Metrics Noir – measurement and stupidity

The unfit-bit parody

This review essay by Christopher Newfield and Heather Steffen makes for an entertaining and incisive read. The review is of three books: O’Neil’s Weapons of Math Destruction, Espeland & Sauder’s Engines of Anxiety and Merry’s The Seductions of Quantification, with a focus on how these come to bear on the turbocharged audit culture of academia. The diagnosis, through a review of the three books of the shortcomings of what might be called the latest ‘quantitative revolution’ of ‘data science’ is pushed further into a reflexive diagnosis of a genre of talking about such things as Metrics Noir. A lovely term – I hope it gains traction. I definitely think there’s folk writing ‘Metrics Noir’ in geographyland.

I’ve blockquoted a nicely chewy bit below but I recommend reading the whole thing.

All of these scholars are well aware of the value of numbers. Numbers allow for abstract picturing of groups, societies, and cities. They regularize anomalies and exceptions, and allow us access to invisible worlds, social and physical alike. Numbers support distributed cognition and collective intelligence. Both are desperately needed in a world damaged by human stupidity. But quantification in its many forms now operates within a complex metrics culture — a contradictory and contested battleground, as these three books explain. Together, they offer an understory that we could call metrics noir.

In the first place, numerical measurement can too readily take on an unquestioned objectivity. It’s an easy mistake to make, because scientists and other experts have a longstanding reputation for unbiased handling of facts, insured by methodological procedures not accessible to the layperson. This objectivity bias is hardened by the production of indicators via expert negotiations hidden from public view, which means that metrics aren’t seen as emerging from the intellectual compromises and culturally conditioned choices that go into their making. The public can remain blissfully ignorant of their baked-in assumptions — say, the idea that the poor are more likely than the middle class to commit crimes. Criticism is easily dismissed as resting on shaky subjective grounds.

Second, metrics culture reinforces the perceived inadequacy of qualitative expertise, of the “liberal professions” that rely on interpretive skills grounded in social, philosophical, and historical learning. If a dean can make promotion or funding decisions by looking at a dashboard of indicators that compare her faculty members to those across the campus and the country (grant dollar totals, prizes, publication rates, citation counts), then he or she need not weigh complex quasi-imponderables and judge the strange mixture of ingredients that make up careers and disciplines. Twenty years ago, Michael Power noted a subtle but determinate feature of the “audit society”: audit slowly weakens judgment, and management becomes a matter of applying formulae whose opacity supplies a false objectivity.

With indicators ascendant over judgment itself, and tied to complicated, obscure, or proprietary procedures, metrics can pacify the interpretive powers of the public and professionals alike. The subjects of assessment rarely interact with quantitative procedures and never demand their abolition. This is a third tendency of metrics culture. Merry discusses “data inertia,” and all these authors note the near-impossibility of putting a finished indicator back in the oven. Policymakers have no stomach for revising indicators beyond the routine tweaking of weightings one sees in U.S. News and similar rankings. Very few scholars analyze the politics of such interventions or detail the losses they create for institutions, scholars, or students. Understanding the history of indicator formation is a minority knowledge project whose negative implications can be brushed aside even when their validity is acknowledged. Although reformers demand that metrics be used only in context, in conjunction with other information, and in collaboration with those being evaluated, metrics weaken the validity of exactly the forms of knowledge that are meant to check them. We thus encounter a Foucauldian nightmare, in which critiques of the ranking system only serve to make it stronger.

Fourth, indicators help create the inequality they measure, while assuring their consumers that the inequality is a natural, preexisting fact. They do this by ignoring distinctive qualities that cannot be quantified and compared. For example, not only is a legal clinic that focuses on the problems faced by recovering opioid addicts not likely to be esteemed or even seen in standard rankings, but the training for such work will be devalued if it is not already a regular component of the top law programs — its very uniqueness will make it incomparable across programs. To put this two-stage process somewhat formally: the set of relevant qualities is narrowed to a common denominator associated with the top schools, and the quantified hierarchy that results then overwhelms the underlying particularities of each school. The gap between the indicators and the actual qualities of a given school is ignored in favor of the gaps among the various institutions. The dominant quality of each school becomes its place in the hierarchy.

