Monday thought – OOOber?

statue of a man holding his head with his right hand

A thought experiment based upon flippant suggestion:

Object Oriented Ontology is to philosophy what Uber is to tech development.

Both ‘disruptive’, Uber and OOO have both expanded beyond their initial context, which is by several measures ‘success’. Both have become like discursive shortcuts for a particular set of ideas – ‘gig economy’ and ‘automation’ for Uber and ‘speculative realism’ and maybe even ‘metaphysics’ for OOO (and there’s possibly other associations for these terms too).

Neither OOO or Uber came up with the ideas they propound first, they ‘innovated’ from others (not necessarily a problem) and then made grand claims based on that (maybe a problem).

Neither of the groups involved in the development of Uber or OOO has acted especially ethically, although Uber is almost certainly significantly worse (this isn’t a like-for-like comparison). This is one of the other ways in which these words have become pregnant with meaning. Uber has been variously documented as having a problem with misogyny in the workplace and has also teetered on the edge of legality through ‘greyball’. Some of the proponents of OOO have been accused of bullying graduate students online and at conferences (I recognise gossip can be pernicious but I’ve heard this from several unrelated sources). It has also been suggested some of these folks are garnering a reputation for being somewhat ‘macho’ in attitude – it probably doesn’t help that the lead figures are all male, that they write lots of earnest manifestos or that they succumb to profiles in newspapers that call them “philosopher prophet“. Of course, neither OOO or Uber are unique in this, similar observations/ accusations have been made of antecedent tech firms and philosophical movements, one need only look to TV programmes like “Silicon Valley” or open up the ‘theory boy‘ can of worms.

Finally, there is also a sense that the success both Uber and OOO are easily co-opted into these (pejorative) narratives. There are grounds for this, well – certainly for Uber, but the visibility that success brings makes it easier to tell these stories. I have no doubt that such alleged behaviour is not limited to those involved in Uber or OOO. Likewise, those categories may be contested and we shouldn’t tar everyone who works for a company or does a particular branch of theory with the same brush. Goodness knows there are plenty of “tech bros” and, for want of a better term, “theory bros” outside of Uber and OOO.

Such a critique, however flippant, can come across as a bit pompous or sly. I cannot stand outside this, I am, to a degree, complicit. For example, the citational practices used by “theory bros”, cartel-like, are easy to slip into – many of us have succumbed. To recognise stupidity, as both Ronell and Stiegler point out, is to recognise my own stupidity – the lesson, perhaps the ‘ethic’, is to pass through it towards knowledge. Not the reproduction of the same knowledge (that’s patriarchy), and not always, I think, difference for it’s own sake (isn’t that what the “tech bros” call “disruption”? and doesn’t that always require being in a privileged position?) but perhaps a thoughtful defiance – not ‘laughing along’. This could mean more “no’s” (following Sara Ahmed). Maybe even something like a NO movement – “No Ontology”, at least the kinds of ontology that get used as authority in the kinds of theory top trumps that get played by some of us in the social sciences and humanities… of course this isn’t a novel suggestion either, it’s somewhat akin to feminist standpoint theory.

Perhaps I’m being unkind to OOO and those who do/use it. Success breeds contempt and all that… but the thought experiment was interesting to run through, in my own ham-fisted way…

Paul Dourish at Oxford – Exploring the Materialities of Digital Information

A huge array of overhead wires on a street

If you happen to be vaguely near Oxford and interested in digital-type things, then Paul Dourish’s lecture at the OII may be of interest. I’m guessing it’s related to his latest book… It’d be interesting to see if he cites any geographers.

Bellwether Lecture: Exploring the Materialities of Digital Information

Speakers: Paul Dourish

    • 26 October 2017 17:15 – 18:45

Location: Faculty of Classics, Ioannou Centre for Classical & Byzantine Studies, 66 St Giles, Oxford, OX1 3LY

 

The Oxford Internet Institute is excited to welcome Paul Dourish from the University of California, Irvine for the Bellwether talk ‘Exploring the Materialities of Digital Information’.

