Author Interview—“Experimenting with Error: A Conversation with Dan Charnas”

Katherine McKittrick, Canada Research Chair in Black Studies, Queen’s University This conversation took place on March 28th at the 2025 AAG annual …

Author Interview—“Experimenting with Error: A Conversation with Dan Charnas”

Absolutely worth reading. Dilla Time is a fantastic and important book and Charnas’ previous work on the histories of hip hop is great. McKittrick does wonderful, evocative work outlining the importance of Dilla Time and why geography is integral to the narrative:

There are many geographies underpinning Dilla Time: basements, homes, studios, hospitals, churches, daycares, or airports, Canada, Europe, USA, gentrification, Philadelphia, Los Angeles, and of course Detroit. There are also street names and even musician names—like Slum Village. The book begins with maps of Detroit, land ordinances, grids, spokes, 8 Mile, and more. Later in the book you write of the mourning of Dilla’s friend and colleague, Shoes, how his grief was tied to the city; Shoes describes his work as an ambassador of the city of Detroit, and his commitment to Dilla is animated by his creative labor, which, as I read it, is a labor for the city. It is creative labor in service Detroit. And perhaps Shoes is asking us to acknowledge the labor of Dilla’s Detroit. 

Read the interview!

Sing the body electric… robots in music videos

Still from the video for All is Love by Bjork

I recently saw the Chemical Brothers new-ish video for the song “Free Yourself”, featuring androids/robots apparently going feral and raving in a warehouse and it made me consciously think about something I’ve known for some time – there are quite a few music videos with ‘robots’ in them. 

So, here’s a very partial collection:

Algorave?

Algorave live coders

It occurs to me that my reference to Algorave in the last blogpost might not be something people know about… so:

Algorave is made from “sounds wholly or predominantly characterised by the emission of a succession of repetitive conditionals“. These days just about all electronic music is made using software, but with artificial barriers between the people creating the software algorithms and the people making the music.

Here’s the inimitable Alex McLean explaining more: