Machine Learning ‘like alchemy’, not electricity

Holly from the UK TV programme Red Dwarf

In this Neural Information Processing System conference talk (2017), marking receiving the ‘test of time’ award, Ali Rahimi discusses the status of rigour in the field of machine learning. In response to Andrew Ng’s infamous “Artificial Intelligence is like electricity”, Rahimi retorts “machine learning is like alchemy”. I’ve embedded the talk below, it kicks in at the point Rahimi starts this bit of argument. I confess I don’t understand the maths talk it is embedded within but I think this embodies the best of ‘science’/ academia – cut the bullshit, talk about what we don’t know as much as what we do.

The downloaders of Yaoundé

Glitched image of 'Downloaders' in the informal economy of Yaoundé, Cameroon

Via the UCL Why We Post series, I saw this post by Patrick Awondo from the project Anthropology of Smart Phones and Smart Ageing. Really interesting… read the full post here. Some quotes:

Among the material elements that mark the smartphone economy in Yaoundé, there are shops and sales counters that resale low-cost phones, predominantly from Asia. There are also houses and buildings in the same stlye and colours of the operators of local phone companies ; yellow for  South African MTN, Orange for French Orange, red for Korean Nextel, and blue for Cameroonian Camtel. There are also more discreet kiosks. Sometimes these are mobile, but mostly they are  sedentary. They often contain simple tables, where a laptop is installed and speakers are held by a young man between the age of 20-30 . At these kiosks, you find working persons known as ‘downloaders’, whose job it is to assist with people with their digital queries and technical needs for a fee.

Once called ‘engravers’, downloaders are not a new body of tradesmen in Yaoundé. They appeared in the urban landscape with the invention of the compact disk (CD) in the 90s. At that time, young working men here established the act of burning CDs for people (actually a large majority of the urban population), who had no computers to copy music and other films and data via digital media. they They also recorded music onto cassette tapes. The CD gave way to downloading and streaming, and  uses of USB sticks, and eventually smartphones. Downloading has since become a central business in Cameroon in the informal labour economy.

As an informal presence occupying the street, downloaders’s status within the  urban / labour community appears ambivalent, sometimes falling within, and sometimes outside of official protocols. Since the 2000s, public life has become increasingly disciplinary. Assisted by policemen, agents of the municipal brigade carry out daily observations of the streets, and where they deem necessary, do not hesitate to use violence against  young people  occupying parts of urban space and engaging in a variety of commercial activities (Ottou, Forthcoming).

Call for applications >Environmental Impact of Data-Driven Technologies Workshop

Strip mining for rare earth minerals

Via Data & Society.

Call for Applications: Environmental Impact of Data-Driven Technologies Workshop

Deadline for applications: August 16, 2018
Submit your application: http://datasociety.net/EnvironmentTechWorkshop


On November 2, 2018, Data & Society will host a workshop in NYC on the environmental impact of data-driven technologies. The purpose of the Data & Society Workshop series is to enable deep dives with a broad community of interdisciplinary researchers into topics at the core of Data & Society’s concerns.

The structure of the Data & Society Workshop is designed to maximize scholarly thinking about the evolving and societally important issues surrounding data-driven technologies.  Participants will be asked to read three full papers in advance of the event and prepare comments for intensive discussion. Some participants will be asked to be discussants of papers, where they will lead the conversation and engage the room. Authors will not present their work, but rather participate in critical discussion with the assembled group about the paper, with explicit intent of making the work stronger and more interdisciplinary.

Participation in this event is limited. Those who are interested in participating should apply by AUGUST 16.

Environmental Impact of Data-Driven Technologies

By the end of 2018, Bitcoin will consume .05% of the world’s energy per year. This is equivalent to the energy consumption of Denmark. Major tech companies are working hard to make cloud services more energy efficient, but server farms still require tremendous power and water to function. Additionally, other parts of the “stack” (e.g., software development, usage patterns) do not take environmental impact into consideration. Likewise, financiers obsessed with blockchain and 5G are often ignoring the environmental impact of the proliferation of these new technologies. While some IoT chipmakers are competing on energy efficiency, cheap production still dominates that conversation at a moment in which data-oriented tech is being introduced into everything.

[…]

Much work is still needed to understand the environmental cost of technology. The purpose of this workshop is to bring together researchers who are examining these issues from different disciplinary and analytic perspectives. Relevant topics for this workshop might include:

  • What is the environmental cost of blockchain, 5G, AI, and other hyped technologies?
  • How do design concerns at different parts of the “stack” affect the environmental impact of whole systems?
  • What would an environmental audit of artificial intelligence look like?
  • How do/might software engineers or other practitioners integrate climate concerns into their practice?
  • What is the relationship between privacy and energy-sensitive code?
  • How do data centers affect water policies in different countries?
  • How can decentralized engineering practices be made more environmentally responsible?