The talk will be followed by a short drinks reception.

Abstract

Social theorists of various stripes have countered the rhetoric of immateriality in the domain of the digital by pointing to the material foundations of digital systems, including their infrastructures and the material resources necessary to produce them. I will present a materialist account of digital forms and representations themselves, and show how practices around digital information are shaped and constrained by representational considerations. These digital materialities interpose themselves into processes of encoding and acting with information. I will illustrate the approach using examples from organizational decision-making and internet protocols.

Brian Cox, cyberpunk

Man with a colander on his head attached to electrodes

Doing public comms of science is hard, and it’s good to have people trying to make things accessible and good to excite and interest people about finding things out about the world… but it can tip over into being daft pretty easily.

Here’s the great D:ream-er Brian Cox going all cyberpunk on brain/mind uploads… (note the lad raising his eyes to the ceiling at 0:44 🙂 )

This made me wonder how Hubert Dreyfus would attempt to dispel the d:ream (don’t all groan at once!) as the ‘simulation of brains/minds’ is precisely the version of AI that Dreyfus was critiquing in the 1970s. If you’re interested in further discussion of ‘mind uploading’, and not my flippant remarks, see John Danaher’s writing on this on his excellent blog.

Some books

Some books on a table

I have some new books for the first time in a while… I’ve also borrowed some others from my betters but they’re at home… Anyway, I did some reviewing and got the Edward Elgar books in return – I’ll be reviewing the Handbook on Geographies of Tech. soonish for cultural geographies. I stumped up my own tear and sweat-stained cash for Artists Rethinking the Blockchain cos it looked interesting. So far so good 😉 The topmost is a library book (I’m not made of money you know) and is really interesting (well the few pages I’ve read have been).

Will I actually read all of them? We’ll see!

Are we all addicts now? Furtherfield 16 Sept – 12 Nov.

A still from the Black Mirror episode "the entire history of you"

This looks really interesting…

Are We All Addicts Now?

Furtherfield Gallery, 16 September – 12 November 2017.

Featuring Katriona Beales and Fiona MacDonald.

The exhibition and research project Are We All Addicts Now? explores the seductive and addictive qualities of the digital.

Artist Katriona Beales’ work addresses the sensual and tactile conditions of her life lived online: the saturated colour and meditative allure of glowing screens, the addictive potential of infinite scroll and notification streams. Her new body of work for AWAAN re-imagines the private spaces in which we play out our digital existence. The exhibition includes glass sculptures containing embedded screens, moving image works and digitally printed textiles. Beales’ work is complemented by a new sound-art work by artist and curator Fiona MacDonald : Feral Practice.

Beales celebrates the sensuality and appeal of online spaces, but criticises how our interactions get channeled through platforms designed to be addictive – how corporations use various ‘gamification’ and ‘neuro-marketing’ techniques to keep the ‘user’ on-device, to drive endless circulation, and monetise our every click. She suggests that in succumbing to online behavioural norms we emerge as ‘perfect capitalist subjects’.

For Furtherfield, Beales has constructed a sunken ‘bed’ into which visitors are invited to climb, where a glowing glass orb flutters with virtual moths repeatedly bashing the edges of an embedded screen. A video installation, reminiscent of a fruit machine, displays a drum of hypnotically spinning images whose rotation is triggered by the movement of gallery visitors. Beales recreates the peculiar, sometimes disquieting, image clashes experienced during her insomniac journeys through endless online picture streams – beauty products lining up with death; naked cats with armed police.


Entering the Machine Zone (2017) Katriona Beales

Glass-topped tables support the amorphous curves of heavy glass sculptures, which refract the multi-coloured light of tiny screens hidden inside. Visualisations of eye-tracking data (harvested live from gallery visitors) scatter across the ceiling. On the exterior wall of the gallery, an LED scrolling sign displays text Beales’ has compiled, based on comments from online forums about internet addiction.

