Reblog> Postcapitalist Futures: Talk at Bristol

Via Mark Purcell…

The University of Bristol’s School of Geographical Sciences will host the 6th annual Bassett lecture on Tuesday 3rd May 2016 at 4pm.This year’s speaker is Nick Srnicek, who will be presenting under the title ‘Postcapitalist Futures’ (details below).

The lecture will take place in the Peel Lecture Theatre, School of Geographical Sciences, University Road, Bristol, BS8 1SS

Abstract:
What does the future of work hold? This talk will examine the current capitalist conjuncture, outlining the changing technological and economic conditions of work. The social democratic era of good jobs, it will be shown, is over – and the left must grapple with this shift. In place of full employment, we should be arguing for full unemployment. This talk will try and show both why this is necessary, and how this is possible.

Biography

Nick Srnicek is the co-author, with Alex Williams, of both Inventing the Future: Postcapitalism and a World Without Work (Verso, 2015) & “#ACCELERATE MANIFESTO for an Accelerationist Politics” (2013). He is the co-editor of The Speculative Turn (Re.press, 2011 with Levi Bryant and Graham Harman) and is currently working on a new book entitled Postcapitalist Technologies (Polity, forthcoming).

The Bassett Lecture:

The Bassett Lecture is held every year in honour of Dr. Keith Bassett, a critical geographer and long-time Senior Lecturer in the School of Geographical Sciences. Though formally retired, Dr. Bassett continues to write, teach, and contribute to the intellectual life of the School and University. The lecture series recognizes Dr. Bassett’s work and contributions in the fields of social and geographical theory, critical geographies of political economy, urbanism, social movements and social justice, political ecology, and critical socio-legal studies.

All Welcome!

No booking required, for enquiries contact: tom.keating [at] bristol.ac.uk

Apps & affect – Fibreculture 25

This issue of Fibreculture on “apps and affect” from last year (2015), stemming from a conference of the same name,  has some fairly substantial looking contributions from interesting people. These include a conversation between Alexander Galloway & Patricia Ticineto Clough, the ‘algorithmic agartha‘ paper by Nandita Biswas Mellamphy & Dan Mellamphy I’ve linked to before and (of particular interest to me at the mo) a paper by Melissa Gregg on speculative labour & app development. It’s edited by Svitlana Matviyenko, Nandita Biswas Mellamphy, Nick Dyer-Witheford, Alison Hearn, and Andrew Murphie.

Introduction

In William Gibson’s recent futurist novel The Peripheral, the planet has been devastated by a massive eco-techno-political catastrophe (‘the jackpot’) but remaining inhabitants are still able to enjoy the luxury of activating digital devices simply by tapping their tongues on the roof of their mouths. This touch is sufficient to set into play systems that communicate across space and time – enabling the establishment of connections back in time, for example, to people closer to our own present-day, for whom mobiles are still (somewhat) separate from the body. Thirty years ago, in his first novel Neuromancer, Gibson immortalised cyberspace with the account of what now sounds like an amazingly clunky process whereby the hero ‘jacks-in’ to virtual reality. But in The Peripheral the process of translation and transition into networks is streamlined – occluded, internal, intimate and implanted – right at the tip of the tongue.

This issue of the Fibreculture Journal explores a moment along this hypothetical trajectory by investigating the contemporary intersection of ‘Apps and Affect’, publishing papers from a conference of that name organised in October 2013 by faculty and students at Western University (specifically from its Faculty of Information and Media Studies and Center for the Study of Theory and Criticism). By recognising apps as objects that are related to the constitution of subjects, as a component of biopolitical assemblages, and as a means of digital production and consumption, our conference aimed to make an intervention in what had – since the announcements of the App-Store and the iPhone3 in 2008 – been a largely technical and rather technophiliac public discussion of apps.