The wider effect of all this is particularly damaging in education: ranking renders a large share of any sector — community colleges, chemistry doctoral programs, business schools — inferior to the top programs, and therefore implicitly defective. The deficiencies that rankings always create then justify unequal respect and, more importantly, unequal funding. Rankings undermine the general provision across institutions that created the famous quality of the US public university system, encouraging instead more investment at the top. The general effect is that the rich get richer, which is precisely what has happened in American higher education in the three decades since the U.S. News rankings first appeared. The rise of rankings didn’t cause the breakdown in public funding, but it has naturalized the inequality that results.

The good news, as these books show, is that numbers don’t need to be used as we use them now. But for real change to take place, the wider society has to become involved in the conversation. These books do an excellent job of helping make that happen.

Remaking the University: Metrics Noir – Christopher Newfield and Heather Steffen

Request for resources: Studying other researchers

Ethnographer in the film Kitchen Stories

I know plenty of other people study people who are themselves researchers, that’s more-or-less what STS folk do (in a sweeping generalisation), but I haven’t really read anything that discusses what this means for the research process…

I’m not sure if researching other researchers is necessarily ‘special’ or different but it does bring with it some peculiar considerations about how to negotiate disciplinarity in the context of others who inhabit close, perhaps cognate, bits of academia and research ‘cultures’.

So, what I’m after, if anyone actually reads this, is suggestions of fairly pragmatic (i.e. not ‘grand theory’) approaches to doing research about other researchers – the good, the bad and the ugly of that kind of fieldwork and research practice.

I ask because I keep periodically looking at ‘data’ I gathered from a second round of field work in Silicon Valley in 2011 which I’ve never meaningfully written up – I spent the time applying for jobs instead and the moment sort of passed… but I am interested in revisiting the ‘doing’ of the research perhaps because it was actually fairly uncomfortable for a number of reasons and I have my own unanswered questions about why, and what one might do differently…

P.S. please don’t reply on Twitter – I’m not checking it

Event: Digital Frontiers: Exploring the digital-analogue interface, 02/11/17, Kingston

Glitched AT&T 1990s advert

Via Karen Gregory.

Digital Frontiers: Exploring the digital-analogue interface

A free event on 2nd November at Kingston University

Travel bursaries are available for PhD students

This one day event aims to bring together those interested in or currently conducting empirical research on the ways in which the digital spaces such as social media, connectivity-enabled smartphone applications, and internet-based platforms are being used to sustain or transform individuals’ subjectivities and material circumstances. The interface of the analogue and the digital is receiving keen interest through such concepts as the collaborative, sharing and gig economies, but we hope to bring together those who are interested in exploring new avenues for theorising novelty and transformation, sustenance and reproduction in the ways that organising occurs. In this endeavour, we conceptualise the development of online spaces as the production of a contested territory; a frontier of opportunity for the reinvention of the world. A territory that is nonetheless made fraught in its encounter with the power relations of the world that already exist, and the limitations of its construction. The digital represents, for us, a territory to which individuals and groups seek meaning, value, and community for not only acceptance of their selves and ideas but for economic prosperity and survival. In so seeking, we see digital landowners emerge, insistence on changing rentier requirements, and a need for the constant (re)production of value.

The event will be structured around three symposia on the themes of: Digital Platforms, Novelty, and Knowledge. Pairs of discussants (to be announced) will speak on their given topic as a provocation to discussion with the participants of the event. There will also be further opportunities for informal discussion and networking. Lunch and refreshments will be provided and the event should last from 10:00 until 16:00.

We call for those interested in engaging with this notion of the digital frontier and offer a space in which to have conversations about how this, and other ways of conceptualising the interface of the digital and analogue, might develop. This workshop will foster interests in areas such as innovation, materiality and the digital, new areas of labour regulation, the reproduction of power relations and the development of new career pathways. Although big data has been an area of much excitement in the arena of social research, recent reflections in the media have highlighted the limitations of this type of analysis, namely, the correlation of activities and trends, suggesting instead a turn towards richer forms of analysis that theorise motivations or forces. We invite to this workshop those who are collecting empirical data through methods such as digital ethnography, interviews with individuals about their digitally mediated activities or qualitative textual and content analysis on activities and lifestyles that traverse the digital and analog spheres; or who can offer theoretical tools to develop new understandings of such data. We are particularly keen to enable and to encourage interdisciplinary participation and collaborations.

The event has two goals:

  1. to foster connections between scholars and ideas with a view to developing collaborations for writing or research projects. It will be structured around a set of ‘dialogues’ where pairs of invited speakers will present and provoke around a given theme, and workshop activities where we’ll have a chance to meet and discuss our interests with the other attendees;
  2. to work towards an output in the form of a special issue or edited book – for which we have received interest from publishers – through highlighting common themes in our research.

We have 30 spaces available for this event and there are a limited number of travel bursaries available for PhD students to attend – please email d.brewis@kingston.ac.uk with your request. These will be allocated on a first-come first-served basis. If you find yourself no longer available to attend please contact the organisers so we can open your space to another participant.

We hope to welcome you to Kingston on the 2nd November. Please find further details on practicalities such as transportation below.

Dr Deborah N Brewis, Kingston University
Dr Laura Mitchell, Keele University

Talking with Mikayla

Talking with Mikayla, the Museum of Contemporary Commodities GuideImage credit: Mike Duggan.

At the RGS-IBG Annual International Conference 2017, co-originator of the Museum of Contemporary Commodities (MoCC) Paula Crutchlow and I staged a conversation with Mikayla the MoCC guide, a hacked ‘My Cayla Doll’. This was part of two sessions that capped off the presence of MoCC at the RGS-IBG and was performed alongside a range of other provocations on the theme(s) of ‘data-place-trade-value’. The doll was only mildly disobedient and it was fun to be able to show the subversion of an object of commercial surveillance in a playful way. Below is the visuals that displayed during the conversation, with additional sound…

For more, please do go and read Paula’s excellent blogpost about Mikayla on the MoCC website.

Making space for failure – article by Harrowell, Davies & Disney

statue of a man holding his head with his right hand

An article about making space for failure in research in The Professional Geographer caught my eye in a Twitter post today. I’ve copied the title and abstract below, with a link to the article.

Making Space for Failure in Geographic Research

The idea that field research is an inherently “messy” process has become widely accepted by geographers in recent years. There has thus far been little acknowledgment, however, of the role that failure plays in doing human geography. In this article we push back against this, arguing that failure should be recognized as a central component of what it means to do qualitative geographical field research. This article seeks to use failure proactively and provocatively as a powerful resource to improve research practice and outcomes, reconsidering and giving voice to it as everyday, productive, and necessary to our continual development as researchers and academics. This article argues that there is much value to be found in failure if it is critically examined and shared, and–crucially–if there is a supportive space in which to exchange our experiences of failing in the field.

I really value the honesty that Elly Harrowell, Thom Davies and Tom Disney bring to their accounts of how hey dealt with perceived failures in their own research. It makes me think about all sorts of things from my own research.

First, it makes me think of my own shambolic and fairly short PhD fieldwork experience. In 2008, when doingwhat was  my first ‘proper’ fieldwork I was visiting lots of different labs and research centres, driving all over ‘Silicon Valley. I attended ‘meet-ups’ and open lectures at various tech campuses as a way of networking and recruiting participants. Two memorable things stand out: first – locking myself in a toilet in a large multinational tech company HQ and being unable to get out without someone calling security for me; and second, leaving my ethics forms in a different bag and then getting roundly told off by a research participant – which led onto an interesting discussion about their own research ethics.

If you are able to laugh at yourself I think it helps. This is something I’m honestly not that good at and remembering these things can be painful. However, as Harrowell, Davies and Disney all outline in their article – failure can be productive, it can lead to different insights and reveal things for and about your research you might otherwise not appreciate.

Second, the article reminded me of a theme in my PhD research, which I didn’t really pursue – lots of the people involved in tech R&D I interviewed talked about the hidden nature of failure, that it’s an important part of their work but that, because it doesn’t lead to reward, via papers and patents, it doesn’t really get discussed or made present. The sad thing about this is that several people talked about seeing projects at other institutions that repeated their own ‘mistakes’ or ‘failures’ several years later.

This is a common theme and there’s been some commentary about this in terms of ‘scientific progress’ – in the sense that if you don’t know that other people have tried something and it didn’t work then you may well unknowingly repeat an experiment that will fail. About eight years ago this was a theme also brought up in worries about the metricisation of scientific recognition and publications and a journal was proposed and set up called the Journal of Negative Results in BioMedicine.

