Designing for millennia – why danger signs cannot last forever

The jolly roger, or death's head, symbol on a building

Biohazard symbols

A short watch, the video above that speaks in some ways to my recent posting of the CFP for the Memories of the Future event. The podcast 99-percent Invisible have created this ~ 7-min. video on the development of standardised warning signs like these (image on the left).

It also briefly discusses how those charged with securing nuclear waste facilities in the USA have considered how we might leave legible warnings to people thousands of years in the future.

CFP > Memories of the future, London 2019

the character Doc Brown in the film Back to the Future

Via Temporal Belongings.

Memories of the Future

International conference. Centre for the Study of Cultural Memory, Institute of Modern Languages Research, School of Advanced Study, University of London
Dates: 29-30 March 2019
Confirmed speakers: Stephen Bann (Bristol); Rebecca Coleman (Goldsmiths); Paolo Jedlowski (Calabria); Anna Reading (KCL); Michael Rothberg (UCLA)

Proposals for panels or papers by 31 July 2018 to memories.future@sas.ac.uk.

Call for papers
What does it mean to remember the future? What roles do memory, history, the past play in our consciousness as citizens of the early twenty-first century?

David Lowenthal (2015) reminds us that ‘commands to forget coexist with zeal to commemorate’, which raises the very important yet often overlooked questions of: what to remember and what to forget, who is well positioned to lead on or judge in that process, with whose legacies in mind, and with what consequences for future and past generations. In the 1980s, a significant body of scholarship on cultural memory emerged to protect the past from ‘time’s corrosive energy’, leading to ‘collective future thought’ (J. Assmann, 2011; Szpunar and Szpunar, 2016). Cultural memory acted as a moral imperative, a prerequisite to overcome not merely violent pasts but the violence inherent in linear temporality. As such, cultural memory has been seen as redemptive, enabling a more productive relation between past, present and future.

More recently, ‘thinking forward through the past’ has been central to a number of AHRC-funded projects in the UK examining environmental change, postcolonial disaster, gender and colonialism, heritage futures, ruins and more. Climate change, big data and the crisis of democracy are challenging our future in ways that may suggest a misalignment of temporal scales. One way of responding to this is through what Reinhart Koselleck (2000) called horizons of expectations and spaces of experience, namely, the horizons implicit in our anticipations of the future and the degree to which our experience of these have changed and will change over time. Utopian imaginaries and deploying utopia as a method (Levitas, 2013) invite us to think about hope, empathy, and solidarity, each contributing to create different places from which to imagine a future outside crises, fears and risk.

The past and the future constitute our cultural horizons in ways which are neither neutral nor solely technical, but, as Appadurai (2013) has suggested, ‘shot through with affect and sensation’. One of the key challenges of our time is how to study and create futures we truly care for and which are more social (Adam and Groves 2007; Urry, 2016).

Memories of the Future invites contributions to articulate the future in relation to cultural memory, and interrogate the precise and diverse manners in which the past, the present and the future are intertwined and dialogical, complicating our understanding of temporalities in an age saturated with memory and ‘past futures’.

Suggested themes and areas of inquiry include:

  • The future of memory
  • Temporal multi-directionalities
  • Memories of the future
  • Utopias and dystopias
  • Past, present and future mobilities
  • Smart cities and future/ist metropolises
  • Science-fiction and other subsets of utopia
  • Housing, cohousing and the future of habitation
  • Futurisms, modernisms, afro-futurisms
  • The future in/and the Anthropocene
  • Post-humanism and the non-human
  • Intentions, expectations, anticipations
  • Counterfactuals
  • Trauma, violence and conflict
  • Tangible and intangible heritage

Please submit proposals for panels or papers (max 20 minutes) by 31 July 2018 to memories.future@sas.ac.uk, including a 150-250 words abstract.

Practising speculation and tech futures

Glitched AT&T 1990s advert

I’ve had a sort of moment of realisation this morning that a bunch of tabs I’ve had open, saved, reopened (etc etc) for the past few months are all more-or-less about doing speculative work around A.I., automation and suchlike.

