build interdisciplinary capabilities, collaborations, and partnership which will be well placed to take advantage of future opportunities for research and innovation (both from UKRI and beyond). As such AHRC expect partnerships funded through this call to have a life beyond the end of the funding period.

It is expected that the outputs from the funded projects and the wider cohort will include:

  • Interdisciplinary partnerships including academic researchers and creative economy partners;
  • The potential research questions within this space to have been further developed and refined;
  • Sufficient proof of concept(s) / prototypes / visualisations to have been developed by researchers;
  • Tangible advances in creativity, insights, knowledge and understanding in the area of immersive experiences across one or more of the themes;
  • Working with AHRC, EPSRC, IUK and other funders to understand the complexities of funding research in the immersive experience space and potential barriers to exploitation and scaling up of research outputs.

All outcomes should ensure that the UK creative economy can be a world leader in the conceptualisation, design, production and distribution of commercial and cultural immersive experiences in the future.

This call represents an initial stage of investment in the next generation of immersive experiences. AHRC are currently scoping what form further stages of investment might be, and the outcomes of this call will help to inform these further stages.

The maximum value of applications at 100% FEC is £75,000; the deadline for submissions is 5 October 2017. For further details, see the AHRC website.

The Call Document (PDF, 239KB) provides further information on the context and aims for, and the scope of, the call as well as information on how to submit applications.

The AHRC are running a series of engagement events in early July 2017 to cover this call. Details of these events can be found here

Reblog> Three new OHP books from: Brian Massumi; Steven Connor; and Érik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski

open access spelled out with books

Via Gary Hall. All of the books are available for free download. Follow links below.

We are pleased to announce the release this month of two new titles in Open Humanities Press’ Immediations series:***

Brian Massumi’s The Principle of Unrest explores the contemporary implications of an activist philosophy, pivoting on the issue of movement. Movement is understood not simply in spatial terms but as qualitative transformation: becoming, emergence, event.

Available for free download at:

http://www.openhumanitiespress.org/books/titles/the-principle-of-unrest/

 

***

Nocturnal Fabulations/Fabulations nocturnes by Érik Bordeleau, Toni Pape, Ronald Rose-Antoinette and Adam Szymanski with an Introduction by Erin Manning.

This collective, bi-lingual project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time.Available for free download at:

English: http://www.openhumanitiespress.org/books/titles/nocturnal-fabulations/

French: http://www.openhumanitiespress.org/books/titles/fabulations-nocturnes/

***

We are also pleased to announce the latest book in the Technographies series:

Steven Connor’s Dream Machines

Dream Machines is a history of imaginary machines and the ways in which machines come to be imagined. It considers seven different kinds of speculative, projected or impossible machines: machines for teleportation, dream-production, sexual pleasure and medical treatment and cure, along with ‘influencing machines’, invisibility machines and perpetual motion machines.

“This is an engaging and imaginative exploration of various forms of writing, thinking, and fantasizing about dream machines, an endlessly fertile topic probed here from just about every possible angle “¦ a major intervention into current understandings of technology, literature, and identity.”

Matthew Rubery – Queen Mary University of London

“”¦ a deeply original contribution to the history and philosophy of technology and the cultural history of the imagination “¦”Laura Salisbury – University of Exeter

Available for free download at:

http://www.openhumanitiespress.org/books/titles/dream-machines/

With our best wishes,

Sigi, David, Gary

Responsive media

personal media

It’s interesting to compare competing interpretations of the same ‘vision’ for our near-future everyday media experience. They more or less circle around a series of themes that have been a staple of science fiction for some time: media are in the everyday environment and they respond to us, to varying degrees personally.

On the one-hand some tech enthusiasts/developers present ideas such as “responsive media“, a vision put forward by a former head of ubiquitous computing at Xerox PARC, Bo Begole. On the other hand, sceptics have, for quite some time, presented us with dystopian and/or ‘critical’ reflections on the kinds of ethical and political(economic) ills such ideas might mete out upon us (more often than not from a broadly Marxian perspective), recently expressed in Adam Greenfield’s op-ed for the Graun (publicising his new book “Radical Technologies”).

It’s not like there aren’t plenty of start-ups, and bigger companies (Begole now works for Huawei), trying to more-or-less make the things that science fiction books and films (often derived in some way from Phillip K Dick’s oeuvre) present as insidious and nightmarish. Here I can unfairly pick upon two quick examples: the Channel 4 “world’s first personalised advert” (see the video above) and OfferMoments:

While it may be true that many new inventors are subconsciously inspired by the science fiction of their childhoods, this form of inspiration is hardly seen in the world of outdoor media. Not so for OfferMoments – a company offering facial recognition-powered, programmatically-sold billboard tech directly inspired by the 2002 thriller, Minority Report.

I’ve discussed this in probably too-prosaic terms as a ‘politics of anticipation’, but this, by Audrey Watters (originally about EdTech), seems pretty incisive to me:

if you repeat this fantasy, these predictions often enough, if you repeat it in front of powerful investors, university administrators, politicians, journalists, then the fantasy becomes factualized. (Not factual. Not true. But “truthy,” to borrow from Stephen Colbert’s notion of “truthiness.”) So you repeat the fantasy in order to direct and to control the future. Because this is key: the fantasy then becomes the basis for decision-making.

I have come to think this has produced a kind of orientation towards particular ideas and ideals around automation, which I’ve variously been discussing (in the brief moments in which I manage to do research) as an ‘algorithmic’ and more recently an ‘automative‘ imagination (in the manner in which we, geographers, talk about a ‘geographical imagination’).