One of the key arguments for ‘open’ research, I think, is that, if set in the right context, it offers a space for failure. Two key parts of that ‘right context’ stand out for me: First, if you are not punished (in terms of reward and recognition and wider measurements such as the UK REF) for saying ‘we tried this and it didn’t work’ more people might publish ‘negative results’. Second, others need to be able to access that information and ‘open’ research promises a means of facilitating that…

Read the article: Making Space for Failure in Geographic Research

The ambiguity of sharing images

Two tweets, about 12 hours apart. It seems to me, in an entirely unsystematic, morning coffee kind of analysis, that the two posts demonstrate something of the ambiguity of image sharing practices and circulation of images (on Twitter)… at least in my experience of one platform, Twitter.

The “Grease” tweet, through humour, attempts to comment on contemporary geopolitics. The veracity (or not) of the image possibly doesn’t matter.

The ‘fact check’ nature of the later tweet directly addresses the (lack of) authenticity of the image itself. Showing the ‘original’.

So there’s something about ‘fakeness’ of media, the politics of circulation, something about simulacrum and the convening of publics and maybe something about the ambivalence of image making and sharing practices that falls within the “meme” discourse.

In discussing her work as part of the RGS-IBG ‘digital geographies’ working group symposium about 10 days ago, Gillian Rose discussed the ways in which we may or may not malign the ‘everydayness’ of photographic or image practices and why it remains necessary to study and engage with the everyday practices of meaning-making (there’s a course for this, co-convened by Gillian).

This perhaps prompts some questions about the above tweets. For example, what is it we can or might want to say about the images themselves, their circulation and how they fit into wider, everyday, meaning-making practices? The doctored image fits into a particular aesthetic of ‘memes’ and is contextualised in text in the post, which also goes for the ‘fact check’ tweet too, in a way. How do we interpret the (likely) different intentions behind the thousands of retweets of the above? How might we capture the ‘polymedia’ (following Miller et al.) lives of such images? (Is that even possible?) How might we interrogate what I’m suggesting is the ambivalence of ‘sharing’? I suggest this cannot be served by the mass analysis of image corpora (following Manovich), nor is it really reducible to the ‘attention economy’ – it’s not only about the labour of sharing or the advertising it enables. Instead, I guess what I’m fumbling towards is asking for the analysis of the circulation practices for (copies of) a single image within a network (which may or may not span different platforms).

The danger, I increasingly feel, is that we all-too-quickly resort to super-imposing onto these case studies our ontotheological or ideological meta-narratives – so, it may ‘really’ be about affect, neoliberalism and so on… except of course, it isn’t only about those things, and while they may be important analytical frames they may not address the questions we’re interested in, or should be, posing. I’m not saying such framings are wrong, I’m saying they’re not the only frames of analysis.

All of this leads me to confess that I am beginning to wonder if our ‘digital methods‘ (following Rogers and others) are really up to this sort of task… As yet I’ve not read anything to convince me otherwise, which actually sort of surprises me. The closest I’ve got is the media ethnography work of the outstanding Why We Post project – but, of course, that isn’t particularly a “digital” method, which maybe says something (maybe about my own bias). I’d be interested to know if anyone has any thoughts.

A further thing I wonder is whether or not these sorts of practices will remain stable enough for long enough to warrant the ‘slower’, considered, kinds of research that might enable us to begin to get at answers to my all-too-general, or misplaced, questions above. I remain haunted by undergraduate and masters research into now-defunct platforms and styles of media use… friendster and myspace anyone?

Some relevant links:

GoPro as an ethnographic tool

glitches image of man with cardboard camera-shaped helmet

This article concerning using GoPro cameras is interesting and probably relevant to some of the work on video methods in geography… obviously the rationale used here differs from some work in geography but methodologically I think it’s useful. I suspect that this would also be relevant for student dissertation research too, where it seems there is an appetite for adopting more novel and experimental methods (at least amongst the work I’ve seen).

GoPro as an Ethnographic Tool: A Wayfinding Study in an Academic Library.
Kinsley, Kirsten, Schoonover, Dan, Spitler, Jasmine

In this study, researchers sought to capture students’ authentic experience of finding books in the main library using a GoPro camera and the think-aloud protocol. The GoPro provided a first-person perspective and was an effective ethnographic tool for observing a student’s individual experience, while also demonstrating what tools they use to find items. Using the think-aloud protocol, observers could hear students express their internal decisions, thoughts, and feelings about the process. Results confirmed trouble spots in the building and that directories are not typically used and need updating. GoPro footage revealed that there are certain qualities of the help-desk experience that can make a search more or less successful. No major sex differences were found in preference of wayfinding tools and behaviors, except that males appear to have used directories marginally more than females. In a debriefing survey, students still affirmed human help and online maps as the most useful wayfinding tools and advocated for better signage. Mapping of behaviors by floor also validated GoPro observations. At low cost to the library, the GoPro/think-aloud combination along with survey and mapping methodologies affirmed trouble spots in the building and provided suggestions for wayfinding improvements to library administration.

