Reblog> Does Academia.edu Mean Open Access Is Becoming Irrelevant?

A really interesting post by Gary Hall on his blog around what ‘open access’ means and how we negotiate what might be understood as the ‘attention economy’ of academia in relation to the ways in which sites like academia.edu and research gate leverage the ‘respectability’ of our work and our collective need to find audiences in order to generate valuable metadata. As Hall argues:

 In this world who gate-keeps access to (and so can extract maximum value from) content is less important, because that access is already free, than who gate-keeps(and so can extract maximum value from) the data generated around the use of that content, which is used more because access to it is free.

I heartily recommend reading the whole piece…

Does Academia.edu Mean Open Access Is Becoming Irrelevant?

brief discussion took place this month on the Association of Internet Researchers air-l listserve concerning a new book from the publishers Edward Elgar: Handbook of Digital Politics. Edited by Stephen Coleman and Deen Freelon, this 512 page volume features contributions from Peter Dahlgren, Nick Couldry, Christian Fuchs, Fadi Hirzalla and Liesbet van Zoonen, among numerous others. The discussion was provoked, however, not by something one of its many contributors had written about digital politics, but by the book’s cost: $240 on Amazon in the US. (In the UK the hardback is £150.00 on Amazon. Handbook of Digital Politics is also available online direct from the publishers for £135.00, with the ebook available for £40.) As one of those on the list commented, ‘I’d love to buy it, but not at that price’ – to which another participant in the discussion responded: ‘I encourage everyone to use the preprint option to post their piece on ssrn.com and academia.edu, perhaps others have other open access suggestions (e.g. Institutional Repositories of individual universities)’. Now, to be fair, the idea that is implied by this suggestion – that the Academia.edu platform for sharing research represents just another form of open access – is a common one. Yet posting on Academia.edu is far from being ethically and politically equivalent to using an institutional open access repository.

Read the whole post here.

Nuance doesn’t sell… @mweller on mature debates concerning technology

On his blog Martin Weller has written a nice piece about what it means to be ‘critical’ in relation to ed-tech and the difficulty of doing so. Martin’s point is (I think) that it is really easy to either proselytise or disparage the uses of (educational) technology in ‘popular’ debate and actually quite hard to offer a nuanced view.

I really like this passage in particular, and feel its worth reproducing:

There is something about throwing technology in the mix that demands people set aside critical faculty. If you want the big keynotes, the money slot on TV or the big book deals then you’d better be coming with a dystopian or utopian vision. Preferably based on sweeping generalisations from your own personal experience. That’s what sells here.

There is profound truth in this statement. A significant proportion of the popular discussion of technology is ‘selling snake oil’. Replace the nouns and adjectives referring to the tech with nouns/adjectives concerning god or magic and that tends to quickly reveal the stakes…

Martin’s blogpost is worth a read.

Ash, Kitchin, Leszczynski on what ‘digital’ means for geography

Saw this only this morning, blogged over on The Programmable City website. Looks like a fairly comprehensive description of a set of issues within geography.

New paper: Digital Turn, Digital Geography?

James Ash, Rob Kitchin and Agnieszka Leszczynski have published a new paper entitled ‘Digital Turn, Digital Geography?‘ available as Programmable City Working Paper 17 on SSRN.

Abstract

In this paper, we examine the relationship between the digital and geography. Our analysis provides an overview of the rich scholarship that has examined: (1) geographies of the digital, (2) geographies produced by the digital, and (3) geographies produced through the digital. Using this material we reflect on two questions: has there been a digital turn in geography? and, would it be productive to delimit ‘digital geography’ as a field of study within the discipline, as has recently occurred with the attempt to establish ‘digital anthropology’ and ‘digital sociology’? We argue that while there has been a digital turn across geographical sub-disciplines, the digital is now so pervasive in mediating the production of space and in producing geographic knowledge that it makes little sense to delimit digital geography as a distinct field. Instead, we believe it is more productive to think about how the digital reshapes many geographies

I would say, having only skim-read the paper, that it does sort of perpetuate a disquiet I’ve felt for some time about how a particular ind of discursive regime, with a particular set of power brokers, is being built around the “geographies” prefixed with ‘algorithmic’; ‘data’; ‘digital’… perhaps there are some others… and what that might mean… maybe its just that there are only a few people that actually write stuff about this and they all know each other… anglophone geography is after all quite a small discipline. Maybe I’m a part of that too, with the little I’ve written on the subject. However, its evident in other disciplinary contexts too, such as the way in which particular people seem to be the leading lights in ‘digital sociology‘.

