A Universe Explodes. A Blockchain book/novel

Blockchain visualisation

Thanks to Max Dovey for the tip on this…

This seems interesting as a sort of provocation about what Blockchain says/asks about ownership perhaps, although I’m not overly convinced by the gimmick of changing words such that the readers unravel, or “explode” the book… I wonder whether The Raw Shark Texts  or These Pages Fall Like Ash might be a deeper or maybe I mean more nuanced take on such things… however, I haven’t explored this enough yet and it’s good to see Google doing something like this (I think?!)

Here’s a snip from googler tea uglow’s medium post about this…

It’s a book. On your phone. Well, on the internet. Anyone can read it. It’s 20 pages long. Each page has 128 words, and there are 100 of the ‘books’ that can be ‘owned’ . And no way to see a book that isn’t one of those 100. Each book is unique, with personal dedications, and an accumulation of owners, (not to mention a decreasing number of words) as it is passed on. So it is both a book and an cumulative expression of the erosion of the self and of being rewritten and misunderstood. That is echoed in the narrative: the story is fluid, the transition confusing, the purpose unclear. The book gradually falls apart in more ways than one. It is also kinda geeky.

Picking at the “alternative media ecosystem”

A glitched image of a typewriter

Two things on how various intersecting discourses are coming at “fake news’…  I find it interesting to see and hear how different folks are attempting to make sense of an apparent phenomenon, it’s a little like watching Foucault’s ‘discursive formation’ in action…

First, via Adrian J Ivakhiv:

Parsing the “alternative media ecosystem”

An interesting forthcoming article by University of Washington researcher Kate Starbird examines the “alternative media ecosystem” by focusing on the production of the kinds of narratives that are fairly exclusive to the “alternative,” as opposed to mainstream, “media ecosystem.” Specifically, the piece analyzes conspiratorial narratives, found on Twitter and connected web sites, that follow terrorist incidents (including the 2013 Boston Marathon Bombings and the downing of Malaysia Airlines flight MH17) and several mass shooting events.

“For each event,” Starbird writes, “rumors claimed the event had been perpetrated by someone other than the official suspects–that it was instead either a staged event performed by “crisis actors” or a “false flag” orchestrated by someone else.” (For more, see the Seattle Times and Starbird’s own summaries of the research.)

From Starbird’s scholarly article:

“After several rounds of iterative analysis to identify commonalities and distinctions across clusters of accounts, we identified three prominent political agendas: U.S. Alt Right, U.S. Alt-Left, and International Anti-Globalist.”

Second, via the ‘Team Human’ podcast, hosted by Douglas Rushkoff, Caroline Jack on ‘propaganda’:

What’s Propaganda Got To Do With It?

If “propaganda” is a useful as a media epithet because it expresses concerns about media persuasion and power, then we must allow that a variety of actors, not just states or would-be states, can influence the television networks, newspapers of record, and leading online news sources.

Our understanding of media power (and of what it means to call something propaganda) must make room for a variety of potential collective and individual influences. This includes corporations, interest groups, activist groups, and other traditional collectives; it should also include the new forms of individual and collective presence that digital communications facilitate. This includes state-sponsored online actors and ad-hoc user collectives.

Farmers hacking tractors

Promotional image for the 1995 film Hackers

To avoid the draconian locks that John Deere puts on the tractors they buy, farmers throughout America’s heartland have started hacking their equipment with firmware that’s cracked in Eastern Europe and traded on invite-only, paid online forums.

Tractor hacking is growing increasingly popular because John Deere and other manufacturers have made it impossible to perform “unauthorized” repair on farm equipment, which farmers see as an attack on their sovereignty and quite possibly an existential threat to their livelihood if their tractor breaks at an inopportune time.

“When crunch time comes and we break down, chances are we don’t have time to wait for a dealership employee to show up and fix it,” Danny Kluthe, a hog farmer in Nebraska, told his state legislature earlier this month. “Most all the new equipment [requires] a download [to fix].”

Why American Farmers Are Hacking Their Tractors With Ukrainian Firmware

Choose how you feel, you have seven options

A great piece by Ruben Van de Ven stemming from his artwork of the same name, published on the Institute of Network Culture site. Van de Ven, in a similar vein to Will Davies, deconstructs the logic of ‘affective’ computing, sentiment analysis and their application to what has been termed the ‘attention economy’. The article does a really go job of demonstrating how the knowledge claims, and the epistemologies (perhaps ontologies too), that are at work behind these technologies are (of course) deeply political in their application. Very much worth reading! (snippet below).

 ‘Weeks ago I saw an older woman crying outside my office building as I was walking in. She was alone, and I worried she needed help. I was afraid to ask, but I set my fears aside and walked up to her. She appreciated my gesture, but said she would be fine and her husband would be along soon. With emotion enabled (Augmented Reality), I could have had far more details to help me through the situation. It would have helped me know if I should approach her. It would have also let me know how she truly felt about my talking to her.’

FOREST HANDFORD

This is how Forest Handford, a software developer, outlines his ideal future for a technology that has emerged over the past years. It is known as emotion analysis software, emotion detection, emotion recognition or emotion analytics. One day, Hartford hopes, the software will aid in understanding the other’s genuine, sincere, yet unspoken feelings (‘how she truly felt’). Technology will guide us through a landscape of emotions, like satellite navigation technologies guide us to destinations unknown to us: we blindly trust the route that is plotted out for us. But in a world of digitized emotions, what does it mean to feel 63% surprised and 54% joyful?

Please take the time to read the whole article.

Reblog> Accident tourist – driverless cars and ethics

Automated taxi figure in the 1990 film Total Recall

An interesting and well-written piece over on Cyborgology by Maya from Tactical Tech Collective (amongst many other things!)

