Arts and techniques for living – Paul Rabinow experiments

I stumbled across a website for the project Bios Technika, led by Paul Rabinow, a few days ago and have dipped in and out between doing other things. Its not the easiest site to navigate but there are some interesting questions posed and conceptual paths followed. In particular the project concerns ‘synthetic biology’, which appears to be a cause for concern for Rabinow. It resonates with some of the work being conducted at Exeter in our NAMBIO research group, within Geography, and more broadly in the Science Technology and Culture cross-university theme. The project itself is described thus:

Our experiment concerns the relations among and between knowledge, thought, and care, as well as the different forms and venues within which these relations might be brought together and assembled. Our commitment is anthropological, a combination of disciplined conceptual work and empirical inquiry. Our challenge is to produce knowledge in such as way that the work involved enhances us ethically, politically and ontologically. The curve of Western philosophy has been to place more and more emphasis on deciding whether or not something is true while practices of spirituality have been delegated to religion. The challenge of contemporary anthropology is to invent and experiment with new forms of relating truth and spirituality. Said more generally: What are the reflected modes and forms for conducting life: the bios technika–the arts and techniques of living? In short: what is a worthwhile philosophic and anthropological practice today?

There are several sections to the site, which include: ‘concepts‘, ‘diagnostics‘, ‘pathways‘ and ‘cases‘. Each of these is described from the ‘about’ page as different aspects of a mode of ‘inquiry’, which is broadly genealogical. The definition given is quite resonant of Stengers’ articulation of  cosmopolitical ‘mapping into knowledge’:

Inquiry is… experimental in its form giving. Inquiry does not represent a pre-existing situation, nor construct an entirely new one. It consists in reiterated and controlled adjustment.

It is a rich mix of conceptual and pathway-oriented genealogical engagements with various themes around the production of knowledge, particularly concerned with synthetic biology. There are various ways of getting at the ‘experiments’ through the different sections and you sort of have to poke your way around. I would encourage people interested in Rabinow’s Foucault-inspired work; in biopolitics and in STS-type investigations of contemporary biosciences to root around for themselves.

Also: the subheading, at the foot of the page, is ‘discipline and flourish’. Nice pun.

Annemarie Mol – cultivating bodies [video of talk]

Professor Annemarie Mol gave one of the keynotes at this year’s Emotional Geographies conference entitled: ‘Feeling, wording, eating. On cultivating bodies’. I did not attend the conference so it is great to see a video made available, and so swiftly:

The talk offers an expansive understanding of embodied subjectivity, with the extension of the senses that are cultivated and extended through the various material, economic, medical practices. A complex entanglement of spatial configurations thus constitutes the embodied subject Mol offers. Her challenge to the audience is how one might formulate methods not only for studying but also engaging in ‘cultivation’.

I came to this video thanks to Rebecca Sandover.

Tom Roberts on Parisi’s Contagious Architecture

Luciana Parisi’s Contagious Architecture: Computation, aesthetics and space is a book that I have been meaning to read for a little while. Tom Roberts has offered an informative and insightful commentary on Contagious Architecture over on his blog  Machinic Matter, which confirms my interest in what seems like a fairly substantial work.

Tom identifies Parisi’s principal concern as identifying a non-anthropocentric understanding of thought, with a particular engagement with the work of Alfred North Whitehead. Quite Deleuzian then. He suggests that

The key question for Parisi is thus: can we conceptualize thinking “without having to prove that thought is an expression of the functional neurophysiological evolutions of the brain-mind?” (2013, page 235).

For Tom, the book poses some important questions for the debates around ‘new materialisms’. In conclusion, he suggests that, in particular, Parisi’s use of Whitehead asks:

how to affirm a reality of thought that, whilst being material, is not ‘explained away’ by material processes? As Parisi puts it, Whitehead’s non-anthropocentric understanding of mentality “is not intended to liberate thought from matter, but rather to suggest that there are material modes of thought that cannot be subsumed under the totality of neuroarchitecture” (2013, page 219).