Isn’t it paradoxical, we asked, that instead of becoming ‘transparent’ and ‘invisible’ – as envisioned by the thinkers of ubiquitous computing decades ago – the app-ecosystem manifests itself as permanent excess: excessive downloads, excessive connections, excessive proximity, excessive ‘friends’-qua-‘contacts’, excessive speeds and excessive amounts of information? How does the app as ‘technique’ (Tenner), indeed as ‘cultural technique’ (Siegert) and as ‘technics’ (Stiegler), channel our ways of maintaining relations with/in the media environment? Do the specific and circumscribed operations of individual applications foster or foreclose what media theorists call the transformative and transductive potential of collective technological individuation (Simondon)? How might we think about the social, political and technical implications of this movement away from open-ended networks like the internet towards specific, focused, and individualised modes of computing? Do apps represent ‘a new reticular condition of trans-individuation grammatising new forms of social relations’ (Stiegler) or do they signal instead the triumph of ‘regulatory’ networks over ‘generative’ ones (Zittrain)? If apps are micro-programs residing by the hundreds and thousands on cell-phones, mobile-devices and tablets, and affects are corporeal excitements (and depressions) running beneath and beyond cognition, what is the relation of apps to affects?

– See more at: http://twentyfive.fibreculturejournal.org/#sthash.6y9K3uyP.dpuf

Interesting new paper: Performing the sharing economy – Lizzie Richardson

This new article in Geoforum [paywall] by Lizzie Richardson (@LizzieCIRich) looks really good – I’ve only skim read it so far but looking forward digging in 🙂

Performing the sharing economy

Lizzie Richardson

Here’s the abstract:

The sharing economy converges around activities facilitated through digital platforms that enable peer-to-peer access to goods and services. It constitutes an apparent paradox, framed as both part of the capitalist economy and as an alternative. This duplicity necessitates focusing on the performances of the sharing economy: how it simultaneously constructs diverse economic activities whilst also inviting the deconstruction of ongoing practices of dominance. Such performances hold open the question of what the (sharing) economy is, suspending it as a space for both opportunity and critique. Drawing on participant observation at a sharing economy ‘festival’ and analysis of the vocabularies of online platforms, the paper outlines three performances of sharing through community, access and collaboration. It argues through these performances that the sharing economy is contingent and complexly articulated. It has the potential to both shake up and further entrench ‘business-as-usual’ through the ongoing reconfiguration of a divergent range of (economic) activities. Whilst offering an antidote to the narrative of economy as engendering isolation and separation, the sharing economy simultaneously masks new forms of inequality and polarisations of ownership. Nonetheless, the paper concludes in suggesting that by pointing to wider questions concerning participation in, access to and production of resources, the sharing economy should not be dismissed. Instead, it should serve as prompt to engage with ‘digital’ transformations of economy in the spirit of affirmative critique that might enact the promise of doing economy differently.

Event> The Politics and Economics of Attention (14/12)

Both Clive Barnett and I will be speaking at the sixth seminar in the Behaviour Change & Psychological Governance series (funded by the ESRC) which is being held at the University of Bristol on the 14th of December.

I’ll be revisiting some of the things Patrick Crogan and I wrote about back in 2012 in the themed issue of Culture Machine we co-edited following an ESF-funded conference on attention in 2010. My move forward is probably being a little more critical in my thinking about what constitutes the process of valuing attention (critically reflecting on why a Labour Theory of Value might not quite fit) and thinking (with the work of Bernard Stiegler) about how the socio-technical systems that attempt to economise (something that gets called) attention are a kind of pharmakon (an indeterminacy, originating from the idea of a drug as both poison and cure). By looking at some examples I hope to offer some suggestions about how we might understand what’s going on (in networked technology systems in particular) when an attempt is made to place a financial value on ‘attention’.

Algorithmic catastrophe–the revenge of contingency, new paper by @digital_objects

A new issue of Parrhesia is out and it contains a new paper from Yuk Hui.

 

All catastrophes are algorithmic, even the natural ones, when we consider the universe to be governed by regular and automated laws of motion and principles of emergence.

It begins with this bold statement qualified through a reading of Aristotle that leads us to:

But these material, technological catastrophes are not examples of what I am proposing here to call algorithmic catastrophes. Algorithmic catastrophe doesn’t refer to material failure, but rather to the failure of reason.

And it is this form of catastrophe to which the discussion tends. Through a reading of the work of Bernard Steigler, in relation to Martha Nussbaum and Plato/Socrates, Hui argues that the history of Occidental philosophy has the techno-logical ‘accident’:

This resonates with the two senses of accident that we have explained above: on one hand, the revelation of substance through accidents, meaning the accidents become necessary; on the other hand, the overcoming of the irrational through reason.

