Reblog> “Sex, annotation and verité totale” Kurenneimi’s Archival Futurism

This new book co-edited by Joasia Krysa and Jussi Parikka looks interesting…

Joasia is a curator and was one of my undergrad tutors in Plymouth on the Digital Art and Technology programme and convened some great events during her time there, not least the excellent Hybrid Discourse. It was events like that which contributed to my interest in postgraduate study…

“Sex, annotation, and verité totale”: Kurenniemi’s Archival Futurism

Screen Shot 2015-09-18 at 8.41.43 AMI am very glad to announce that Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048 is out from the printers, hot off the (MIT) Press! Edited with curator, writer Joasia Krysa, the book focuses on the Finnish media art pioneer Kurenniemi, and is the key international collection on the curious thinker, sound and media artist-tinkerer, who became known for his remarkable synthetizers and archival futurism. Kurenniemi has gathered attention in the electronic music circles for a longer period of time, and with Documenta 13 he become known in the international art world too. His thoughts and work resonate with the work of other early pioneers; Simon Reynolds once called him  a mix of Karlheinz Stockhausen, Buckminster Fuller, and Steve Jobs. In 2002, Mika Taanila directed the film The Future is Not What It Used to Be about Kurenniemi.

The book includes foreword by the eminent media archaeologist Erkki Huhtamo and a range of critical essays on digital culture, archival mania and media arts. Key academic and art writers address Kurenniemi’s work but also more: the condition of the archive and sound arts, sonic fiction and speculative futures of singularity are some of the key themes that run through the book with contributions by many established names in media studies, art and sound technologies. In addition, we included many of Kurenniemi’ own writings over the decades, including some interviews that elaborate his wider computational views of the world, including his thought: by 2040s, the human brain can be completely simulated. His archive plays a key role, like an actor in itself: the archive also featured as a key “object” as part of the earlier Kiasma exhibition and we included some snippets, as well as an extensive visual section.

n-mika-taanila-erkki-kurenniemi-the-dawn-of-dimi-3458-4

Writing and Unwriting (Media) Art History sits as part of the Leonardo-book series, edited by Sean Cubitt. The book was started by Krysa through her curatorial work at the 2012 Documenta 13 exhibition. It is thanks to Joasia that I am part of the project and she deserves major praise for her amazing eye for detail, enthusiasm and energy in driving this project, from a major exhibition to a book, and more.

Here’s a preview of the book’s table of contents and Huhtamo’s Foreword.

For review copy requests, or other questions, inquiries about the book, please get in touch! We are hosting some book events in Montreal, Helsinki, Berlin and London over the coming months but more info on those separately.

Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048, eds Krysa and Parikka

Over the past forty years, Finnish artist and technology pioneer Erkki Kurenniemi (b. 1941) has been a composer of electronic music, experimental filmmaker, computer animator, roboticist, inventor, and futurologist. Kurenniemi is a hybrid–a scientist-humanist-artist. Relatively unknown outside Nordic countries until his 2012 Documenta 13 exhibition, “In 2048,” Kurenniemi may at last be achieving international recognition. This book offers an excavation, a critical mapping, and an elaboration of Kurenniemi’s multiplicities.

The contributors describe Kurenniemi’s enthusiastic, and rather obsessive, recording of everyday life and how this archiving was part of his process; his exploratory artistic practice, with productive failure an inherent part of his method; his relationship to scientific and technological developments in media culture; and his work in electronic and digital music, including his development of automated composition systems and his “video-organ,” DIMI-O. A “Visual Archive,” a section of interviews with the artist, and a selection of his original writings (translated and published for the first time) further document Kurenniemi’s achievements. But the book is not just about one artist in his time; it is about emerging media arts, interfaces, and archival fever in creative practices, read through the lens of Kurenniemi.

music with devices media archaeology kurenniemi AM

Endorsements

“Sex, annotation, and verité totale: Kurenniemi is a missing mixing desk between so many interesting aspects of late-twentieth-century culture. No wonder he ends up offering us a new archival futurism!”
–Matthew Fuller, Professor, Director of the Centre for Cultural Studies, Goldsmiths, University of London

“Providing a long-overdue critical and historical introduction to the amazingly multifaceted work of media pioneer, visionary thinker, and self-archivist Erkki Kurenniemi, this book becomes both a media-archaeological excavation and engaging reflection on the challenges of writing media art history. The range of Kurenniemi’s fascinating practice–including electronic music composition, experimental filmmaking, robotics, and curation–defies traditional classifications, and calls for new historical narratives of media art. Started as a compilation of the long-term research that went into the exhibition of Kurenniemi’s work at Documenta 13 in Kassel, Germany, the volume combines highlights of his own writings and interviews with excellent contributions by scholars, contextualizing his archives, art, music, and vision.”
–Christiane Paul, Associate Professor, School of Media Studies, The New School; Adjunct Curator of New Media Arts, Whitney Museum

“This book is a major contribution not only to the unprecedented scientific and artistic imagination of Erkki Kurenniemi, but also to the whole research on media and ‘real time.’ The text unveils and critically presents the reader with a series of complex technological and artistic systems exploring the man-machine relationship under the assumption both do have consciousness. Kurenniemi’s work provides us with one of the most solid grounds to examine perception, the brain, the will to speculate and travel back and forth between several realms of knowledge. Kurenniemi is bold; this text is bold and a great contribution to new forms of studying risk taking in art and science.”
–Chus Martínez, Head of the Institute of Art, FHNW Academy of Art and Design

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Excellent piece on why smartphone ownership is not a measure of poverty

I saw this piece in the New Statesman thanks to retweets on Twitter.

In the article No, having a smartphone doesn’t mean you’re not poor on “The Staggers” column/blog Liza Cucco, manager of Hackney Food Bank, clearly articulates why using smartphone ownership, and even internet access, as a measure of poverty is a red herring:

Successfully navigating 21st century Britain without interconnectivity is near to impossible; I know this, because despite stereotypes, many foodbank clients don’t actually have smartphones or even email addresses. Those who do have smartphones are not ignorant, they are savvy, choosing to allocate very limited resources to the ubiquitous multi-tool of our time, keeping essential streams of communication open. The moment a phone can’t be topped up or a contract must be cancelled is devastating to a person’s opportunity.

…

Regular internet access is essential to register for benefits, apply for most jobs (and respond in timely manner to emails offering interviews), to access course information in your studies, manage your bank account, communicate with your child’s school or make an appointment at your doctor’s surgery. In our immediate society, you are expected to be available at all times. Constant access may seem a necessity to a businessman, but it is just as important, if not more, to a cleaner on a zero-hours contract who must be available for work at the last minute, navigating to anywhere they need to be and keeping on top of online timecards to ensure they are paid for their work.

Interesting posts by social scientists on the “refugee crisis” in Europe

Just a quick note to flag a couple of interesting posts on the current asylum/migrant/refugee crisis in Europe/the Middle East.

On the ESRC website, Professor Franck Düvell, ESRC Centre on Migration, Policy and Society, has written a piece entitled: From a refugee crisis to a crisis of Europe.

On Geography Directions, Julian Shaw, Kings College London, has written a piece entitled: Housing Refugees: Prejudice and the Potentials of Encounter.

Quite useful for student discussions…

Jean Lievens introduction to Michel Bauwens’ Sauver le Monde

Earlier this year I posted rough translations of both Bernard Stiegler’s Preface and Dirk Holeman’s Postface to Michel Bauwens and Jean Lievens’ book Sauver le Monde: Vers une société post-capitaliste avec le peer-to-peer [To Save the World: towards a post-capitalist society with peer-to-peer].

I’ve translated a bit more now and I make this translation available, for free, to the publishers to do as they wish with it. I hope it helps in some small way…

These are the first few pages of the book following the Preface, in two short sections: Introduction and About this book.