Parisi’s book offers a rather different version of contagion, perhaps, from another prominent engagement with the theme, namely Tony Sampson’s recent study of contemporary digital culture through Tarde and Deleuze in Virality: Contagion theory in the age of the internet. It will be interesting to contrast these two projects.

“Save the technical object” – Gilbert Simondon interview, 1983

Andrew Iliadis has translated what seems like a really interesting interview with Simondon from 1983, originally in the magazine Esprit. Simondon covers creativity, novelty, alienation (in technics as the originary relation of the human-technical) and invention. There are, as one might expect, obvious resonances with Stiegler’s work, e.g.:

“Technics are never completely and forever in the past. They contain a power that is schematic, inalienable, and that deserves to be conserved and preserved.”

I recommend reading it.

Gilbert Simondon biography

Jussi Parikka has highlighted the translation of a biography of the philosopher Gilbert Simondon [the original was written by Nathalie Simondon], who was a key influence, of course, on the work of Bernard Stiegler and also Gilles Deleuze. In his post, Parikka highlights the hands-on nature of Simondon’s practice – the fact that he built a television in the basement of his school – and the resonances with Friedrich Kittler’s building of a synthesiser. This is also a link, as Phillipe Petit highlights in his introduction to the book of interviews Économie de l’hypermatériel et psychopouvoir, with Bernard Stiegler, whose father worked for Radiodiffusion-Télévision Française, the French national broadcaster between 1939-64, and built their first TV. Parikka picks out the neologism of ‘thinkerer’ (commingling ‘tinkerer’ and ‘thinker’) coined by Erkki Huhtamo to describe Simondon, a term that might also be applied to Stiegler for his various means of practising philosophy.

The biography demonstrates what an extraordinary, and, sadly, relatively short, career Simondon had, including a fairly meteoric rise from teaching at a lycée in Tours (1953-55) to being appointed Chair of Psychology B at the Sorbonne (1965). Simondon worked with Barchelard and Hyppolite, as a postgraduate, and his thesis was examined by Jean Hyppolite, Raymond Aron, Georges Canguilhem, Paul Ricoeur and Paul Fraisse. Quite something!

The biography also includes very interesting quotes from letters to Bachelard and Hyppolite as well as fantastic summaries of Simondon’s key works. The experimental spirit of Simondon’s work is strongly evoked throughout, with a clear commitment to a collaborative methodology (across and between science and philosophy):

[He] chose a path of reflection where philosophy might inform science. Such collaboration between science and philosophy, he wrote in 1954 to his future supervisor [Hyppolite], must be carried out not in the results, which would be “an invasion of thought by unworthy followers, as shown in scientistic time,” but in the method: “At the level of method, science is never a feudal lord ruling over a vassal philosophy; rather, it is a relation between the spontaneous and the reflective. The spontaneous governs the reflective, as in scientism, only when the reflective activity is not contemporaneous with the spontaneous activity.”

The biography makes for essential reading for those interested not only in the philosophy of technology and technics, but also for those with a broader interest in the history of ideas, in particular related to the development of what we call continental philosophy.

Review of ‘Code/space’ by Kitchin & Dodge

I submitted a review of Rob Kitchin and Martin Dodge’s Code/space, in slightly revised form, for a review symposium in the relatively new journal ‘Dialogues in Human Geography‘. I thought I’d share an earlier version here, just to give a flavour of some of the things I’ve been thinking about…

Kitchin, Rob and Dodge, Martin 2011 Code/Space: Software and everyday life, Cambridge, MA, MIT Press

Rob Kitchin and Martin Dodge’s Code/space has been rightly celebrated in a number of reviews (Adey 2013; Wilson 2012; Zook 2012) and with the Association of American Geographers’ Meridian Award for outstanding scholarly work in Geography in 2011. Code/space offers a future-oriented glossary for the understanding and description of the increasingly technical, ongoing reconfiguration of everyday life.

Building from a longstanding and prolific writing partnership (see the Code/space bibliography), in the book Kitchin and Dodge offer a really useful engagement with code and software via geographical sensibilities. They describe a range of examples of the ways in which software is integral within and modulates the spacings and places of (largely Western capitalist) everyday life.