This is interesting for me cos I wrote a PhD (and I am by no means the only one) about rationales for and forms of speculative practice in computing R&D (my fieldwork for this was, soberingly, now approximately ten years ago). It’s also interesting cos I have, in the last eight or so years, pitched for funding to do this sort of work and miserably failed three times.

I think what interests me most is the ways in which story telling is more-or-less the method. I’m not sure how good we are at this, as academics. There’s some good work that analyses speculative things, such as architects visualisations, but I’m not sure I’ve seen much work doing speculation that is not design-oriented. I am not seeking to criticise speculative design practices, I really admire that work, I just wonder if there is a way of de-centring the ‘design’ bit to engage in broader forms of ‘speculation’. I’m also not sure how one can tread the line between evoking particular kinds of scenario/ story (or dare I say imaginative geography) and affirming them. Likewise, I don’t think it is sufficient to simply refer to Black Mirror – it’s fun but it’s not the only way of doing speculation about technology (as afrofuturism demonstrates). I don’t think we want to merely replicate the sorts of ‘visioning’ practices of the likes of Microsoft, Samsung or Beko, not because they’re not interesting but because I’d like to think academics doing this kind of thing want to critically reflect on, not simply propose (or impose!), possibilities.  Playful examples that I think are successful include Superflux’s excellent “Uninvited Guests” – though again, this is perhaps more design-oriented: it’s more about the function in relation to the individual rather than the kinds of world that are necessary for those functions to work.

I do not claim any special insight here – I’m curious about speculative methods – they seem to have some analytical/ explanatory/ critical power but also that also seems to be rather hard to negotiate. In practice, I think you may have to be in the right context, and I’m not convinced academic geography is (without quite a bit of work, given particular kinds of disciplinary assumptions and proclivities – happy to be proven wrong!), and you may have to work with non-academic partners in a way I am not skilled in doing. Good examples, I think, are work like Anne’s Counting Sheep project, which is a canonical example of interesting and provocative speculative design. As I’ve said – I’m not so sure about where non-design-oriented work sits and how this is, or can be, done well. I’m interested in some of the attempts anyway, and here’s some examples, listed below.

UPDATE: Sam Hind shared this piece from Warwick concerning issue mapping techniques that allowed for speculative reflection on driverless cars:

Surfacing Social Aspects of Driverless Cars with Creative Methods, Noortje Marres, Rebecca Cain, Ana Gross, Lucy Kimbell and Arun Ulahannan – “The Warwick workshop explored the potential of creative social research methods – such as design research and debate mapping – to surface still hidden social dynamics around the operation of intelligent technologies in everyday environments, and to complement more established approaches to societal testing of these technologies.”

This made me also think of the speculative policy making practices that arose from “Open Policy” work at the British Cabinet Office’s PolicyLab, which I think involved folks from Strange Telemetry and Superflux.


Crafting stories of technology and progress: five  considerations, Cian O’Donavan & Johan Schot – From Technology Stories the website of the Society for the History of Technology comes this brief post that refers to the longer report from the International Panel on Social Progress concerning the fairly classic Science and Technology Studies issue of how to tell stories about “progress” without necessarily resorting to (unreflexive) forms of determinism. There are four ‘stories’ by several researchers linked from this article that address a number of issues:

Economic Science Fictions, edited by William Davies – I’m not really sure why the “science” is in the title but there we go… From the blurb: “Rooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures.”

Designing the future, Justin Reynolds – reviews the above book on the New Socialist site, with some interesting commentary.

Future Perfect conference/event, coordinated by Data & Society – characterised as “speculative fiction in the public interest” this event was first run in 2017 as an invitation-only thing but had an open call in 2018. From the 2018 event blurb: “Future Perfect is an annual workshop and conference dedicated to different approaches to understanding, living in, and challenging dominant narratives of speculative fiction in a time where powerful actors in technology and politics treat the future like a foregone conclusion.”

Robot Futures, Illah Reza Nourbakhsh – “Future robots will have superhuman abilities in both the physical and digital realms. They will be embedded in our physical spaces, with the ability to go where we cannot, and will have minds of their own, thanks to artificial intelligence. In Robot Futures, the roboticist Illah Reza Nourbakhsh considers how we will share our world with these creatures, and how our society could change as it incorporates a race of stronger, smarter beings.”

Two excellent reflections on ethics in relation to Google’s AI principles

Holly from the UK TV programme Red Dwarf

Two excellent pieces by Anab Jain and Lucy Suchman that I recommend you read if you’re interested in studying technology (not just AI) that reflect upon Google’s announcement of its ‘AI principles’ and its apparent commitment not to work on the US Government’s “project Maven”.

Here’s a couple of quotes that stood out, but you should definitely read both pieces:

Corporate Accountability – Lucy Suchman

The principle “Be accountable to people,” states “We will design AI systems that provide appropriate opportunities for feedback, relevant explanations, and appeal. Our AI technologies will be subject to appropriate human direction and control.” This is a key objective but how, realistically, will this promise be implemented? As worded, it implicitly acknowledges a series of complex and unsolved problems: the increasing opacity of algorithmic operations, the absence of due process for those who are adversely affected, and the increasing threat that automation will translate into autonomy, in the sense of technologies that operate in ways that matter without provision for human judgment or accountability. […]

Tackling the Ethical Challenges of Slippery Technology – Anab Jain

The overriding question for all of these principles, in the end, concerns the processes through which their meaning and adherence to them will be adjudicated. It’s here that Google’s own status as a private corporation, but one now a giant operating in the context of wider economic and political orders, needs to be brought forward from the subtext and subject to more explicit debate.

Given the networked nature of the technologies that companies like Google create, and the marketplace of growth and progress that they operate within, how can they control who will benefit and who will lose? What might be the implications of powerful companies taking an overt moral or political position? How might they comprehend the complex possibilities for applications of their products? […]

How many unintended consequences can we think of? And what happens when we do release something potentially problematic out into the world? How much funding can be put into fixing it? And what if it can’t be fixed? Do we still ship it? What happens to our business if we don’t? All of this would mean slowing down the trajectory of growth, it would mean deferring decision-making, and that does not rank high in performance metrics. It might even require moving away from the selection of The Particular Future in which the organisation is currently finding success.

Digital work and automation link dump

Charlie Chaplin in Modern Times

Ok. Whilst I was not blogging I kept finding things through twitter and reading blogs that I find interesting. I kept thinking “oh, I ought to write something about that”… the thing is, I haven’t had the time and I don’t have the time now. So… I’m going to do a sort of annotated link thingamajig so that I don’t lose these things (I have over 45 tabs open in Chrome on my phone, this is unworkable) and also to share and to maybe invite other people to comment on this stuff..?!

The future of work, a history by Kevin Baker – A relatively long piece of writing that charts a history of American worrying about the replacement of the human worker with machines. Some interesting historical details that help contextualise some of the alarmism today. What I like about this is that the piece ends by reminding us all that there are choices to be made, which are political, but it also highlights how inescapable forms of determinism are (as Sally Wyatt so expertly tells us).

Tech culture, unions and the blind spot of meritocracy by Wendy Liu in Technology and The Worker (#2) –an interesting piece by Wendy Liu that documents a conversation with Xavier Denis a former engineer at Shopify about what working in the US tech. market is like – the sorts of working conditions, norms and management practices.

Automation, skills use and training by Ljubica Nedelkoska and Glenda Quintin (OECD) — A report that builds upon and that authors claim improves assessments of the potential for the automation of particular kinds of work. “Beyond the share of jobs likely to be significantly disrupted by automation of production and services, the accent is put on characteristics of these jobs and the characteristics of the workers who hold them.” This contributes to the ongoing arguments around the likelihood or not of job/role/work automation.