As usual, clarifications or original French are in square brackets and I welcome any comments or suggestions – although I’m not trying to offer an ‘authoritative’ translation…

Introduction

“We do not live in a changing age, but rather a change of age”
Professor Jan Rotmans
(Professor of the Theory and Management of Transition,
Erasmus University Rotterdam)

It would be pointless to try to convince the reader of a book entitled To Save the World that life on Earth, as we understand it today, is in peril. Following a recently published study in the journal Nature Climate Change, more that half of terrestrial plants and the habitats of around a third of animals will disappear because of climate change if greenhouse gas emissions continue to increase at the current rate. Scientists at the renowned Global Footprint Network (an international laboratory of ideas that measures ecological sustainability using ‘ecological footprints’) have calculated that, at present, we will need a planet and a half to maintain the current global economy. Furthermore, the growth rate required to maintain this system until 2053 would require the global economy to quadruple. In this case, we would need six planets. One does not need to be genius to understand that endless growth on a finite planet is a scientific nonsense and we are heading for a crash. Faced with this bleak perspective for the future, there are different ways to react: simple denial, to resign ourselves to it, or to attempt to do something about it.

To change the world, we can draw inspiration from the past, but we need a new way of addressing the challenges of the future. Michel Bauwens brings us such a vision. Not the visions, but a vision. The title of this book thus reflects a certain arrogance inconsistent with his character. Indeed, very intelligent people are often very modest, because they are very conscious of their own limitations. But who is Michel Bauwens? Beneath the title “The most stimulating Belgian thinker is an unknown philosopher” in the newspaper De Morgen (on the 23rd March 2012) presents him as follows:

“Do you know Michel Bauwens? Perhaps not. This 54-year-old cyberphilosopher is not well known. Bauwens is the first Belgian to figure in a list of the 100 most influential people in the world. He finds himself in the illustrious company of people such as Mahatma Ghandi (9), Martin Luther King (24), The Dalai Lama (28), Thomas Malthus (55) and John Kenneth Galbraith (70). Bauwens occupies 82nd place, a few rungs above Eleanor Roosevelt (87).”

The list referred to in De Morgen, “The (En)Rich List”, is a table of 100 people established by the Post Growth Institute, an international group of scientists that lobby for a sustainable society in which prosperity can be created without a need for economic doctrine [besoin de croissance économique]. The list of the “most enriching people” is a foil [clin d’Å“il – literally “a wink”, could be translated to ‘a nod’] to the 100 “richest people” in the world, published annually by the American financial magazine Forbes.

Cyberphilosopher, futurologist, economist, researcher, conference convener, entrepreneur”¦ These are some of the epithets given to Michel Bauwens by journalists. Wikipedia designates him as a “peer-to-peer theorist”, and he describes himself in this book as a commentator and thinker attempting to forge a coherent link between the theories, hypotheses and explications of peer-to-peer, and to do so in the most ethical way possible.

So what is ‘peer-to-peer’ (abbreviated to P2P)? This is a term not well known or understood outside of the world of IT enthusiasts and geeks, nevertheless the collaborative economy, forged through networks of peers, has rapidly gained in popularity throughout our countries. A year before the publication of that short article in De Morgen, the Dutch-language Belgian newspaper De Tijd (on the 23rd April 2013) published a detailed interview with Michel, across a double-page spread. Little by little, he has gained notoriety even in his country of birth. As is often the case, local recognition comes on the back of an international breakthrough, and not vice versa. It is well-known that: “No one is a prophet in their own country” [«Nul n’est prophète en son pays» – this is an idiom that some suggest traces back to the apostles Luke and Matthew].

About this book

This book is the outcome of twelve Skype interviews, of around an hour each, between January and February 2014. If I had arranged twelve more hours, if someone else had interviewed Michel, this would have been a different book. In any case, our aim is to share with you some ideas at the heart of peer-to-peer, production between peers, in the hope of inspiring you to further your understanding through other lectures, books and studies. As this book contains a number of important new and uncommon terms (for example, you may have already struggled with the term ‘peer-to-peer’ in the subtitle of this book), we have created a glossary that is situated at the end of the book.