Read the full Call for Applications.

CFP > Memories of the future, London 2019

the character Doc Brown in the film Back to the Future

Via Temporal Belongings.

Memories of the Future

International conference. Centre for the Study of Cultural Memory, Institute of Modern Languages Research, School of Advanced Study, University of London
Dates: 29-30 March 2019
Confirmed speakers: Stephen Bann (Bristol); Rebecca Coleman (Goldsmiths); Paolo Jedlowski (Calabria); Anna Reading (KCL); Michael Rothberg (UCLA)

Proposals for panels or papers by 31 July 2018 to memories.future@sas.ac.uk.

Call for papers
What does it mean to remember the future? What roles do memory, history, the past play in our consciousness as citizens of the early twenty-first century?

David Lowenthal (2015) reminds us that ‘commands to forget coexist with zeal to commemorate’, which raises the very important yet often overlooked questions of: what to remember and what to forget, who is well positioned to lead on or judge in that process, with whose legacies in mind, and with what consequences for future and past generations. In the 1980s, a significant body of scholarship on cultural memory emerged to protect the past from ‘time’s corrosive energy’, leading to ‘collective future thought’ (J. Assmann, 2011; Szpunar and Szpunar, 2016). Cultural memory acted as a moral imperative, a prerequisite to overcome not merely violent pasts but the violence inherent in linear temporality. As such, cultural memory has been seen as redemptive, enabling a more productive relation between past, present and future.

More recently, ‘thinking forward through the past’ has been central to a number of AHRC-funded projects in the UK examining environmental change, postcolonial disaster, gender and colonialism, heritage futures, ruins and more. Climate change, big data and the crisis of democracy are challenging our future in ways that may suggest a misalignment of temporal scales. One way of responding to this is through what Reinhart Koselleck (2000) called horizons of expectations and spaces of experience, namely, the horizons implicit in our anticipations of the future and the degree to which our experience of these have changed and will change over time. Utopian imaginaries and deploying utopia as a method (Levitas, 2013) invite us to think about hope, empathy, and solidarity, each contributing to create different places from which to imagine a future outside crises, fears and risk.

The past and the future constitute our cultural horizons in ways which are neither neutral nor solely technical, but, as Appadurai (2013) has suggested, ‘shot through with affect and sensation’. One of the key challenges of our time is how to study and create futures we truly care for and which are more social (Adam and Groves 2007; Urry, 2016).

Memories of the Future invites contributions to articulate the future in relation to cultural memory, and interrogate the precise and diverse manners in which the past, the present and the future are intertwined and dialogical, complicating our understanding of temporalities in an age saturated with memory and ‘past futures’.

Suggested themes and areas of inquiry include:

  • The future of memory
  • Temporal multi-directionalities
  • Memories of the future
  • Utopias and dystopias
  • Past, present and future mobilities
  • Smart cities and future/ist metropolises
  • Science-fiction and other subsets of utopia
  • Housing, cohousing and the future of habitation
  • Futurisms, modernisms, afro-futurisms
  • The future in/and the Anthropocene
  • Post-humanism and the non-human
  • Intentions, expectations, anticipations
  • Counterfactuals
  • Trauma, violence and conflict
  • Tangible and intangible heritage

Please submit proposals for panels or papers (max 20 minutes) by 31 July 2018 to memories.future@sas.ac.uk, including a 150-250 words abstract.

Janelle Monáe – Dirty Computer, an emotion picture

Still from Janelle Monáe's Dirty Computer video

I came across Janelle Monáe‘s work a while ago, through Twitter, I was really taken by the video for “Many Moons“, which is beautiful. Metropolis, the album from which it is taken, is a really interesting blend of pop, sci-fi and perhaps afrofuturism, or at least forms of sci-fi that don’t conform to, or queer, standard Western/Global North sci-fi themes/norms. Some have argued Monáe’s videos blends American and African Sci-Fi themes (a teaser trailer for Dirty Computer was shown before cinematic performances of Black Panther) in a sort of queer aesthetic (that’s my reading of what longer pieces say anyway) and I think I can see it in several videos, though my knowledge of other work that might complement or contrast this is very limited.

In the “emotion picture” (what a beautifully evocative term) for the album Dirty Computer we’re presented with a rich and confident, feature length, work of art. I’m not currently able to dedicate the time to offer a lengthier visual analysis, I’m simply going to post the video, below. All I can say, really, is: wow.

Practising speculation and tech futures

Glitched AT&T 1990s advert

I’ve had a sort of moment of realisation this morning that a bunch of tabs I’ve had open, saved, reopened (etc etc) for the past few months are all more-or-less about doing speculative work around A.I., automation and suchlike.