Hui then expertly dissects understandings of accident and contingency in relation to what is thought of as ‘automatic’, which leads to this lovely passage:

As an engineer and designer, one has to be assured that it is normal to have a catastrophe. If catastrophe is thus anticipated and becomes a principle of operation, it no longer plays the role it did with the laws of nature. This use of anticipation to overcome catastrophes can never be completed, however, and indeed accident expresses itself in a second level of contingency generated by the machines’ own operations. Herein also lies the second difference between the algorithmic contingency and the contingency of laws of nature, which we would like to approach in the next section. It doesn’t mean that the algorithm itself is not perfect, but rather that the complexity it produces overwhelms the simplicity and clarity of algorithmic thinking. This necessity of contingency takes a different form from the necessity in tragedy and in nature…

Automisation then becomes the target of deconstruction, with a haunting of Virilio, explicated through the ‘Flash Crash’. Nevertheless, the tendency here is towards automation that exceeds the human capacity to react, as Hui has it:

The automation of machines will be much faster than human intelligence, and hence will lead to a temporal gap in terms of operation. The gap can produce disastrous effects since the human is always too late, and machines won’t stop on their own. In face of our inability to fully understand the causality, Wiener warns us that “if we adhere simply to the creed of the scientist, that an incomplete knowledge of the world and of ourselves is better than no knowledge, we can still by no means always justify the naive assumption that the faster we rush ahead to employ the new powers for action which are opened up to us, the better it will be.”

The paper moves on to consider a speculative aesthetics of the accident, through a reading of Meillassoux’s ‘speculative realism’. Just as Meillassoux attempts to reach back beyond the ‘ancestrally’ of the human, Hui argues that we are challenged by atomisation, in the figure of algorithms:

exteriorized reasons, where we find more and more that human reason is becoming less and less capable of understanding the system that it has succeeded in constructing.

Thus:

In the digital age, accidents in both senses come to the fore and beyond, as indicated by the contingency, the unknown, which also comes to the front.

…

The algorithmic catastrophe also resonates with current research on speculative reason, especially what Meillasoux proposes as the absolutization of contingency, which reinvents the metaphysical concept of contingency as necessity while it renounces the subjectivist approach towards knowledge. The celebration of speculative reason seems to be an appropriation of the catastrophic aesthetics of our time, where the unknown and black box become the sole explanations.

It is certainly an interesting, if dense, article and probably requires some knowledge of

I am left wondering, as a less-sophisticated non-philosopher, how one might square this argument with technics as the ‘horizon of all possibility to come and all possibility of a future’, pace Stiegler in Technics and Time – the computational ‘transindividuations’ (the becomings of trans-individual assemblages) that we initiate and cultivate through digital ‘industry’ may begin to probe their way into possibilities outside of our sensory or conscious capacities but they remain, at present, limited precisely by their foundation in a human phenomenological domain. Nevertheless, as Hui argues in his final paragraph:

it would be ignorant to just dismiss the algorithmic catastrophe as something from science fiction. The words of the physicists [Hawking et al. warning about the risks of AI] also remind us of Book III of Plato’s Republic, where the physicians return as guardians of the polis. Should these guardians be scientifically well-trained philosophers or philosophically trained physicians is not a question without importance, since it means a new pedagogical program and a new conception of responsibility. Beyond the reach of this single article, what Virilio proposes as a rethinking of responsibility remains largely undiscussed.

I probably don’t know enough of the references Hui is drawing upon to be able to offer a cogent response to this, but it is a very interesting article and worth a read [it is open access!].

‘Escaping the Anthropocene’, Stiegler on the Anthropocene

Following on from the various discussions and reflections on geography’s disciplinary mobilisation of the idea/concept of ‘the anthropocene’ I thought I’d just link to a bunch of things Bernard Stiegler has written about/in response to the concept.

I cannot pretend to be totally on top of this work. Likewise, I am not totally sure I can buy into the argument Stiegler presents in these works but it is relatively interesting nonetheless…

These are all translated and made available by the inimitable Daniel Ross:

“The Anthropocene and Neganthropology“, lecture by Bernard Stiegler at Canterbury, 2014.

“Escaping the Anthropocene“, lecture by Bernard Stiegler at the University of Durham, January 2015.