Maybe I’m just performing my own anxiety about career, struggling to write myself and being on probation in an institution with rather lofty expectations, but maybe there’s also something to my observation about the politics of being a researcher of a modish subject. Perhaps people who do stuff on the ‘anthropocene’ and anthropogenic climate change feel similarly, perhaps not… Perhaps I’m also damaging my own ‘career’ by blogging like this. Who knows… I certainly don’t mean it as a slight to the authors of the above paper, or anyone else.

“How I learned to stopped worrying and to love discipline“

Wednesday’s tweeted haikus

Here’s some haikus that I tweeted yesterday that sort of summed up how I was feeling as I commuted down and back to Exeter and went about a day’s work… The earliest tweet/haiku is the furthest down, the last is the one at the top. Make of them what you will.

Alone together,
A sea of screens and headphones,
Syllables take flight.

Stale coffee, tired seats,
Involuntary earwig,
The clocks go back soon.

Prevarication,
Head cloudy as Devon sky,
Term flows like tweets.

(A) subject to change,
Habitual imposter,
Tired of worrying.

Autumn sun, cold air,
At school, Will wore shorts all year,
Students wear thick coats.

Devon morning frost,
Train bisects freshly ploughed fields,
Low sun on full beam.

 

I would like to note, as a good friend (better read than I) argued:

“All masterful authority is an imposition/imposture (Badiou on Rancière); every claim to verification of the Real is imposture (Baudrillard). So, yeah, in our social and scientific lives we are all habitual imposters! Whether or not we accept or admit it is another matter.”

Critical reflection on the ‘sharing economy'(?)

“Sharing is caring“, The Circle – David Eggers.

“the question of work time outside employment is posed with renewed vigour, having been totally ignored by the law reducing the working week to thirty-five hours, just as it ignored the exhaustion  of the consumerists industrial model, a model within which production and consumption constitute a functional opposition, but one that has now become obsolete”, For a New Critique of Political Economy – Bernard Stiegler.

I have had a bunch of tabs open in my browser with they intention of writing something about the ‘sharing economy’ and how one might begin to ask questions of the kinds of words we use to variously describe reconfigurations of labour/work in relation to peer-to-peer, precarious work, casualisation and (perhaps) the slow dissolution of labour movements but (as one can easily guess) I just don’t have the time to make something coherent about this… so here’s some notes, off the top of my head, with some pointers to things that may be worth reading…

In the Grauniad (as it struggles to contend with a Labour party that is significantly to the left of it) there was a piece by Alex Hern arguing that the term the ‘sharing economy’ should “die”. His argument is that what the ‘sharing economy’ supposedly denotes is no kind of sharing but rather the continuation of unequal labour relations between those with wealth and those in need of work – an example is TaskRabbit: a system to hire temporary labour, such as caterers, cleaners or someone to stand in the queue for the latest iPhone (probably without needing to ensure competitive remuneration, because people who are willing to stand in a queue for you are probably in a precarious position).

I have some sympathies with the argument  – it’s a reworking of the ‘precariat’ argument, best expressed by Guy Standing, in which the rejigging of the economy has created a new class of worker that is reliant upon ‘precarious’ (temporary, difficult and unpredictable) forms of work. However, reducing it to worrying over terminology seems to miss a broader point: regardless of what you call it, any attempt at novel economic activity will attract those who seek to be exploitative.