Personally, I think that politicians, whether on the right or the left, have a tendency to see the future [l’avenir] through the rear-view mirror. Just as Marxism is an ideological construct of the 19th century, liberalism and nationalism find their origins in the 18th century. From a historical perspective these ideologies each have respective values but they no longer offer a response to the enormous difficulties that confront us today. This is also expressed in the way that politicians are unable to offer solutions. Not only because the political class tends to defend the status quo and their vested interests but also because many of the problems can only be solved at a global scale and thus local authorities are powerless. This certainly does not mean that nothing is possible at a local level, quite the contrary. On those occasions when everything is paralysed at national and international levels, only local level action allows real progress. This is reflected in particular by increased urbanisation (since the beginning of the 21st century more than a half of the global population has lived in towns and cities), or what Eric Corijn calls the emergence of “urbanity” as new form of post-national society, but also by the development of peer-to-peer mechanisms through which a number of people take their fate into their own hands by launching new projects from within the very institutional framework with which they have often clashed. In the face of the pessimism of the political world, there is optimism within the science of peer-to-peer. This is why solutions will come first from civil society.

We live in an era of enormous possibilities, but also of contradictions and gigantic obstacles to the full realisation of those possibilities. Machines have releaved us of a large part of manual labour (and increasingly of intellectual labour), but the automisation of production processes has not translated into the redistribution or the reduction of working time. Financial markets, often governed by mathematical algorithms upon which no one has a grip, have a greater impact than governments upon our lives. Our parliaments vote for laws that render collaboration and sharing illegal. Our economic model is founded upon the absurd idea of material abundance and immaterial rarity. We behave as if the world was limitless and exploit it to the utmost, to the point of jeopardizing the survival of the human species. Furthermore, we use copyright and patents to build artificial barriers around human knowledge to complicate sharing and collaboration as much as possible. Yet, from the society of the industrial revolution emerged new models and ways of working, heralding a new society. Thus, today, in the words of the Dutch Scientist Jan Rotmans: “We do not live in an era of change but in a change of era”.

The emerging model of peer-to-peer, inspired by the open source movement, seeks to circumvent the false logic of material scarcity and the artificial scarcity of the immaterial. In the apparent tangle of new phenomena such as the collaborative economy, peer-to-peer networks, open source, crowd-sourcing, FabLabs, micro-factories, the “maker” movement, urban agriculture and so on, Michel Bauwens sees a model that leads us to a post-capitalist society, in which the market finally submits to the logic of the commons (the common good). This book is a first attempt to articulate ideas concerning peer-to-peer formulated by Michel Bauwens. It is not simply the result of the reflections of a single person but rather the collective inteilligence of a growing minority of active pioneers who are developing and revealing thousands of projects and experiences amongst peers. Hopefully they will be an inspiration for all who are active in this area and work to build a new world, starting with what affects us directly.

Jean Lievens
9th July 2013

Interesting event: Cruel Design/Disobedient Design

Anna Feigenbaum posted this call for participation to Crit-Geog-Forum, looks like an event that’ll stimulate some discussion. Not entirely sure I believe Dismaland really does anything political but is rather already subsumed in the ideology it presumably intends to critique. I mean, I’ve just seen someone at the train station in a Dismaland t-shirt…

Nevertheless, Debbie Withers‘ involvement definitely recommends this as something that will be interesting.

The event is run by the Civic Media Hub which is worth checking out.

So see below for details:

Cruel Design/Disobedient Design

A showcase and discussion on the art and politics of designing for justice in association with Cruel Designs at Dismaland.

Event Information:
Saturday, 26 September 2015
Bristol, Hydra Books TBC
16:00 to 18:00

From anti-homeless spikes and border fences to DIY tear gas masks and union banners, design practices are used for social control and social change. In this public event with designers, curators and social justice campaigners we explore what it means to design for disobedience.

Free, ticketed event: https://www.eventbrite.co.uk/e/cruel-designdisobedient-design-tickets-18324462962

with:
Gavin Grindon / curator of Cruel Designs at Dismaland & Lecturer in Curating / University of Essex

Barnbrook / Creative Studio / London

MinuteWorks / multidisciplinary graphic design studio specialising in sustainable communications / Manchester

Occupy Design / Crisis graphics for crisis times! / London

Debi Withers / Curator, writer, researcher & publisher / Bristol

And More!

Facilitated by:
Anna Feigenbaum / Civic Media Hub & Senior Lecturer in Digital Storytelling / Bournemouth University

Sponsored by the Centre for the Study of Journalism, Culture & Community at Bournemouth University, The University of Essex Centre for Curatorial Studies & the MeCCSA Social Movements Network

This event is the second in our series of public discussions on Civic Media and Social Justice. Our first event, Mapping for Justice, was held in London in June 2015.