“Automatic Society 1: The Future of Work – Introduction“, the Introduction to Stiegler’s latest(?) book Automatic Society 1: The Future of Work (another series apparently!). This has been published in the new journal La Deleuziana.

 

Lessons in automation from Looney Tunes and Tom & Jerry

I’ve been idly thinking about the automation of everyday life and the kinds of vision of a future that have been represented (repeatedly) by technology makers, not least in terms of ‘ubiquitous computing‘, and been thinking about the rich history of this from Worlds Fairs:

New York World's Fair 1939 -

And the forms of spatial imagination that were inherent within these visions of the future were leapt upon in popular culture, especially in cartoons. What I mean is: the ways in which the relationships between  people, buildings, locations, things and the sorts of ways of living that thereby emerge form a kind of vernacular for understanding possible futures, which are grounded in (broadly) speculative extrapolations of the experience of space and place.

From the obvious ‘space age’ Jetsons, to the less obvious reinterpretations of technologies of convenience (using Dinosaurs and stone tools) in the Flintstones, there was a lot of co-opting of the futures being sold by the likes of General Motors in their “Futurama” exhibit at the 1939 New York World’s Fair and Disney’s “Epcot“.

And so we get a Tom and Jerry cartoon that resonates with contemporary stories of the loss of jobs to automata – with ‘Thomas’ replaced by a robotic cat:

Another famous GM depiction of an automated home that draws on the forms of spatial imaginary of futurama and its ilk is the film “Design for Dreaming”, in which Thelma Tadlock guides us through the kitsch depictions of a cars and the kitchen of the future.

It is interesting (and heartening) that at the same time you get a satirised version of this with Daffy Duck and Elmer Fudd in the Looney Tunes cartoon “Design for Leaving”, in which (of course) everything goes wrong [and in this vision there’s no Robert DeNiro plumber to fix it]:


Elmer Fudd – Design for Leaving by DwightFrye

These cartoons are somewhat emblematic of a satirising of visions of the future, almost contemporaneously, which is probably rather healthy. We (academics, anyway) have a tendency to take these future visions rather seriously and in many cases it is justified – ways of relating a future have politics and they do particular kinds of political work. Nevertheless, it seems like I (and possibly others) have missed a trick in not paying a little more attention to how popular culture addresses these lofty visions of an automated future everyday life.

I wonder if we might count the recent darkly humorous ‘speculative fictions’ Black Mirror, by Charlie Brooker in this tradition. For example, if we have the vision of a day with “Glass” by Google:

Then we have the accompanying tale of obsessive and creepy behaviour such forms of life-logging and AR might produce with “The Entire History of You”, the third episode of Black Mirror:

These of course stray from the topic of automation but they serve to illustrate the power of satire in relation to visions of the future. It would be great to see more cartoons that comically critique and reimagine the kinds of stories we are being currently told about a future of automated everyday life.

Incidentally, I’ll be touching on some of this in a ‘paper’ (talk) I am giving at the RGS-IBG annual conference this year (in Exeter!), as part of the ‘Algorithmic Practices‘ sessions.

JOB> 0.5 Research Fellow, The Automation of Everyday Life (UWE Bristol)

The Digital Cultures Research Centre is advertising for a part-time (0.5) Research Fellow to support a project led by Dr Patrick Crogan on ‘The Automation of Everyday Life’:

The Digital Cultures Research Centre is seeking a Research Fellow in Digital Cultures: The Automation of Everyday Life on a part time (50%) and fixed term basis until 31 August 2016.

From software agents, predictive systems and recommendation services, to robotics, drones, and artificial companions, automated text and design experiments, and on to the internet of things, the automation of choices, actions and production is already a crucial theme in the emergence of 21st century digital culture.

In this role you will play a key part in developing the DCRC’s research and knowledge exchange programme in the area of the automation of cultural production and practices.

You will engage with a significant expansion of DCRC activities in this rapidly emerging area. Working across the DCRC’s local community, through regional, national and international connections, the post holder will develop interdisciplinary dialogues and partnerships with researchers and digital producers on projects that address and/or experiment with critical or creative responses to the automation of everyday life. You will help to grow the DCRC network of media, arts, robotics and software researchers and practitioners around this area, supporting and initiating the development of proposals to a variety of external funding bodies.