I particularly like these bits copied below, but please read the whole post.

Accident Tourist: Driverless car crashes, ethics, machine learning

…I imagine what it may be like to arrive on the scene of  a driverless car crash, and the kinds of maps I’d draw to understand what happened. Scenario planning is one way in which ‘unthinkable futures’ may be planned for.

The ‘scenario’ is a phenomenon that became prominent during the Korean War, and through the following decades of the Cold War, to allow the US army to plan its strategy in the event of nuclear disaster. Peter Galison describes scenarios as a “literature of future war” “located somewhere between a story outline and ever more sophisticated role-playing war games”, “a staple of the new futurism”. Since then scenario-planning has been adopted by a range of organisations, and features in the modelling of risk and to identify errors. Galison cites the Boston Group as having written a scenario – their very first one-  in which feminist epistemologists, historians, and philosophers of science running amok might present a threat to the release of radioactive waste from the Cold War (“A Feminist World, 2091″).

The applications of the Trolley Problem to driverless car crashes are a sort of scenario planning exercise. Now familiar to most readers of mainstream technology reporting, the Trolley problem is presented as a series of hypothetical situations with different outcomes derived from a pitting of consequentialism against deontological ethics. Trolley Problems are constructed as either/or scenarios where a single choice must be made.

[…]

What the Trolley Problem scenario and the applications of machine learning in driving suggest is that we’re seeing a shift in how ethics is being constructed: from accounting for crashes after the fact, to pre-empting them (though, the automotive industry has been using computer simulated crash modeling for over twenty years); from ethics that is about values, or reasoning, to ethics as based on datasets of correct responses, and, crucially, of ethics as the outcome of software engineering. Specifically in the context of driverless cars, there is the shift from ethics as a framework of “values for living well and dying well”, as Gregoire Chamayou puts it, to a framework for “killing well”, or ‘necroethics’.

Perhaps the unthinkable scenario to confront is that  ethics is not a machine-learned response, nor an end-point, but as a series of socio-technical, technical, human, and post-human relationships, ontologies, and exchanges. These challenging and intriguing scenarios are yet to be mapped.

Coincidentally, in the latest Machine Ethics podcast (which I participated in a while ago), Joanna Bryson discusses these issues about the bases for deriving ethics in relation to AI, which is quite interesting.

Reblog> We need to tell better stories about our surveilled future[s]

Via Cyborgology.

“We need to tell more diverse and realistic stories about AI,” Sara Watson writes, “if we want to understand how these technologies fit into our society today, and in the future.”

Watson’s point that popular narratives inform our understandings of and responses to AI feels timely and timeless. As the same handful of AI narratives circulate, repeating themselves like a befuddled Siri, their utopian and dystopian plots prejudice seemingly every discussion about AI. And like the Terminator itself, these paranoid, fatalistic stories now feel inevitable and unstoppable. As Watson warns, “If we continue to rely on these sci-fi extremes, we miss the realities of the current state of AI, and distract our attention from real and present concerns.”

Watson’s criticism is focused on AI narratives, but the argument lends itself to society’s narratives about other contemporary worries, from global warming to selfies and surveillance. On surveillance, Zeynep Tufekçi made a similar point in 2014 about our continued reliance on outdated Orwellian analogies (hi 1984) and panoptic metaphors.

Resistance and surveillance: The design of today’s digital tools makes the two inseparable. And how to think about this is a real challenge. It’s said that generals always fight the last war. If so, we’re like those generals. Our understanding of the dangers of surveillance is filtered by our thinking about previous threats to our freedoms. But today’s war is different. We’re in a new kind of environment, one that requires a new kind of understanding. [“¦]

To make sense of the surveillance states that we live in, we need to do better than allegories [1984] and thought experiments [the Panopticon], especially those that derive from a very different system of control. We need to consider how the power of surveillance is being imagined and used, right now, by governments and corporations.

We need to update our nightmares.

Read the whole post.

Call for Papers: “Charting trans and posthumanist imaginaries in future-making”

Rachael in the film Blade Runner

via SERRC.

Call for Papers: “Charting trans and posthumanist imaginaries in future-making”
(see Panel 53: http://sipsheff17.group.shef.ac.uk/index.php?option=24)Science in Public Conference, University of Sheffield 10th-12th July, 2017
Emilie Whitaker, University of Salford, e.m.whitaker@salford.ac.ukThe call for papers closes April 18, 2017.

Posthumanism and transhumanism are two emerging cultural movements that use recent developments in science and technology to challenge, in rather different ways, conventional conceptions of the human condition. Originally seen as more aligned with science fiction than science fact, they now straddle the divide, helped along with increasing media attention and capital investment. Whilst posthumanism continues to be theoretically explored within the social sciences and humanities, transhumanism remains an outlier to the academy. This is despite developments in science and technology which decouple traditional understandings of human/non- human action, agency, labour and capital. In this respect, both trans and posthumanism come very well adapted to our ‘post-truth’ times. We welcome submissions on this general theme, including the following topics:

  • Post- vs trans- humanist projections of the future of humanity, both utopic and dystopic
  • The appeal to post- and trans- humanist ideas and images in the general culture
  • Scientific bases – or not – for post- and trans- humanist knowledge claims
  •  The influence – or not – of post- and trans- humanist views on public policy
  • The place of capitalism in post- and trans- humanist imaginaries
  • The place of post- and trans- humanism in the academy: Do they bridge the ‘Ëœtwo cultures’?
  • How trans and post humanism conceive of the place of democracy in guiding the future
  • Exploration of how science communication invokes, borrows or rejects trans and posthumanist tropes.

We welcome ‘alternative’ contributions – for example, short pieces of prose or extracts of speculative near-future fiction – as well as empirically-based findings papers. We are also particularly keen to support early career researchers.