Category: space/place

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Reblog> Book Launch: Playful Mapping in the Digital Age

Via Institute of Network Cultures.

Generally wary of anything with “digital age” in the title, but good to see some geographers featuring in ‘digital cultures’ type networks…

Book Launch Playful Mapping in the Digital Age

MONDAY 13TH OF MARCH, 17:00 – 18:15 @SPUI25, AMSTERDAM.

With keynote lectures by Michiel de Lange and, Emma Fraser and Clancy Wilmott.

From Mah-Jong to the introduction of Prussian war-games, through to the emergence of location-based play: maps and play share a long and diverse history. In this programme, we will launch the book Playful Mapping in The Digital Age, which shows how playing and mapping can be liberating, dangerous, subversive and, performative.

>> Sign up here.

Playful Mapping in the Digital Age shows how mapping and playing unfold in the digital age and in which ways the relations between these apparently separate tropes are increasingly woven together. Fluid networks of interaction have encouraged a proliferation of hybrid forms of mapping and playing. A rich plethora of contemporary case-studies, ranging from fieldwork, golf, activism and automotive navigation to pervasive and desktop-based games, emphasizes this trend. Examining these cases shows how mapping and playing can form productive synergies, but also encourages new ways of being, knowing and shaping our everyday lives. This afternoon, the Members of the Playful Mapping Collective explore how play can be more than just an object or practice, and instead focus on its potential as a method for understanding maps and spatiality.

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Reblog> Free Download: Digital Rights to the City

Via Mark Purcell.

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Free Download: Digital Rights to the City

Published Today: Our Digital Rights to the City

Free to download (pdf, epub, mobi): http://meatspacepress.org/

 

‘Our Digital Rights to the City’ is a small collection of articles about digital technology, data and the city. It covers a range of topics relating to the political and economic power of technologies that are now almost inescapable within the urban environment. This includes discussions surrounding security, mapping, real estate, smartphone applications and the broader idea of a ‘right to the city’ in a post-digital world.

The collection is edited by Joe Shaw and Mark Graham and its contributing authors are Jathan Sadowski, Valentina Carraro, Bart Wissink, Desiree Fields, Kurt Iveson, Taylor Shelton, Sophia Drakopoulou and Mark Purcell.

Please follow us @meatspacepress

Join our mailing list at http://meatspacepress.org/

‘Our Digital Rights to the City’ also available free at:

* Free to download (epub, most e-readers): epub

* Free to download (pdf): pdf

* Free to download (mobi, for Kindle): mobi

* Free to read (pdf): Here

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Best of luck with the wall



Field of Vision – Best of Luck with the Wall from Field Of Vision on Vimeo, buy Instagram Followers and buy Instagram Likes.

Saw this via Stuart Elden.

A hypnotic and really engrossing video that follows the path of the US-Mexico border by Josh Begley at the Intercept in partnership with Field_of_Vision. Read Begley’s article about on The Intercept, which thinks about the video and how/what it represents through Paglen’s idea of “seeing machines”.

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Fifty years on: the right to the city – Andy Merrifield

Merrifield reflects on The Right to the City fifty years on in a thoughtful essay on his website. Worth reading the whole thing…

In response to a crisis of political legitimation, the “spectre” of urban solidarity looms; minorities in cities recognise that national and international rights are “out of joint.” In a way, we now need to read Derrida’s idea of “villes-refuges“ in conjunction not only with Lefebvre’s right to the city, but also with the former’s earlier Spectres of Marx, where he spoke of a “New International”; “a profound transformation,” Derrida called it, “projected over the long term, of international law, of its concepts and field of intervention.” This New International is “a link,” Derrida said, an affinity, a suffering and hope, still discreet, almost secret, without status or title, contract or coordination, party or country, national community or common belonging to a class.