Before going on to think about how to address this state of affairs, it is worth noting that some have tried to think about how/why we are in such a situation. Izabella Kominska (on the FT website) offers a good overview of some of the ways in which economists have thought about post-Fordism ~ the kinds of automation that are (and are not) happening in manufacturing, the movements of labour (offshoring etc.) and why we don’t have the amount of leisure time and levels of productivity promised by greater automation.

Indeed, in order to extract more profit in an economy of apparently ever-increasing abundance many argue that it is only through business/industry clawing back a more exploitative relation with the labour force that they can continue to extract the levels of profit to which we have all become accustomed. We can look to the likes of the Italian post-Fordists, such as Berardi, Lazzarato, Terranova and Virno; to net critics such as Morozov; and to Bernard Stiegler for articulations of these latest forms of proletarianisation [you don’t have to agree, I’m just pointing out this is an argument that contextualises the ‘sharing economy’]. It is in this context of a decline in the amount of work – a decline of ‘careers’ and a growth of ‘jobs’, that Melissa Gregg articulates the need to rethink our words for labour and to critically think about what might underlie the push for a ‘sharing’ economy.

It is in this context that one might formulate a critique of the ‘sharing economy’ –– the talismans of this novel form of economic practice, the likes of Uber, TaskRabbit and Airbnb, all extract value out of people either rendering their traditional working capacities more ‘flexible’ (or precarious) or by those people seeking to monetise other parts of their lives, e.g. where they live, the stuff they own, or their ‘leisure time’.

The proponents of these kinds of work argue that this offers ‘flexibility’ – work when you want, how you want etc. but one might counter this with the argument that as flexible labour you have to be opportunistic and so you are precisely not working when you want but rather when there is a demand for your work.

Likewise, many of the kinds of ‘work’ that are offered through the ‘sharing economy’ platforms necessarily constitute unequal power relations. The two principal actors in the contract of ‘sharing’ work are not equal: the ‘sharing’ systems rely on creating competition, and thus a ‘scarcity’ of work such that the ‘customer’ has choice and the ‘worker’ doesn’t. The third actor, the platforms themselves, are also seeking to extract value out of the ‘sharing’ of labour by acting as the mediator, which means the system itself is always geared to the creation of a margin.

Seen as a precarious form of work, the ‘sharing economy’ has been labelled otherwise as the ‘gig economy’ and there’s been some interesting discussions about what such work means to us in terms of our mental and physical health. For example, these two pieces in the FT:

The silent anxiety of the sharing economy
New ‘gig’ economy spells end to lifetime careers

Both of which have lots of links to follow up.

The other aspect of an emerging critique of the ‘sharing economy’ is precisely the ‘platform‘ nature of the kinds of systems that are seeking both to further and to profit from these apparently new forms of work. As sebastian olma suggests in a piece for the Institute of Network Cultures:

These are digital platforms that roughly do two things: either making the old practice of re- and multi-using durable goods more efficient or expanding market exchange into economically uncharted territory of society.

Olma argues (as do other) that what these platforms do is render available to the market things that have not been previously…

They stand for a digitally enabled expansion of the market economy, which…is the opposite of sharing.

This is what Sascha Lobbo (amongst others – Gary Hall is good on this) has argued constitutes not a ‘sharing economy’ but a ‘platform capitalism’. Rather than marketplaces, platforms are a kind of generic connective infrastructure, what Olma calls an ‘ecosystem’, that connects customers and companies to anything, not just specific goods or services. He argues that

While it is absolutely true that internet marketplaces and digital platforms can reduce transaction costs, the claim that they cut out the middleman is pure fantasy.

the old ‘middlemen’ [sic.] are replaced by more powerful gatekeepers: “monopolies with an unprecedented control over the markets they themselves create”, through the quasi-autonomous systems (what get popularly referred to as ‘algorithms’) that facilitate such things as Uber’s “surge pricing“. In this way every transaction becomes an auction, which is tipped in the favour of the platform, and the worker is rendered always to some extent precarious.