What can machine learning do? Workforce implications by Erik Brynjolfsson (MIT) and Tom Mitchell (Carnegie Mellon) in Science – A short-ish “Insights” article that makes some fairly grandiose and sweeping claims about the ‘impacts’ of automation on the workforce (with an American focus). Some references are made but if you follow them up it seems to me that the statements they are used to support make fairly big leaps. This, in contrast to the OECD report, is a stoking of the now brightly burning fire of the imaginings of automation.

The Guardian view on automation: put human needs first – A Grauniad editorial that passes comment on the above OECD report. It’s interesting to see the reception, interpretation and sometimes misrepresentation (I don’t think that’s what the Graun are doing here) of these academic economic reports. This plays into the general, normative, discussions and senses of the risks and/or realities of automation (this is a part of what I want write a book about).


BBC Click offer a Twitter-length version of ‘what it’s like to work with robots’.

Dr Easy.

Shynola re-imagine/visualise the opening section of Matthew De Abaitua’s novel Red Men – a PKD-like imaginative exploration of the emergence of AI.

The Incomplete Vision of John Perry Barlow by April Glaser (Slate) – Reflecting upon Barlow’s “Declaration of the independence of cyberspace” and the rise of EFF following his death earlier this year. Fits nicely with Fred Turner’s work examining the hippy-libertarian nexus of Silicon Valley moguls. In many ways this gets at some of the ideological foundations and/or misgivings of automation talk.

Face Recognition Glasses Augment China’s Railway Cops by Bibek Bhandari (SixthTone) – An article about the alleged deployment of facial recognition through AR glasses for Chinese police. Predictable comparisons to “Black Mirror” and other forms of dystopianism.

The Ethics Advisory Group of the European Data Protection Supervisor Report on Data Ethics (2018) [PDF] – On the back of the GDPR and contemporary debates around privacy in light of perennial controversies with Facebook and others the Ethics Advisory Group published a report claiming that: “The objective of this report is thus not to generate definitive answers, nor to articulate new norms for present and future digital societies but to identify and describe the most crucial questions for the urgent conversation to come.” The report is written by J. Peter Burgess, Luciano Floridi, Aurélie Pols and Jeroen van de Hoven.

The network Uber drivers built by Alex Rosenblat – an article that addresses some of the ways that Uber drivers have collectively organised in order to manage working with a quasi-automated system in which the policies are not necessaerily in the best interests of the worker.

Artificial Intelligence Technology Strategy (Report of Strategic Council for AI Technology) ( a Japanese government report) [PDF] – A 25 page report written for the Japanese government. It’s fairly dry and dense and has some crazy Powerpoint-style diagrams but it is sort of interesting as a documenting of an apparently strategic governmental approach to “AI”.

Why the Luddites matter : Librarian Shipwreck – A good blogpost on who the Luddites really were and framing them as an interesting means of getting at how popular understandings of technology might be found wanting.

Sci-Fi doesn’t have to be depressing: welcome to Solar Punk by Tom Cassauwers – What if we don’t write dystopian science fiction but build imaginary worlds based on positive and affirmative uses of technology? That is the premise of what is called ‘Solar Punk’, as outlined here by Tom Cassauwers – who charts the movement with Sarena Ulibarri, an editor who is a key proponent of the sub-genre.

Our driverless future on CNN Money – a video feature on driverless cars with four episodes and a couple of additional videos. There’s some interesting interviews and it’s not all boosterism. It’s sort of emblematic of the current discourse on automation. If nothing else this is probably useful for teaching purposes as there are some clips that nicely sum up some of the key questions being asked.

Reblog> (video): Gillian Rose – Tweeting the Smart City

Smart City visualisation

Via The Programmable City.

