Amidst the slog of marking a shining jewel-like piece of inspiration appeared in my inbox – one of my academic heroes Anne Galloway shared a draft of what is a fantastic chapter for a brilliant book, which is set to be published later this year (what a great editorial team too!). Anne has posted about this on her lab’s blog, so I am reposting some of that post… however, go and read it on the More-than-human Lab blog!
I’m pleased to announce that The Routledge Companion to Digital Ethnography, edited by Larissa Hjorth, Heather Horst, myself & Genevieve Bell, will be published later this year.
For the companion I also contributed a chapter called “More-Than-Human Lab: Critical and Creative Ethnography After Human Exceptionalism.”
Anne shares the introductory paragraph, which I think wonderfully performs precisely the ethos of praxis she explores in the chapter:
Haere mai. Welcome. This story starts with an introduction so that the reader can know who I am, and how I have come to know what I know. My name is Anne Galloway. My mother’s family is Canadian and my father’s family is British. Born and raised outside both places, for the past seven years I have been tauiwi, or non-MÄori, a settler in Aotearoa-New Zealand. I have always lived between cultures and have had to forge my own sense of belonging. Today I am in my home, on a small rural block in the Akatarawa Valley of the Tararua ranges, at the headwaters of the Waikanae River, on the ancestral lands of MuaÅ«poko (NgÄi Tara) & NgÄti Toa, with my partner, a cat, seven ducks, five sheep–four of whom I hope are pregnant–and a multitude of extraordinary wildlife. The only way I know how to understand myself is in relation to others, and my academic career has been dedicated to understanding vital relationships between things in the world. Most recently, I founded and lead the More-Than-Human Lab, an experimental research initiative at Victoria University of Wellington. Everything I have done has led me to this point, but for the purposes of this chapter I want to pull on a single thread. This is a love story for an injured world, and it begins with broken bones”¦
I did however want to share a brief snippet of one of the many bits I love from the chapter:
As more technological devices connect people to things in the world, and as more data are collected about people and things, digital ethnography stands to make an important contribution to our understanding of constantly shifting relations. When combined with speculative design that translates realist narratives into fantastic stories, I also believe we can inject hope into spaces, times and relations where it seems most unlikely.
For me, Anne’s reading of a feminist ethics of care: for knowledge for our ‘selves’ and for our decentred place in the vital soup of our (transindividuated) becoming, as a part of contemporary ethnographic praxis is really valuable and we would all do well to involve ourselves in the conversation which Anne invites.
The image at the top comes from Anne’s twitter feed, it’s one of her own sheep:
Saying goodnight to the sheep ðŸ˜ðŸ˜ðŸ˜ pic.twitter.com/Xj2RHksy6m
– anne galloway (@annegalloway) April 13, 2016