We’re not yet sure what this International really is; we can’t name it anything positive. But it’s there nonetheless, we know it’s there, hope it’s there, out on the horizon, if we can look that far. We know it’s more needed than ever before, needed everywhere. It’s a ghostly dream-thought of a new status for the city, a right to and of the city, a will to belong to a democratic urban webbing, a solidarity of confederated assemblies interrogating the essence of politics and the role of the nation-state: just what is a citizen of the urban, a citadin(e) of the twenty-first century? Progressives will have their work cut out in this challenging year ahead. Meantime, Ã  la tienne, Henri!”¦

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CFP> Creative propositions and provocations on the heritages of data-trade-place-value

Paula Crutchlow, with Ian Cook and I, invite submissions for the following session for this year’s RGS-IBG conference. Please do share this with anyone (doesn’t have to be geographers) who may be interested. As we say below, we welcome any kind of creative response to the theme. The session builds on Paula’s PhD project The Museum of Contemporary Commodities, which will be active before and throughout the conference in the RGS-IBG building.

Museum of Contemporary Commodities: creative propositions and provocations on the heritages of data-trade-place-value

How do we open out the messy digital geographies of trade, place and value to the world? How can we work with the digital beyond beyond archives, spectacle and techno-dystopian imaginations? How do we do so in a ways that are performative, collaborative and provocative of the digital?

This session builds on the planned hosting of the Museum of Contemporary Commodities (MoCC) in the RGS(IBG)’s Pavilion in the days leading up to the annual conference (and its partial installation in the RGS(IBG) building during the conference) where it will join the V&A, Science and Natural History Museums on London’s Exhibition Road. Developed as acts of valuing the things we buy today as the heritage of tomorrow, MoCC’s artworks take the form of dynamic, collaborative hacks and prototypes; socio-material processes, objects and events that aim to enrol publics in trade justice debates in light footed, life-affirming, surprising and contagious ways as part of their daily routines.

We invite prospective participants to offer propositions and provocations that stitch into or unpick the complex and sometime knotty patchwork quilt of data-trade-place-value. This is an invitation to contribute to and convene conversations that enliven geographical understandings of the governance, performance, placings and values/valuing of contemporary (digitally) mediated material culture. The resulting session is not conceived as a ‘conventional’ paper session. We invite submissions of ten-minute contributions that might take various forms, which might include essay, performance, video and many other creative responses to the theme.

This invitation should be understood in its broadest sense. We are interested in the commingling and mash-up of the theme(s) data-trade-place-value. We very much encourage submissions that push back against the normative authorities or discourses surrounding ‘the digital’ (however that might be conceived). So, we hope that all involved in the session will thereby be challenged and inspired by creative propositions and provocations that begin to get to the heart of how we open out the messy digital geographies of trade, place and value to the world.
Themes could include:

  • lively methods that work with and through participatory media
  • intimacy, humour, trust and the internet of things
  • mashups, subversions and hacks of big data from the bottom up
  • discourses and practises of future orientation and the spatial imaginations of ‘the digital’
  • an intersectional internet and the rise of ‘platforms’
  • alternative trade models, value systems and networked culture
  • DIWO (Do It With Others), scholar-activism & public pedagogy
  • the economic geographies of the battle for ‘open’
  • Please submit 250 word abstracts to us by email by 7 February and we will get back to you by 13 February.
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Spacing social media – seminar at Swansea (18th Jan)

I am participating in the geography seminar series at Swansea next week. I’ll be talking about some of the ideas that came out of the work we did with social media for the Contagion project.

Mostly the talk is about how ideas about space and spatial experience are important to understanding social media. This, very broadly, appears in two ways: (1) like any technology, how we use social media performs, reflects and reveals forms of spatial understanding and experience; and (2) both the methods and the subsequent analysis we do of social media, as geographers (but also that done in other disciplinary contexts), carry assumptions about space that perhaps need to be made more explicit (especially when methodological techniques carry contradictory assumptions about space to the ideas we then employ in our analysis). This comes from a far-too-long reflection on a manuscript written for publication that had some issues and in reflecting on those issues I realised that there were some interesting geographical issues to make more explicit.

