Via Temporal Belongings.
Issue 1 of the new journal Media Theory is up. Several ‘usual suspects’ amongst the authors list but then that’s to be expected to draw a crowd perhaps. I feel a little squeamish about the “manifestos” line but I haven’t read all of that bit yet, so let’s see… Only one ‘duff’ paper in there so far in my reading 🙂
Here’s a quote from Simon Dawes introductory paper “What is Media Theory” that I think nicely summarises the ethos, which is interesting (to me anyway):
With the relative ease with which new journals can now be established, the launch of a new journal of media theory obliges us all the more to justify the need for such an endeavour (Cubitt, this issue), to argue that we do indeed need yet another journal theorising media (Shome, this issue), and to convince at least some readers that the journal deserves the name, Media Theory (Mitchell, this issue). For this launch issue of the journal, editorial and advisory board members were invited to set out their own views on the importance of (a new journal of) media theory. While the journal can hardly satisfy the occasionally conflicting and contradictory wishes of everyone on the boards, this special issue represents a pluralistic manifesto for the journal – manifestos for various possibilities and directions for Media Theory. […]
Media Theory is not, therefore, a journal that privileges any particular theoretical approach, perspective or tradition to the study of media, but nor is it simply a matter of disinterestedly presenting their diversity or that of the range of theoretical concepts or tools proposed or applied in media research. Rather, in emphasising ‘media’, ‘theory’ and ‘media theory’, the journal aims to deprovincialise media theory by bringing into dialogue and debate the diversity of ways in which media are theorised. For despite the inherently interdisciplinary histories of the various disciplines in which media is studied internationally, there remains a tendency to restrict one’s reading to one’s own field or disciplinary, geographical or linguistic bubble, applying and developing theories without sufficient knowledge of how those theories have already been debated and developed elsewhere.
An ‘inaugural lesson’ for the start of the academic year at SciencesPo School of Management in August 2017. Stiegler speaks in English, skip to 20:00 for that. I’m not entirely sure of his argument, but I’m sharing it cos some folk may find it of interest…
I found this piece on The Conversation, with reference to the play No dogs, no Indians by Siddhartha Bose (see the video below), by Gajendra Singh, a colleague at Exeter, an interesting and helpful intervention into the partition stories the Beeb is currently running. Definitely worth a read.
I found this video strangely calming and attractive. Plus, it’s got art and drops in discussion of all of the dead white male philosophers we’re supposed to be into… what’s not to like eh? 🙂
Via Gary Hall. All of the books are available for free download. Follow links below.
Via Tony Sampson.
“VIRAL/GLOBAL Popular Culture and Social Media: An International Perspective” The University of Westminster Communication and Media Research Institute (CAMRI), Sept 13th 2017
13 September 2017
|Time:||9:00am to 7:00pm|
|Location:||309 Regent Street Regent Campus, 309 Regent Street, London W1B 2HW – View map|
Conference organised by the Communication and Media Research Institute (CAMRI)
- Nancy Baym
- Emily Keightley
- Dave Morley (TBC)
- Tony D Sampson
- Paddy Scannell
This interdisciplinary conference aims to examine how and why everyday popular culture is produced and consumed on digital platforms. There is increasing interest in studying and discussing the linkages between popular cultural and social media, yet there exist important gaps when comparing such cultural phenomena and modes of consumption in a global, non-west-centric context. The conference addresses a significant gap in theoretical and empirical work on social media by focusing on the politics of digital cultures from below and in the context of everyday life. To use Raymond Williams’s phrase, we seek to rethink digital viral cultures as ‘a whole way of life’; how ‘ordinary’, everyday digital acts can amount to forms of ‘politicity’ that can redefine experience and what is possible.
The conference will examine how social media users engage with cultural products in digital platforms. We will also be assessing how the relationship between social media and popular cultural phenomena generate different meanings and experiences.
The conference engages with the following key questions:
- How do online users in different global contexts engage with viral/popular cultures?
- How can the comparative analysis of different global contexts help us contribute to theorising emergent viral cultures in the age of social media?
- How do viral digital cultures redefine our experience of self and the world?
We welcome papers from scholars that will engage critically with particular aspects of online popular cultures. Themes may include, but are not limited to, the following:
- Analysing viral media texts: method and theory
- Theorising virality: new/old concepts
- Rethinking popular culture in the age of social media
- Social media, politicity and the viral
- The political economy of viral cultures
- Memes, appropriation, collage, virality and trash aesthetics
- Making/doing/being/consuming viral texts
- Hybrid strategies of anti-politics in digital media
- Viral news/Fake news
- Non-mainstream music, protest, and political discussion
- Capitalism and viral marketing
PROGRAMME AND REGISTRATION
This one-day conference, taking place on Wednesday, 13th of September 2017, will consist of a keynote panel and panel sessions. The fee for registration for all participants, including presenters, will be £40, with a concessionary rate of £15 for students, to cover all conference documentation, refreshments and administration costs.
DEADLINE FOR ABSTRACTS
The deadline for abstracts is Monday 10 July 2017. Successful applicants will be notified by Monday 17 July of 2017. Abstracts should be 250 words. They must include the presenter’s name, affiliation, email and postal address, together with the title of the paper and a 150-word biographical note on the presenter. Please send all these items together in a single Word file, not as pdf, and entitle the file and message with ‘CAMRI 2017’ followed by your surname. The file should be sent by email to Events Coordinator Karen Foster at firstname.lastname@example.org
Via dmf. Definitely worth watching >>
“This dream of utopia can encourage us to forget that outer space will not save us from injustice and that cyberspace was prefigured upon a “master/slave” relationship.
While we are often Othered, we are not aliens.
Though our ancestors were mutilated, we are not mutants.
Post-black is a misnomer.
Post-colonialism is too.
The most likely future is one in which we only have ourselves and this planet.”
The rest is here: http://martinesyms.com/the-mundane-afrofuturist-manifesto/
See also: http://blackradicalimagination.com