Indeed, the reality of working in such systems is not only possibly very stressful, as argued in the FT piece linked a bit earlier, but also doesn’t even necessarily offer the positive outcomes that the proponents claim. As Sarah Kessler, a Fast Company journalist, noted in her extensive report of her attempt to become one of the ‘sharing economy’ workforce:

For one month, I became the “micro-entrepreneur” touted by companies like TaskRabbit, Postmates, and Airbnb. Instead of the labor revolution I had been promised, all I found was hard work, low pay, and a system that puts workers at a disadvantage.

This critique presents some interesting challenges to those who espouse alternative modes of working and performing economic activities, such as the P2PFoundation, and Stiegler’s push for an ‘economy of contribution‘ through Ars Industrialis. However, the ‘platform capitalism’ of Uber et al. is not the only way to run such a system.

Rather than resort to a gatekeeper model we might alternatively look to the (supposedly) radical transparency of the blockchain – in this way I’m left with some (probably quite muddled) questions:

  • What kind of economy/ economics is performed when the transactional infrastructure is decentralised?
    • Can you actually do without an intermediary (‘middleman’ [sic])?
    • Does a blockchain infrastructure facilitate enough of a commons to make a ‘no transaction cost’ economy possible?
  • Can we reduce ‘sharing’ to an issue of the negotiation of trust (not to be exploited), solvable by the blockchain?

There must be more/better questions but my brain is fried… I hope that this is at least useful for me to return to as a set of loose notes and perhaps even useful for others vaguely interested in such things. Likewise, as usual, if you’re better informed and want to pitch in – please do leave comments 🙂

Reblog> “Sex, annotation and verité totale” Kurenneimi’s Archival Futurism

This new book co-edited by Joasia Krysa and Jussi Parikka looks interesting…

Joasia is a curator and was one of my undergrad tutors in Plymouth on the Digital Art and Technology programme and convened some great events during her time there, not least the excellent Hybrid Discourse. It was events like that which contributed to my interest in postgraduate study…

“Sex, annotation, and verité totale”: Kurenniemi’s Archival Futurism

Screen Shot 2015-09-18 at 8.41.43 AMI am very glad to announce that Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048 is out from the printers, hot off the (MIT) Press! Edited with curator, writer Joasia Krysa, the book focuses on the Finnish media art pioneer Kurenniemi, and is the key international collection on the curious thinker, sound and media artist-tinkerer, who became known for his remarkable synthetizers and archival futurism. Kurenniemi has gathered attention in the electronic music circles for a longer period of time, and with Documenta 13 he become known in the international art world too. His thoughts and work resonate with the work of other early pioneers; Simon Reynolds once called him  a mix of Karlheinz Stockhausen, Buckminster Fuller, and Steve Jobs. In 2002, Mika Taanila directed the film The Future is Not What It Used to Be about Kurenniemi.

The book includes foreword by the eminent media archaeologist Erkki Huhtamo and a range of critical essays on digital culture, archival mania and media arts. Key academic and art writers address Kurenniemi’s work but also more: the condition of the archive and sound arts, sonic fiction and speculative futures of singularity are some of the key themes that run through the book with contributions by many established names in media studies, art and sound technologies. In addition, we included many of Kurenniemi’ own writings over the decades, including some interviews that elaborate his wider computational views of the world, including his thought: by 2040s, the human brain can be completely simulated. His archive plays a key role, like an actor in itself: the archive also featured as a key “object” as part of the earlier Kiasma exhibition and we included some snippets, as well as an extensive visual section.

n-mika-taanila-erkki-kurenniemi-the-dawn-of-dimi-3458-4

Writing and Unwriting (Media) Art History sits as part of the Leonardo-book series, edited by Sean Cubitt. The book was started by Krysa through her curatorial work at the 2012 Documenta 13 exhibition. It is thanks to Joasia that I am part of the project and she deserves major praise for her amazing eye for detail, enthusiasm and energy in driving this project, from a major exhibition to a book, and more.

Here’s a preview of the book’s table of contents and Huhtamo’s Foreword.