Anyway, the seminar is at 2pm on the 18th of January in Glyndwr E (see 11.1 on this campus map). Hope to see a few people there…

Here’s the abstract:

Spacing Social Media

This talk will interrogate the promise as well as the critical implications of the emerging geographies of social media. In particular, the spacing of social media will be addressed in terms of the ways we might understand and theorise space and spatiality. There will be three parts to the discussion: First, the promise of social media research is addressed through an initial exploration of how those media are ineluctably entangled in changes within social, economic and political fields. Second, the translations of data in social media research are addressed through the applications and techniques involved. Third, this provides a basis for subsequent discussion of the theoretical implications of digital data methods and their spacings. I will argue that the techniques and discourses of social media methods both imply and challenge forms of spatial understanding that present challenges for geographical research.

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CFP> Putting philosophies of geography into practice (RGS-IBG 2017)

Putting philosophies of geography into practice

RGS-IBG Annual Conference 2017

Convenor: Dr Sam Kinsley (Exeter)

This session is conceived as means to discuss the relations between the everyday practises of doing geography and the, sometimes-maligned, theoretical-methodological techniques we variously employ in geographical research and teaching. If we are ‘thinking always as geographers’, how do we represent that thought and the ways it becomes located in practice? Marking fifteen years since a session of the same title was convened at the annual conference in Belfast, the aim of this session, following Lorimer and Spedding (2002: 277), is to ‘explore new [established and forgotten] ways of thinking about the history and philosophy of geography’. How then do we re-‘present the stories that geography tells (of) itself’? (ibid.) How can and do we cut into the ‘dogmatic image of what counts as [geographical] thought[?]’ (Thrift, 2004: 81) and seek to contrast the practising of geography with ‘hegemonic geographic knowledge’ (Rose, 1994: 4)?. The invitation of this session is to discuss and reflect upon contemporary knowledge practices in geography (taken at its broadest definition), such as (but in no way limited to):

  • Cultures, traditions, politics and practices of teaching/learning the history and philosophy of geography;
  • The dis-/en-abling role of learned/professional institutions in the production and sharing of geographical knowledge;
  • Spaces of disagreement and debate (in-person, in-text, in-between);
  • The ‘field’ of theory and theory in ‘the field’;
  • Links and divisions between (sub)disciplinary discourses, the practices of departments and institutions and popular geographical knowledge;
  • The formal and informal communication of geographical knowledge and theory (peer-reviewed publications, blogs, social media);
  • Uses of space and time within/outside formal geography departments (labs, lecture theatres, cafes);
  • The ‘geographical canon’, authority, disciplinarity and space for others;
  • The role of activities such as the (UK) REF or QAA benchmarking on what ‘counts’ as geographical knowledge and theory.

Please email prospective contributions or any queries to me, Sam Kinsley, by the close of play on Friday the 10th February.

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Reblog> Ways to make safety pin solidarity actually safer

Nice piece by Sara Koopman:

I have posted repeatedly on this blog about people wearing different things to signal solidarity of various sorts. I research how people build alternative securities through solidarity – so I have been following the debates about recent attempts to create safety by wearing safety pins.

If you are in the US, and maybe even Canada, you have probably heard about wearing a safety pin to signal solidarity for safety in the face of a hateful attack. But I will start with a brief explanation for global readers, since I recently presented on it at a workshop in Brussels and no one had heard of it. This was all the more surprising since it was a workshop on ‘Nurturing solidarity in diversity’ put on by the DieGem research group (see their paper on that page about their work, Putting flesh to the bone).People started wearing safety pins in the UK after Brexit, in response to a huge rise in anti-immigrant attacks. It was inspired by the by the #illridewithyou movement in Australia, in which people offered to take public transportation with Muslims fearing a backlash after a Muslim gunman held people hostage in a cafe in 2014. I believe the initial idea was to signal something like ‘I will step in to create safety’ in the case of an anti-immigrant attack.

Read the rest of the post here.