You will assist on increased DCRC initiatives across this theme, taking a lead in co-ordination and organisational support of externally facing research and knowledge exchange activities with a view to maximising impact. In addition to developing and extending your own specific programme of research, you will be expected to publish at an international level. Acting as a member of the editorial team for the DCRC website, you will play an important part in the promotion and external communication of DCRC research.

As a candidate (I’m guessing) you should probably be theoretically informed and take a look at some of Bernard Stiegler’s recent work on automation (this is probably the impetus for the project). You should probably also take a look at the Pervasive Media Studio to get a sense of where the DCRC operates…

Here’s the full advert with the necessary instructions for application…

Robot-caused death

A robot has tragically caused the death of a VW worker, we learn in today’s news coverage. According to Wikipedia (yes, I know…) this is, quite remarkably, only the third reported industrial robot-caused fatality.

The first two reported deaths of workers caused by manufacturing robots happened in the late 1970s and early 1980s:

Robert Williams was killed in Detroit by a parts recovery robot in the Ford Flatrock Casting Plant (Michigan) in January 1979. A circuit judge in the US found the manufacturer of the equipment criminally liable and ordered Unit Handling Systems USD$10m to the Williams family.

Kenji Urada was killed in Akashi (near Kobe) by an industrial robot in a Kawasaki Heavy Industries plant in July 1981.

There is a temptation to think about some kind of intentionality (however weak) or malign tendency by the machine here, largely because of the word ‘robot’ and because of the detailed imagination of what constitutes the entities we might commonly understand to be referred to by that term. The chatter on Twitter about the sad VW incident certainly seems to invoke the kind of Asimov-style Sci-Fi robotics of I, Robot and the Terminator.

The corollary to this is, of course, that we have become very used to seeking blame located in a single figure of a ‘wrong-doer’. Indeed, we have sought (in the UK) to enshrine this in law after a fashion by holding senior manager personally to account in corporate manslaughter cases. Thus it is unsurprising that TIME magazine report that:

Prosecutors are still deciding whether to bring charges and whom they would pursue.

One can argue, however, that a desire for singular culpability is misconceived. The workers tragically killed in all three of cases were involved in complex assemblages or systems that, even with contemporary safety systems, have contingencies that might lead to undesirable ends. In this way, while the contexts are very different, the worker in today’s robotically enable factory is a distant relation of the 19th century mill worker powerfully described by Friedrich Engels.

Workers both in the 19th century and today have to be alive to the operation of a complex and continent manufacturing system, with many kinds of rules and procedures that circumscribe a place for the human body and its function within industrial manufacturing. If one places their body outside of that circumscribed place, or if the rules of circumscription shift (by accident or design) then the body is at risk of harm.

There may all sorts of factors that lead to a manufacturing accident, but I would hazard that they are more often than not a condition of what it means to work and how that work is designed: how the body fits within the system, or how that system is programmed to accommodate the body, rather than a malign or supernatural robotic agency.

For example: Urada was trapped by the work arm of the robot which pinned him against a machine which cuts gears and was killed. He had entered a prohibited area around the robot to repair it. According to factory officials, a mesh fence around the robot would have shut off the power when unhooked, but instead of opening it, Urada had apparently jumped over the fence. He set the machine on manual control but accidentally brushed against the on-switch, and the claw of the robot pushed him against the machine tooling device.

A grizzly story and one might look at the safety procedures and equipment. There are of course standards and codes of practice for safe working with robots (by the ANSI and the HSE for example). Nevertheless, it remains the case that Urada transgressed those procedures putting himself at risk. We can only speculate about why he did so, but again that is a condition of work, not of robots as such.

All three of the deaths caused by manufacturing robots are tragic and all three have and will no doubt prompt questions about how complex systems of manufacture that may be hazardous to the human body can be made as safe as possible. They could, and perhaps should, also prompt questions about how we work (see, for example, this article in the FT).

New resource for readers of Stiegler

Philosopher Daniel Ross, translator of many of Bernard Stiegler’s books published in English with Polity, has uploaded quite a few his translations of lectures and articles by Stiegler to his academia.edu page.

If you’re interested in Steigler’s more recent work, concerning automation and the anthropocene this is a valuable resource.

See, in particular:

So – a public big THANK YOU (from me) to Dan for sharing!!