For review copy requests, or other questions, inquiries about the book, please get in touch! We are hosting some book events in Montreal, Helsinki, Berlin and London over the coming months but more info on those separately.

Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048, eds Krysa and Parikka

Over the past forty years, Finnish artist and technology pioneer Erkki Kurenniemi (b. 1941) has been a composer of electronic music, experimental filmmaker, computer animator, roboticist, inventor, and futurologist. Kurenniemi is a hybrid–a scientist-humanist-artist. Relatively unknown outside Nordic countries until his 2012 Documenta 13 exhibition, “In 2048,” Kurenniemi may at last be achieving international recognition. This book offers an excavation, a critical mapping, and an elaboration of Kurenniemi’s multiplicities.

The contributors describe Kurenniemi’s enthusiastic, and rather obsessive, recording of everyday life and how this archiving was part of his process; his exploratory artistic practice, with productive failure an inherent part of his method; his relationship to scientific and technological developments in media culture; and his work in electronic and digital music, including his development of automated composition systems and his “video-organ,” DIMI-O. A “Visual Archive,” a section of interviews with the artist, and a selection of his original writings (translated and published for the first time) further document Kurenniemi’s achievements. But the book is not just about one artist in his time; it is about emerging media arts, interfaces, and archival fever in creative practices, read through the lens of Kurenniemi.

music with devices media archaeology kurenniemi AM

Endorsements

“Sex, annotation, and verité totale: Kurenniemi is a missing mixing desk between so many interesting aspects of late-twentieth-century culture. No wonder he ends up offering us a new archival futurism!”
–Matthew Fuller, Professor, Director of the Centre for Cultural Studies, Goldsmiths, University of London

“Providing a long-overdue critical and historical introduction to the amazingly multifaceted work of media pioneer, visionary thinker, and self-archivist Erkki Kurenniemi, this book becomes both a media-archaeological excavation and engaging reflection on the challenges of writing media art history. The range of Kurenniemi’s fascinating practice–including electronic music composition, experimental filmmaking, robotics, and curation–defies traditional classifications, and calls for new historical narratives of media art. Started as a compilation of the long-term research that went into the exhibition of Kurenniemi’s work at Documenta 13 in Kassel, Germany, the volume combines highlights of his own writings and interviews with excellent contributions by scholars, contextualizing his archives, art, music, and vision.”
–Christiane Paul, Associate Professor, School of Media Studies, The New School; Adjunct Curator of New Media Arts, Whitney Museum

“This book is a major contribution not only to the unprecedented scientific and artistic imagination of Erkki Kurenniemi, but also to the whole research on media and ‘real time.’ The text unveils and critically presents the reader with a series of complex technological and artistic systems exploring the man-machine relationship under the assumption both do have consciousness. Kurenniemi’s work provides us with one of the most solid grounds to examine perception, the brain, the will to speculate and travel back and forth between several realms of knowledge. Kurenniemi is bold; this text is bold and a great contribution to new forms of studying risk taking in art and science.”
–Chus Martínez, Head of the Institute of Art, FHNW Academy of Art and Design

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The Human Face of Cryptoeconomies – @furtherfield exhibition

I just wanted to flag this excellent exhibition about to start at Furtherfield (in London). It involves the Museum of Contemporary Commodities alongside a lot of other great work and will very much be worth visiting.

The Human Face of Cryptoeconomies

17 OCTOBER – 22 NOVEMBER 2015

Featuring Émilie Brout and Maxime Marion, Shu Lea Cheang, Sarah T Gold, Jennifer Lyn Morone, Rob Myers, The Museum of Contemporary Commodities (MoCC), the London School of Financial Arts and the Robin Hood Cooperative.

Furtherfield launches its Art Data Money programme with The Human Face of Cryptoeconomies at Furtherfield Gallery in the heart of London’s Finsbury Park.

The Human Face of Cryptoeconomies presents artworks that reveal how we might produce, exchange and value things differently in the age of the blockchain.

Appealing to our curiosity, emotion and irrationality, international artists seize emerging technologies, mass behaviours and p2p concepts to create artworks that reveal ideas for a radically transformed artistic, economic and social future.

