Over on Backdoor Broadcasting you can revisit a session that was part of the Film Philosophy conference in 2012, with a film piece by McMullen “An Organisation of Dreams”.
Stiegler responds to the film with a talk listed as: About an Organology of Dreams – After An Organisation of Dreams, here’s the blurb:
Beginning with well-known proposition that the cinema serves as the perfect enactment of Plato’s cave, I would like to examine in this paper the question of transcendental cinema, returning to the problems that I raised in Le temps du cinéma, but also reopening the possibility of a transcendental stupidity – or transcendental negativity, to put it otherwise. By turning to Freud and the notion of the dream, I will explore my hypothesis by looking briefly at a work which is itself rather brief, and which suggests an archeology of cinema that begins thirty thousand years ago, in the Chauvet Cave.
Some resonances here with Keynote Stiegler delivered at the same conference, translated by Daniel Ross: The Organology of Dreams and Arche-Cinema. The first footnote of which reads:
This keynote address was delivered on September 12, 2012, at Queen Mary, University of London, for the “Film-Philosophy Conference”, and began with the following opening remarks: “I would like to begin by thanking John Mullarkey for inviting me here, allowing me to continue a discussion with Ken McMullen that began a long time ago, with Ghost Dance (UK 1983), and passed through Jacques Derrida, and which was then pursued in various directions, in particular with An Organization of Dreams (UK 2009). I would also like to point out that Dan Ross, who was kind enough to translate my lecture into English, is also the director, along with David Barison, of The Ister (Australia 2004), another film in which I was fortunate enough to participate at the very moment I was writing Le temps du cinéma. I here thank Ken, Dan and John, and hope that perhaps some day there will be an opportunity for the three of us to have a discussion.”