This is interesting for me cos I wrote a PhD (and I am by no means the only one) about rationales for and forms of speculative practice in computing R&D (my fieldwork for this was, soberingly, now approximately ten years ago). It’s also interesting cos I have, in the last eight or so years, pitched for funding to do this sort of work and miserably failed three times.

I think what interests me most is the ways in which story telling is more-or-less the method. I’m not sure how good we are at this, as academics. There’s some good work that analyses speculative things, such as architects visualisations, but I’m not sure I’ve seen much work doing speculation that is not design-oriented. I am not seeking to criticise speculative design practices, I really admire that work, I just wonder if there is a way of de-centring the ‘design’ bit to engage in broader forms of ‘speculation’. I’m also not sure how one can tread the line between evoking particular kinds of scenario/ story (or dare I say imaginative geography) and affirming them. Likewise, I don’t think it is sufficient to simply refer to Black Mirror – it’s fun but it’s not the only way of doing speculation about technology (as afrofuturism demonstrates). I don’t think we want to merely replicate the sorts of ‘visioning’ practices of the likes of Microsoft, Samsung or Beko, not because they’re not interesting but because I’d like to think academics doing this kind of thing want to critically reflect on, not simply propose (or impose!), possibilities.  Playful examples that I think are successful include Superflux’s excellent “Uninvited Guests” – though again, this is perhaps more design-oriented: it’s more about the function in relation to the individual rather than the kinds of world that are necessary for those functions to work.

I do not claim any special insight here – I’m curious about speculative methods – they seem to have some analytical/ explanatory/ critical power but also that also seems to be rather hard to negotiate. In practice, I think you may have to be in the right context, and I’m not convinced academic geography is (without quite a bit of work, given particular kinds of disciplinary assumptions and proclivities – happy to be proven wrong!), and you may have to work with non-academic partners in a way I am not skilled in doing. Good examples, I think, are work like Anne’s Counting Sheep project, which is a canonical example of interesting and provocative speculative design. As I’ve said – I’m not so sure about where non-design-oriented work sits and how this is, or can be, done well. I’m interested in some of the attempts anyway, and here’s some examples, listed below.

UPDATE: Sam Hind shared this piece from Warwick concerning issue mapping techniques that allowed for speculative reflection on driverless cars:

Surfacing Social Aspects of Driverless Cars with Creative Methods, Noortje Marres, Rebecca Cain, Ana Gross, Lucy Kimbell and Arun Ulahannan – “The Warwick workshop explored the potential of creative social research methods – such as design research and debate mapping – to surface still hidden social dynamics around the operation of intelligent technologies in everyday environments, and to complement more established approaches to societal testing of these technologies.”

This made me also think of the speculative policy making practices that arose from “Open Policy” work at the British Cabinet Office’s PolicyLab, which I think involved folks from Strange Telemetry and Superflux.


Crafting stories of technology and progress: five  considerations, Cian O’Donavan & Johan Schot – From Technology Stories the website of the Society for the History of Technology comes this brief post that refers to the longer report from the International Panel on Social Progress concerning the fairly classic Science and Technology Studies issue of how to tell stories about “progress” without necessarily resorting to (unreflexive) forms of determinism. There are four ‘stories’ by several researchers linked from this article that address a number of issues:

Economic Science Fictions, edited by William Davies – I’m not really sure why the “science” is in the title but there we go… From the blurb: “Rooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures.”

Designing the future, Justin Reynolds – reviews the above book on the New Socialist site, with some interesting commentary.

Future Perfect conference/event, coordinated by Data & Society – characterised as “speculative fiction in the public interest” this event was first run in 2017 as an invitation-only thing but had an open call in 2018. From the 2018 event blurb: “Future Perfect is an annual workshop and conference dedicated to different approaches to understanding, living in, and challenging dominant narratives of speculative fiction in a time where powerful actors in technology and politics treat the future like a foregone conclusion.”

Robot Futures, Illah Reza Nourbakhsh – “Future robots will have superhuman abilities in both the physical and digital realms. They will be embedded in our physical spaces, with the ability to go where we cannot, and will have minds of their own, thanks to artificial intelligence. In Robot Futures, the roboticist Illah Reza Nourbakhsh considers how we will share our world with these creatures, and how our society could change as it incorporates a race of stronger, smarter beings.”

Reblog> Internet Addiction watch “Are We All Addicts Now? Video

Twitter

Via Tony Sampson. Looks interesting >

This topic has been getting a lot of TV/Press coverage here in the UK.Here’s a video of a symposium discussing artistic resistance, critical theory strategies to ‘internet addiction’ and the book Are We All Addicts Now? Convened at Central St Martins, London on 7th Nov 2017. Introduced by Ruth Catlow with talks by Katriona Beales, Feral Practice, Emily Rosamond and myself…

@KatrionaBeales @FeralPractice @TonyDSpamson @EmilyRosamond & @furtherfield