Where Beales addresses the near-inescapability of machine-driven connection, Feral Practice draws us into the networks in nature. Mycorrhizal Meditation is a sound-art work for free download, accessed via posters in Furtherfield Gallery and across Finsbury Park. MM takes the form of a guided meditation, journeying through the human body and down into the ‘underworld’ of living soil, with its mycorrhizal network formed of plant roots and fungal threads. It combines spoken word and sound recordings of movement and rhythm made in wooded places. Feral Practice complicates the idea of nature as ‘ultimate digital detox’, and alerts us to the startling interconnectivity of beyond-human nature, the ‘wood-wide-web’ that pre-dates our digital connectivity by millennia. (Download Mycorrhizal Mediation here)

Reblog> Digital Neuroland

Rick Moranis in Ghostbusters with a brain scanner on his head

Via Tony Sampson. Freely available digital publication, follow the link…

Digital Neuroland by Rizosfera

Very pleased to be part of this great series…

cover

Contents

Introduction by Rizosfera
Digital Neuroland. An interview with Tony D. Sampson  by Rizosfera
Contagion Theory Beyond the Microbe
‘Tarde as Media Theorist’: an interview with Tony D. Sampson by Jussi Parikka
Crowd, Power and Post-democracy in 21st Century by Obsolete Capitalism
Crowds vs publics, Ukraine vs Russia, the Gaza crisis, the contagion theory and netica – a dialogue with Tony D. Sampson by Rares Iordache

Teaching digital geographies – a call

An email was circulated earlier today on behalf of the Digital Geographies Working Group of the RGS-IBG asking the following:

The Digital Geographies Working Group of the RGS/IBG is hoping to develop a resource for those of us interested in teaching ‘digital geographies’.

If you teach a module to undergraduate or postgraduate students that’s about digital geographies, however defined, and have a course handbook or syllabus or website that you’re willing to share by having it posted on the DGWG website, please send a copy to Gillian Rose copying in Jeremy Crampton.

We’ll gather them together and let you know when they’re all available on our website, http://www.digitalrgs.org.

Just thought it may be worth sharing as some people may find this of interest…

Reblog> Humans and machines at work

A warehouse worker and robot

Via Phoebe Moore. Looks good >>

Humans and Machines coverHumans and machines at work: monitoring, surveillance and automation in contemporary capitalism edited by Phoebe V. Moore, Martin Upchurch and Xanthe Whittaker.
This edited collection is now in production/press (Palgrave, Dynamics of Virtual Work series editors Ursula Huws and Rosalind Gill). This is the results of the symposium I organised for last year’s International Labour Process Conference (ILPC). We are so fortunate to have 9 women and 3 men authors from all over the world including Chinese University Hong Kong, Harvard, WA University St Louis, Milan, Sheffield, Lancaster, King’s College, Greenwich, and Middlesex researchers, two trade unionists from UNI Global Union and Institute for Employment Rights, early career and more advanced contributors.

In the era of the so-called Fourth Industrial Revolution, we increasingly work with machines in both cognitive and manual workplaces. This collection provides a series of accounts of workers’ local experiences that reflect the ubiquity of work’s digitalisation. Precarious gig economy workers ride bikes and drive taxis in China and Britain; domestic workers’ timekeeping and movements are documented; call centre workers in India experience invasive tracking but creative forms of worker subversion are evident; warehouse workers discover that hidden data has been used for layoffs; academic researchers see their labour obscured by a ‘data foam’ that does not benefit us; and journalists suffer the algorithmic curse. These cases are couched in historical accounts of identity and selfhood experiments seen in the Hawthorne experiments and the lineage of automation. This collection will appeal to scholars in the sociology of work and digital labour studies and anyone interested in learning about monitoring and surveillance, automation, the gig economy and quantified self in workplaces.