‘Escaping the Anthropocene’, Stiegler on the Anthropocene

Following on from the various discussions and reflections on geography’s disciplinary mobilisation of the idea/concept of ‘the anthropocene’ I thought I’d just link to a bunch of things Bernard Stiegler has written about/in response to the concept.

I cannot pretend to be totally on top of this work. Likewise, I am not totally sure I can buy into the argument Stiegler presents in these works but it is relatively interesting nonetheless…

These are all translated and made available by the inimitable Daniel Ross:

“The Anthropocene and Neganthropology“, lecture by Bernard Stiegler at Canterbury, 2014.

“Escaping the Anthropocene“, lecture by Bernard Stiegler at the University of Durham, January 2015.

“Automatic Society 1: The Future of Work – Introduction“, the Introduction to Stiegler’s latest(?) book Automatic Society 1: The Future of Work (another series apparently!). This has been published in the new journal La Deleuziana.

 

Why so few translations of Simondon?

The politics of a scholar’s work after (or even before!) their death and how one interprets their wishes (often unclearly expressed) is difficult. Likewise, there are plenty of people with ‘vested interests’  in how that work is communicated. This is a particularly thorny issue in translation.

I do not pretend to have any special insight but the following excerpt from an excellent interview conducted by Andrew Iliadis (whose work is very much worth exploring) with Jean-Hughes Barthélémy perhaps offers some clue about why we have seen so little of Simondon’s work translated into English:

Iliadis: You are the editor of Cahiers Simondon. Who else is involved in that project, and do you see it growing? Where is it heading?

Barthélémy: I created the Cahiers Simondon in 2009, thanks to the Maison des Sciences de l’homme de Paris-Nord and the editor Jean-Louis Déotte. My friend and collaborator Vincent Bontems and I decided to establish each year a selection of papers, among them those that were presented at the Atelier Simondon, derived by Vincent at the École Normale Supérieure. But some papers come from proposals that are external to the Atelier Simondon. Sometimes, I have to translate – or at least to correct –the papers in the French version. My criterium for the selection is only the seriousness of the work of exegesis, and that’s why it is difficult, each year to have enough papers. Interest in Simondon is really growing in the world, but the seriousness of Simondon’s studies is still a dream. Young researchers that are not French get an excuse: there is no English translation of Simondon’s books, and some partial translations are quite wrong. I must add that when I worked with Arne De Boever, I corrected the American translation of L’individuation psychique et collective–I spent many hours on this passionate and voluntary work. But Nathalie Simondon asked the editor to publish the entire text of L’individuation à la lumière des notions de forme et d’information. Therefore, I have no news concerning the translation of L’individu et sa genèse physico- biologique. I just know that this part of the main thesis is the most difficult: its translation into English needs one or two philosophers of science that are also specialists on Simondon! Now, about the current translation of Du mode d’existence des objets techniques: here again, the information we have had does not make us optimistic.

It is tempting to see a kind of intellectual policing going on here, but I simply do not know the institutional and legal contexts of what Barthélémy is saying… Nevertheless it is tremendously sad (and rather frustrating) that it appears likely that Anglophone scholars will have to wait some time before they have access to an ‘approved’/ published translation of Simondon’s major work(s): L’individuation à la lumière des notions de forme et d’information.

I am given to understand that The Mode of Existence of Technical Objects (Du mode d’existence des objets techniques) will be published by Univocial, which is associated with University of Minnesota Press, at some time in the latter part of 2015. I have also heard that another of Simondon’s lecture courses will be translated and published by Univocal, I do not know the likely time-frame.

I welcome any clarifications or comments from those ‘in the know’…

CFP> Mapping (from) the minor of big data?