Seminar 2 (video): Gillian Rose – Tweeting the Smart City

We are delighted to share the video of our second seminar in our 2017/18 series, entitled Tweeting the Smart City: The Affective Enactments of the Smart City on Social Media given by Professor Gillian Rose from Oxford University on the 26th October 2017 and co-hosted with the Geography Department at Maynooth University.Abstract
Digital technologies of various kinds are now the means through which many cities are made visible and their spatialities negotiated. From casual snaps shared on Instagram to elaborate photo-realistic visualisations, digital technologies for making, distributing and viewing cities are more and more pervasive. This talk will explore some of the implications of that digital mediation of urban spaces. What forms of urban life are being made visible in these digitally mediated cities, and how? Through what configurations of temporality, spatiality and embodiment? And how should that picturing be theorised? Drawing on recent work on the visualisation of so-called ‘smart cities’ on social media, the lecture will suggest the scale and pervasiveness of digital imagery now means that notions of ‘representation’ have to be rethought. Cities and their inhabitants are increasingly mediated through a febrile cloud of streaming image files; as well as representing cities, this cloud also operationalises particular, affective ways of being urban. The lecture will explore some of the implications of this shift for both theory and method as well as critique.

Roadside billboards display targeted ads in Russia

racist facial recognition

From the MIT Tech Review:

Moscow Billboard Targets Ads Based on the Car You’re Driving

Targeted advertising is familiar to anyone browsing the Internet. A startup called Synaps Labs has brought it to the physical world by combining high-speed cameras set up a distance ahead of the billboard (about 180 meters) to capture images of cars. Its machine-learning system can recognize in those images the make and model of the cars an advertiser wants to target. A bidding system then selects the appropriate advertising to put on the billboard as that car passes.

Marketing a car on a roadside billboard might seem a logical fit. But how broad could this kind of advertising be? There is a lot an advertiser can tell about you from the car you drive, says Synaps. Indeed, recent research from a group of university researchers and led by Stanford found that—using machine vision and deep learning—analyzing the make, model, and year of vehicles visible in Google Street View could accurately estimate income, race, and education level of a neighborhood’s residents, and even whether a city is likely to vote Democrat or Republican.

As the camera spots a BMW X5 in the third lane, and later a BMW X6 and a Volvo XC60 in the far left lane, the billboard changes to show Jaguar’s new SUV, an ad that’s targeted to those drivers.

Synaps’s business model is to sell its services to the owners of digital billboards. Digital billboard advertising rotates, and more targeted advertising can rotate more often, allowing operators to sell more ads. According to Synaps, a targeted ad shown 8,500 times in one month will reach the same number of targeted drivers (approximately 22,000) as a typical ad shown 55,000 times. The Jaguar campaign paid the billboard operator based on the number of impressions, as Web advertisers do. The traditional billboard-advertising model is priced instead on airtime, similar to TV ads.

In Russia, Synaps expects to be operating on 20 to 50 billboards this year. The company is also planning a test in the U.S. this summer, where there are roughly 7,000 digital billboards, a number growing at 15 percent a year, according to the company. (By contrast, there are 370,000 conventional billboards.) With a row of digital billboards along a road, they could roll the ads as the cars move along, making billboard advertising more like the storytelling style of television and the Internet, says Synaps’s cofounder Alex Pustov.

There are limits to what the company will use its cameras for. Synaps won’t sell data on individual drivers, though the company is interested in possibly using aggregate traffic patterns for services like predictive traffic analysis and the sociodemographic analysis of commuters versus residents in an area, traffic emissions tracking, or other uses.

Out of safety concerns, license plate data is encrypted, and the company says it will comply with local regulations limiting the time this kind of data can be stored, as well.

Well that’s alright then! 😉

Scaring you into ‘digital safety’

I’ve been thinking about the adverts from Barclays about ‘digital safety’ in relation to some of the themes of the module about technology that I run. In particular, about the sense of risk and threat that sometimes gets articulated about digital media and how this maybe carries with it other kinds of narrative about technology, like versions of determinism for instance. The topics of the videos are, of course, grounded in things that do happen – people do get scammed and it can be horrendous. Nevertheless, from an ‘academic’ standpoint, it’s interesting to ‘read’ these videos as particular articulations of perceived norms around safety/risk and responsibility, for whom, and why in relation to ‘digital’ media… I could write more but I’ll just post a few of the videos for now…