Table of contents:

Chapter 1: Introduction. Phoebe V. Moore, Martin Upchurch, Xanthe Whittaker

Chapter 2: Digitalisation of work and resistance. Phoebe V. Moore, Pav Akhtar, Martin Upchurch

Chapter 3: Deep automation and the world of work. Martin Upchurch, Phoebe V. Moore

Chapter 4: There is only one thing in life worse than being watched, and that is not being watched: Digital data analytics and the reorganisation of newspaper production. Xanthe Whittaker

Chapter 5: The electronic monitoring of care work – the redefinition of paid working time. Sian Moore and L. J. B. Hayes

Chapter 6: Social recruiting: control and surveillance in a digitised job market. Alessandro Gandini and Ivana Pais

Chapter 7: Close watch of a distant manager:  Multisurveillance by transnational clients in Indian call centres. Winifred R. Poster

Chapter 8: Hawthorne’s renewal: Quantified total self. Rebecca Lemov

Chapter 9: ‘Putting it together, that’s what counts’: Data foam, a Snowball and researcher evaluation. Penny C. S. Andrews

Chapter 10: Technologies of control, communication, and calculation: Taxi drivers’ labour in the platform economy. Julie Yujie Chen

Our friends electric

Another wonderful video from superflux exploring how to think about the kinds of relationships we may or may not have with our ‘smart’ stuff…

Our Friends Electric from Superflux on Vimeo.
Our Friends Electric is a short film by Superflux about voice-enabled AI assistants who ask too many questions, swear & recite Marxist texts.

The film was commissioned by Mozilla’s Open IoT Studio. The devices in the film are made Loraine Clarke and Martin Skelly from Mozilla’s Open IoT Studio and the University of Dundee.

For more information about the project visit: http://superflux.in/index.php/work/friends-electric/#

Roadside billboards display targeted ads in Russia

racist facial recognition

From the MIT Tech Review:

Moscow Billboard Targets Ads Based on the Car You’re Driving

Targeted advertising is familiar to anyone browsing the Internet. A startup called Synaps Labs has brought it to the physical world by combining high-speed cameras set up a distance ahead of the billboard (about 180 meters) to capture images of cars. Its machine-learning system can recognize in those images the make and model of the cars an advertiser wants to target. A bidding system then selects the appropriate advertising to put on the billboard as that car passes.

Marketing a car on a roadside billboard might seem a logical fit. But how broad could this kind of advertising be? There is a lot an advertiser can tell about you from the car you drive, says Synaps. Indeed, recent research from a group of university researchers and led by Stanford found that—using machine vision and deep learning—analyzing the make, model, and year of vehicles visible in Google Street View could accurately estimate income, race, and education level of a neighborhood’s residents, and even whether a city is likely to vote Democrat or Republican.

As the camera spots a BMW X5 in the third lane, and later a BMW X6 and a Volvo XC60 in the far left lane, the billboard changes to show Jaguar’s new SUV, an ad that’s targeted to those drivers.

Synaps’s business model is to sell its services to the owners of digital billboards. Digital billboard advertising rotates, and more targeted advertising can rotate more often, allowing operators to sell more ads. According to Synaps, a targeted ad shown 8,500 times in one month will reach the same number of targeted drivers (approximately 22,000) as a typical ad shown 55,000 times. The Jaguar campaign paid the billboard operator based on the number of impressions, as Web advertisers do. The traditional billboard-advertising model is priced instead on airtime, similar to TV ads.

In Russia, Synaps expects to be operating on 20 to 50 billboards this year. The company is also planning a test in the U.S. this summer, where there are roughly 7,000 digital billboards, a number growing at 15 percent a year, according to the company. (By contrast, there are 370,000 conventional billboards.) With a row of digital billboards along a road, they could roll the ads as the cars move along, making billboard advertising more like the storytelling style of television and the Internet, says Synaps’s cofounder Alex Pustov.

There are limits to what the company will use its cameras for. Synaps won’t sell data on individual drivers, though the company is interested in possibly using aggregate traffic patterns for services like predictive traffic analysis and the sociodemographic analysis of commuters versus residents in an area, traffic emissions tracking, or other uses.

Out of safety concerns, license plate data is encrypted, and the company says it will comply with local regulations limiting the time this kind of data can be stored, as well.

Well that’s alright then! 😉