Here’s an interesting call for papers for the Association of American Geographers conference next year (2016), posted to Crit-Geog by Wen Lin…

Call for Papers:

Mapping (from) the minor of big data?
AAG Annual Meeting, San Francisco
29 March to 2 April 2015

http://www.aag.org/cs/annualmeeting

Organizers:
Wen Lin, Newcastle University
Matthew W. Wilson, University of Kentucky

“The minor is not a theory of the margins, but a different way of working with material. “¦ It is about the conscious use of displacement.” (Katz 1996, 489)

“Clearly, the technology has the potential to disenfranchise the weak and not so powerful through the selective participation of groups and individuals.” (Harris and Weiner 1998, 69)

Recent years have seen the explosive growth of geospatial data produced and shared by vast, diverse users, facilitated by an array of information and communication technologies and mobile devices. There is a burgeoning body of work attempting to theorize and investigate these processes and practices, with notions including neogeography (Turner 2006), volunteered geographic information (VGI) (Goodchild 2007), maps 2.0 (Crampton 2009), vernacular mapping (Gerlach 2014), alt.gis (Schuurman 2015), and a form of geographic big data (Mooney 2015). Significant efforts have been made to examine a range of issues derived from such phenomena regarding ways of mapping, data quality, and associated socio-political implications concerning power, equity and knowledge. Attention has been given to the empowering and emancipatory potential of new ways of mapping and storytelling, while questions have also been raised about possible implications of surveillance, population control, and unevenness of knowledge production.

Yet, there remains much to be known about those mapping efforts that are seemingly on and in the margins of ‘big data’, from those less active contributors, or by actors in relatively marginalized positions. Such efforts may constitute counter-hegemonic knowledge production (Harris and Weiner 1998, see also Elwood 2015) or may be alternatively understood as a kind of minor data (to draw upon ‘minor theory’ in Katz 1996).

This session intends to contribute to these vibrant discussions by engaging with documenting efforts of mappings and data construction that might be of a much smaller quantity in the wake of big data. We welcome papers addressing theoretical, methodological, and empirical investigations of these mapping efforts situated in a variety of contexts. Questions may include, but are not limited to:

  • How might we engage with mapping the minor in the context of big data?
  • In what ways are data generated, represented, or curated by those who might be from a more marginalized position in these mapping efforts?
  • In what ways are geospatial technologies used, reconfigured, or contested in these mapping efforts?
  • In what ways is knowledge (re)produced in these mappings?
  • What are the challenges of tracing and documenting mapping efforts from the margins?
  • What might be the broader implications of these accounts?

If you are interested in participating in this session, please send an abstract of no more than 250 words to Wen Lin (wen.lin[at]ncl.ac.uk) and Matthew W. Wilson (matthew.w.wilson[at]uky.edu) by Friday, 2 October. Please note that we are attempting to bring alternative perspectives and positions to this discussion, in alignment with this recent manifesto on the gender and racial composition of AAG panels (http://www.knowledgepolitics.org/2015/09/07/the-unbearable-white-maleness-of-aag/).

References:

Crampton, J. 2009. Cartography: performative, participatory, political. Progress in Human Geography, 33(6): 840-848.

Elwood, S. 2015. Still Deconstructing the Map: Microfinance Mapping and the Visual Politics of Intimate Abstraction. Cartographica, 50(1): 45-49

Gerlach, J. 2014. Lines, contours, legends: coordinates for vernacular mapping. Progress in Human Geography, 38(1): 22-39.

Goodchild, M. 2007. Citizens as sensors: the world of volunteered geography. GeoJournal, 69: 211-221.

Harris T., Weiner D. 1998. Empowerment, marginalization, and “community-integrated” GIS. Cartography and Geographic Information Systems, 25(2): 67-76.

Katz, C. 1996. Towards minor theory. Environment & Planning D: Society & Space, 14: 487-499.

Mooney, P. 2015. An Outlook for OpenStreetMap.  In J. Jokar Arsanjani, A. Zipf, P. Mooney, M. Helbich (eds.) OpenStreetMap in GIScience: Experiences, Research, and Applications. Cham, Springer, pp. 319-314.

Schuurman, N. 2015. What is alt.gis? Introduction to the Special Issue. The Canadian Geographer, 59(1): 1-2.

Turner. A. 2006. An Introduction to Neogeography. O’Reilly Media, Sebastapol, CA.