CFP> “VIRAL/GLOBAL Popular Culture and Social Media: An International Perspective” 13th Sept 17 CAMRI

Via Tony Sampson.

“VIRAL/GLOBAL Popular Culture and Social Media: An International Perspective” The University of Westminster Communication and Media Research Institute (CAMRI), Sept 13th 2017

Date:
13 September 2017
Time: 9:00am to 7:00pm
Location: 309 Regent Street Regent Campus, 309 Regent Street, London W1B 2HW – View map

Gone-Viral-event-main-photo

Conference organised by the Communication and Media Research Institute (CAMRI)

Keynote Panel

  • Nancy Baym 
  • Emily Keightley
  • Dave Morley (TBC)
  • Tony D Sampson
  • Paddy Scannell

This interdisciplinary conference aims to examine how and why everyday popular culture is produced and consumed on digital platforms. There is increasing interest in studying and discussing the linkages between popular cultural and social media, yet there exist important gaps when comparing such cultural phenomena and modes of consumption in a global, non-west-centric context. The conference addresses a significant gap in theoretical and empirical work on social media by focusing on the politics of digital cultures from below and in the context of everyday life. To use Raymond Williams’s phrase, we seek to rethink digital viral cultures as ‘a whole way of life’; how ‘ordinary’, everyday digital acts can amount to forms of ‘politicity’ that can redefine experience and what is possible.

The conference will examine how social media users engage with cultural products in digital platforms. We will also be assessing how the relationship between social media and popular cultural phenomena generate different meanings and experiences.

The conference engages with the following key questions:

  • How do online users in different global contexts engage with viral/popular cultures?
  • How can the comparative analysis of different global contexts help us contribute to theorising emergent viral cultures in the age of social media?
  • How do viral digital cultures redefine our experience of self and the world?

We welcome papers from scholars that will engage critically with particular aspects of online popular cultures. Themes may include, but are not limited to, the following:

  • Analysing viral media texts: method and theory
  • Theorising virality: new/old concepts
  • Rethinking popular culture in the age of social media
  • Social media, politicity and the viral
  • The political economy of viral cultures
  • Memes, appropriation, collage, virality and trash aesthetics
  • Making/doing/being/consuming viral texts
  • Hybrid strategies of anti-politics in digital media
  • Viral news/Fake news
  • Non-mainstream music, protest, and political discussion
  • Capitalism and viral marketing

PROGRAMME AND REGISTRATION

This one-day conference, taking place on Wednesday, 13th of September 2017, will consist of a keynote panel and panel sessions. The fee for registration for all participants, including presenters, will be £40, with a concessionary rate of £15 for students, to cover all conference documentation, refreshments and administration costs.

DEADLINE FOR ABSTRACTS

The deadline for abstracts is Monday 10 July 2017. Successful applicants will be notified by Monday 17 July of 2017. Abstracts should be 250 words. They must include the presenter’s name, affiliation, email and postal address, together with the title of the paper and a 150-word biographical note on the presenter. Please send all these items together in a single Word file, not as pdf, and entitle the file and message with ‘CAMRI 2017’ followed by your surname. The file should be sent by email to Events Coordinator Karen Foster at har-events@westminster.ac.uk

Original: https://www.westminster.ac.uk/call-for-papers-viral-global-popular-cultures-and-social-media-an-international-perspective

Embarrassing ourselves… translations and mental flounderings

A glitched image of a typewriter

A colleague shared this fascinating and perhaps difficult piece in the LARB by the highly regarded Derrida scholar Geoffrey Bennington on the publication of the anniversary edition and revised translation of Of Grammatology by Gayatri Chakravorty Spivak, with a new ‘Introduction’ by Judith Butler. I really encourage anyone with an interest in Derrida’s work, in language and in translation to read this article, I think it’s really quite something.