Visit the Furtherfield website for more information.

Reblog> New paper: Locative media and data-driven computing experiments @syperng & @robkitchin

A really interesting paper by Sung-Yueh Perng, Rob Kitchin and Leighton Evans, definitely worth a read.

New paper: Locative media and data-driven computing experiments

Sung-Yueh Perng, Rob Kitchin and Leighton Evans have published a new paper entitled ‘Locative media and data-driven computing experiments‘ available as Programmable City Working Paper 16 on SSRN.

Abstract

Over the past two decades urban social life has undergone a rapid and pervasive geocoding, becoming mediated, augmented and anticipated by location-sensitive technologies and services that generate and utilise big, personal, locative data. The production of these data has prompted the development of exploratory data-driven computing experiments that seek to find ways to extract value and insight from them. These projects often start from the data, rather than from a question or theory, and try to imagine and identify their potential utility. In this paper, we explore the desires and mechanics of data-driven computing experiments. We demonstrate how both locative media data and computing experiments are ‘staged’ to create new values and computing techniques, which in turn are used to try and derive possible futures that are ridden with unintended consequences. We argue that using computing experiments to imagine potential urban futures produces effects that often have little to do with creating new urban practices. Instead, these experiments promote big data science and the prospect that data produced for one purpose can be recast for another, and act as alternative mechanisms of envisioning urban futures.

Keywords: Data analytics, computing experiments, locative media, location-based social network (LBSN), staging, urban future, critical data studies

The paper is available for download here.

McKenzie Wark’s Critical Media Theory syllabus on Public Seminar

On the Public Seminar website, McKenzie Wark has written about a new Autumn course he’s teaching at the New School in NYC. He matches up each week’s class with a recent blogpost addressing the book they’ll be reading. Looks like a great exploration of what media is and how we can critically interrogate its/their role in what it is to be human…

Critical Media Theory

This semester (fall 15) I’m teaching Critical Media Theory (GLIB 5600) in the Liberal Studies program at the New School for Social Research. Critical Media Theory looks at a series of key texts that define pathways for thinking about media.

They are critical in the sense of aiming to delineate limits to how existing media function, and in pointing towards an expanded potential for what media could be. We start with some acknowledged classics, although hopefully not all of them will be too familiar. The we look at some recent texts that map out a range of approaches in media studies today.

The notes for the lectures will all be available here on Public Seminar. The students in the class can read the lectures before class, so we can get through the lecture part fairly quickly and on to discussion. I will be modifying and adding to the lecture notes as we go.

For anyone else who wants to follow along, here are the topics and links to the lecture notes for each week.

Read the rest of McKenzie Wark’s syllabus on the Public Seminar website…

Excellent piece on why smartphone ownership is not a measure of poverty

I saw this piece in the New Statesman thanks to retweets on Twitter.

In the article No, having a smartphone doesn’t mean you’re not poor on “The Staggers” column/blog Liza Cucco, manager of Hackney Food Bank, clearly articulates why using smartphone ownership, and even internet access, as a measure of poverty is a red herring:

Successfully navigating 21st century Britain without interconnectivity is near to impossible; I know this, because despite stereotypes, many foodbank clients don’t actually have smartphones or even email addresses. Those who do have smartphones are not ignorant, they are savvy, choosing to allocate very limited resources to the ubiquitous multi-tool of our time, keeping essential streams of communication open. The moment a phone can’t be topped up or a contract must be cancelled is devastating to a person’s opportunity.

…

Regular internet access is essential to register for benefits, apply for most jobs (and respond in timely manner to emails offering interviews), to access course information in your studies, manage your bank account, communicate with your child’s school or make an appointment at your doctor’s surgery. In our immediate society, you are expected to be available at all times. Constant access may seem a necessity to a businessman, but it is just as important, if not more, to a cleaner on a zero-hours contract who must be available for work at the last minute, navigating to anywhere they need to be and keeping on top of online timecards to ensure they are paid for their work.