Reblog> CFP An Informational Right to the City? Rethinking the Production, Consumption, and Governance of Digital Geographic Information

Over on the OII blog for the ‘Connectivity, Inclusion and Inequality Group’, Jo Shaw has posted an interesting CFP for the AAG in San Francisco next year. Andy Merrifield will make an awesome discussant!

CfP at AAG 2016: An Informational Right to the City? Rethinking the Production, Consumption, and Governance of Digital Geographic Information

After presenting our paper on the same theme at ICCG 2015 in Palestine, myself and Mark Grahamare planning a session for the Association of American Geographers’ annual meeting in San Francisco during Spring 2016. The session aims to provide a space for discussion and research that seeks to ask what a ‘right to the city’ looks like in our increasingly digital world. Interested contributors should read the call for papers below and drop myself or Mark an email to express interest.

 

An Informational Right to the City? Rethinking the Production, Consumption, and Governance of Digital Geographic Information

Organisers: Joe Shaw and Mark Graham (University of Oxford)
Discussant: Andy Merrifield

Henri Lefebvre (2003:251) once talked of the right to information as a complement to the right to the city. Since then, information communication technologies have become integrally embedded into much of everyday life. The speed of these developments has also obfuscated many changes and processes that now envelop and define the urban experience. This includes changes in systems of abstract spatial representation through geographic information, and the economies surrounding this information as a commodity. The representations which are produced and mediated through this digital information are now contributing to an urban space that is densely digitally layered (Graham, M., M. Zook, and A. Boulton. 2013). These digital ‘abstract’ spaces are essential to the production and re-production of our socio-economic world (Lefebvre, 1991). From Wikipedia to Google Maps and TripAdvisor, the code and content that relates to a building is now potentially as important as its bricks and mortar. These processes raise new questions of spatial justice and the urbanization of information: Which spaces are seen, and which are hidden? How is information produced, for whom, and who consumes it? How does information change material places? Who are the powerful actors in these events, and who are powerless? And finally, is the broader concept of an ‘informational right to the city’ now required? If so, how should it be envisioned and put into practice? This session invites submissions concerned with the production, consumption, and governance of urban geographic information, and it encourages research and reflections that seek to rethink what informational rights we have in our hybrid material/digital cities.

 

Lefebvre, H. (1991). The production of space. (D. Nicholson-Smith & D. N.- Smith, Eds.). Oxford: Oxford : Blackwell.
Lefebvre, H. (2003). Henri Lefebvre: key writings. (S. Elden, E. Lebas, & E. Kofman, Eds.). New York: New York.
Graham, M., Zook, M., & Boulton, A. (2013). Augmented reality in urban places: contested content and the duplicity of code. Transactions of the Institute of British Geographers, 38(3), 464–479.

Please email abstracts of no more than 300 words to Mark Graham (mark.graham@oii.ox.ac.uk) or Joe Shaw (joe.shaw@oii.ox.ac.uk) by Friday 2nd October 2015. Successful submissions will be contacted by 9th October 2015 and will be expected to pay the registration fee and submit their abstracts online at the AAG website by October 29th 2015.

Lazzarato on Guattari

Saw this via Keith Harris’ blog My Desiring-Machines…

The Alien Ecologies blog features a post outlining an essay by Maurizio Lazzarato (translated by Mary Neil) that is figured as a homage to Felix Guattari:

Maurizio Lazzarato: Homage to Felix Guattari

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In this essay “Semiotic Pluralism” and the New Government of Signs Homage to Félix Guattari Maurizio Lazzarato (trans. Mary O’Neill) develops and extends Guattari’s a-signifying semiotics as part of his ongoing elaboration of financial capitalism.

As he’ll remind us capitalism for Guattari is a “semiotic category that affects all levels of production and all levels of the stratification of power”. Yet, Guattari’s use of semiotics had a duo aspect to it: 1) an signifying semiotics of representationalism; and, an a-signifying semiotics of infrastructural and empirical elements of material relations, a mapping rather than a tracing of these ubiquitous aspects of capital. Read his essay, definitely opens up Guattari’s thought in ways few have so far. His books of course deal with both debt and his incorporation of Guattari’s thought: see MIT Press.

Read the whole post or look at the article over on Alien Ecologies…