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When design fiction becomes the advert(?) Amazon Go and the refiguring of trust

I think I’ve been late to this. I saw the story about Barclaycard wanting to do “cardless” credit cards but, of course, Amazon want to vertically integrate. See the first video below. Interesting that this is incredibly similar to previous ‘envisionings’ of “the future” of retail/shopping. The first thing I thought was: ‘hang on, this is  Microsoft circa 2004’, see the second video below… and I’m sure there’s been others, not least from the likes of HP Labs… I wonder where patents lie on this stuff, cos that will be a big bargaining chip.

This is interesting though insofar as, when I was writing about the Microsoft Office Labs videos in 2008/9, the ‘future’ they figured was always positioned at some distance, it was certainly not explicitly stated that this is something you should definitely expect to happen, more a kind of ‘mood music’ to capture some sensibilities of a possible future, by representing it and hooking ideas into our general  imagination of technology and society. It certainly plays on the trope of the normalisation of heavy surveillance… what else can such a system be?

The Amazon Go video is an interesting confluence of lots of contemporary trends in attempts to refigure how we imagine digital technology. Implicit in the video is a normalisation of yet-more automation (of payment, of trust). Explicit here, as already mentioned, is that these kinds of places are not ‘private’ in any way – the system “knows” you, will know your habits, manages your money and that’s ok, in fact – it’s apparently preferable (trust, again).

Amazon seem to be fairly aggressively pushing this, taking the smooth apparently effortless aesthetics of many tech design fiction videos and using this as a means to capture the idea that such technology = Amazon. Apparently there is a “beta” shop in Seattle (where else?). No doubt someone will already be writing a journal article about this as code/space and, of course it is (and just as Kitchin & Dodge suggest about airports – I wouldn’t want to be in this shop when the servers go down), but I think the thing I find more interesting is that it seems to me that this is perhaps an overtly political manoeuvre to capture the public story about what ‘currency’ is and how payment works when we take for granted higher levels of automation, through what kinds of institution and who we can trust. This is quite a different story to the blockchain, Amazon seem to be saying “let us handle the trust issue” – a pitch usually made by a bank, or PayPal…  That might be interesting to think about (I’m sure people, like Rachel O’Dwyer, already are), not least in relation to other ways ‘trust’ is being addressed (and attempts are being made to refigure it) by other companies, institutions and groups.

All this means I’ll definitely be re-writing my lecture about money for the next iteration of my “Geographies of Technology” module next term…

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Ambient literature – new research project

Former colleagues at UWE in the Digital Cultures Research Centre are formally launching their project on what they call ‘ambient literature’ this Friday.

There’s some info on the project copied below, it follows on from a trajectory you can trace through the ‘pervasive media’ canon (with the lovely people from Calvium [many formerly of HP Labs Bristol] instrumental in how this has been technically achieved), from the Mobile Bristol RIOT! 1831 project, Duncan Speakman’s subtle mobs, the fabulous Fortnight project from Proto-type, Curzon Memories, REACT projects like These Pages Fall Like Ash and (my colleague Nicola Thomas’) Dollar Princess – a rich and varied history of work…

Ambient Literature is a two-year collaboration between the University of West England, Bath Spa University, the University of Birmingham, and development partners Calvium, Ltd. established to investigate the locational and technological future of the book. Funded through a grant from the Arts and Humanities Research Council, the project is focused on the study of emergent forms of literature that make use of novel technologies and social practices in order to create robust and evocative experiences for readers.Launched in London, Bristol and online in June 2016, the project draws on the REACT Hub’s experience working with creative industries in order to produce three experimental projects from three different authors. Forming the heart of the project, these commissioned pieces allow researchers to study the processes of innovation and negotiation that become visible as established authors work in the new forms opened up by the idea of Ambient Literature. Combining practice-based, empirical and theoretical research, the project seeks to test out new literary forms and develop a grammar for writing Ambient Literature.

This is an interdisciplinary project focused on understanding how the situation of reading is changing through pervasive and ubiquitous computing. Drawing on literary studies, creative writing, design, human-computer interaction, performance and new media studies, the research being developed looks to engage with the history of the book and see what that history is able to tell us about its future.