What is perhaps extraordinary about Bennington’s incisive analysis of the new edition is the acute nature of the problems he reveals with translating Derrida’s insight, which Bennington asserts: “is quite simple, yet in its very simplicity hard to grasp”. For “il n’y a pas de hors-textes“ is just as apposite to the issues Bennington highlights as it is to the understanding of Derrida’s wider project.

I won’t attempt to précis what is an erudite and rigorous article that also necessarily confronts some perceived (it appears fairly) problems and/or errors in understanding on the parts of Butler and Spivak. In this regard, it’s also worth paying attention to the footnotes…

Reblog> CFP – Online Vitriol: Advocacy, Violence, and the Transforming Power of Social Media

Call for Papers

Online Vitriol: Advocacy, Violence, and the Transforming Power of Social Media

A Joint Conference of the International Graduate Centre for the Study of Culture & the Zentrum für Medien und Interaktivität, Giessen, Germany
Wednesday June 29th – Saturday July 1st, 2017 (optional opening lecture by dr. Sarah Kendzior on the evening of June 28th)
For whom:
Researchers in the fields of culture and (digital) media, and related fields

Professionals dealing with online advocacy and social media presence of their organization

Journalists and others dealing with social media and (violent) online discourse

PhD and MA students in culture and media studies

Conference aim:
To employ our collective knowledge, experience, research and intelligence to arrive at a conceptual and practical understanding of the medial and cultural dynamics of online vitriol.

To work towards “A Rough Guide to Online Vitriol: Dealing with Violence and Activism on Social Media in Theory and Practice” (working title). To be published later.

Social media have become inescapable, and they have an overwhelming impact on sociality and public life. Platforms such as Facebook, YouTube, and Instagram give rise to a diverse range of discourses and communication styles. This conference wants to understand the power of social media, not only – as it has often been perceived – as democratizing, but also as powerful vehicles for politically driven bullying and violence. Relevant to people, organizations, and other agents across twenty-first-century society, this topic is increasingly studied from a range of disciplines and perspectives. Virtually everyone has to deal with social media and the discourses it enables and produces. But while the technology exists and seems at first sight intuitively accessible, the agency, dynamics and ethics of social media platforms are not yet well-understood.
‘Trolls for Trump’, online virus ‘scares’, fake news – social media discourse has become a formidable, yet elusive, political force. This conference wants to begin to address some of the issues around the power of online vitriol, by studying discourses, metaphors, media dynamics, and framing on social media. What is it? How does it work? What does it do? And how can it be addressed or countered?
To fruitfully question the political impact of contemporary communication structures and discourses, the conference goes beyond the traditional presenter/audience dichotomy. Instead, it works towards producing a book for academics and professionals confronted with social media violence, provisionally titled “A Rough Guide to Online Vitriol: Dealing with Violence and Advocacy on Social Media in Theory and Practice”. The conference combines academic theorizing with perspectives from professionals active in media, communication, the public sector and journalism, so as to arrive at conceptually rigorous and useful conclusions to guide our own and our organizations’ use of social media.
Possible topics
Bringing together media and communication specialists from various professions (e.g. public sector, press, NGOs) and cultural and media studies students and scholars, the aim is to create crosspollination between theoretical approaches from cultural and media studies on the one hand, and practical challenges and experiences ‘from the field’ on the other.
Possible topics include, but are not limited to:
Privacy and surveillance through social media platforms

Liveness and online temporalities

Tweeting while female

Clickbait as political activism

Shares, likes, profile clicks and other platform-specific metrics

The impact of Facebook’s platform structure and changing algorithms on what can be expressed

‘Communicative capitalism’ and the dynamics of online virality

Politics of trolling and reporting

Representing social media in popular culture

How ‘new’ are online communication practices?

Framing narratives and ideals in a potentially hostile environment

Practical
The conference is free of charge. However, we ask that, during the conference, all participants agree to be offline, and try to be fully present and contemplative.
We welcome proposals of papers, case studies, ideas, and discussion topics from scholars and professionals in the listed fields, as well as related areas of specialization. Please submit a 300-word abstract and a short biography (100 words) to Sara Polak (s.a.polak@hum.leidenuniv.nl), Rahel Schmitz (rahel.schmitz@gcsc.uni-giessen.de), and Ann-Marie Riesner (ann.m.riesner@gcsc.uni-giessen.de) by May 15th, 2017.