Code/space offers a rigorously argued framework of concepts for understanding software in everyday life. Furthermore, the book hones this framework through case studies concerning air travel, the home and consumption. In the final, impassioned, and more speculative, section of the book, the authors engage their theoretical framework with the speculative ruminations of urbanist Adam Greenfield concerning ‘everyware‘, the proposition of ubiquitous computation embedded into the fabric of the everyday urban environment. To conclude, Kitchin and Dodge offer a manifesto for the emerging discourse and disciplinary context of ‘software studies’ that insists on an ontogenetic understanding of the capacities of code.

Code/space is valuable for two reasons. First, it elaborates a useful and very clear conceptual framework, drawing on contemporary philosophies of technology. Second, and importantly, it brings into conversation a range of important work concerning digital technology that has previously been somewhat distant: geographers concerned with the ‘automatic production of space’ (like Stephen Graham, Nigel Thrift, Matt Wilson and Matt Zook); computer scientists studying human-computer interaction (such as Paul Dourish) and humanities scholars critically reflecting on computation and software (like David Berry, Matt Fuller and Lev Manovich).

Software code, in the terms of Code/space, is perhaps the best example of the human ability not only to produce other entities and forms of spatial experience but more significantly to create things that in themselves produce space–that are ontogenetic. The agency of software must be understood, following the book, as its quasi-generative properties, accomplished through code, which Kitchin and Dodge call ‘secondary agency’, following Adrian Mackenzie (in his book Cutting Code).

Code, in Kitchin and Dodge’s terms, is both a process and a product, both a means of systematically calculating the world and an operational grammar for action, or ‘worlding’, as Nigel Thrift has suggested. To account for this capacity Code/space offers a taxonomy of coded entities: coded objects, coded infrastructures, coded processes and coded assemblages.

Kitchin and Dodge thereby describe the distinction between ‘coded spaces’ and ‘code/space’. Whereas there are many examples of software and code augmenting the production of space, which the authors call ‘coded spaces’, there are increasing examples of the modulation of and making anew of spatial experience through code, which are ‘code/spaces’.

Building from space conceptualised as ‘constantly brought into being as an incomplete solution to an ongoing relational problem’, Kitchin and Dodge offer an account of forms of space that are co-constituted with software, because code ‘modulates the conditions through which space is beckoned into being’. It is this reiterative and transformative modulation that forms one of the central theoretical tenets of Code/space – conceptualised as ‘transduction’.

The conceptualisation of ‘code/space’ and the account of ‘transduction’ are the foremost of a number of significant contributions that Kitchin and Dodge make in this book. Indeed, the former is arguably a particular empirical category of the latter. Code/space is accordingly something of a watershed moment, for geography, in the operationalisation of the work of the philosopher Gilbert Simondon. He was a significant influence on the work of Gilles Deleuze, Bruno Latour, Brian Massumi and Bernard Stiegler, amongst others.

Simondon was a philosopher of technology, or more accurately of the human-technology relation in terms of ‘technogenesis’. The theory of technogenesis is that humans and technology co-evolved together, that you do not get one without the other. It is this form of human-technology relation that is being described when we consider the processes of transduction described by Kitchin and Dodge, themselves drawing the concept from Adrian Mackenzie who translates it from Simondon. Transduction, in Simondon’s terms, decentres the human, it is

a procedure of the mind as it discovers”¦ [that] consists in following being in its genesis, in carrying out the genesis of thought at the same time as the genesis of the object is carried out (Simondon, translated in Combes 2013).

In offering a kind of ‘Simondonian’ analysis of software and everyday life, Code/space strikes directly at the heart of the question of what it means to be human in an age of a perceived increase in technological agency. The account of the human here is not one of miraculous separation from nature, or from technology. It is a case of imbrication and becoming with a wealth of other entities. This is not a deterministic relation, for the authors, precisely because: ‘The nature and transduction of code/space is then never fixed, shifting with place, time and context (social, political and economic relations and situations). Code/spaces are relational, emergent, and peopled’.

As Kitchin and Dodge suggest in the fourth chapter, in the formation of code/spaces and the en-coding of parts of everyday life, we are negotiating the ongoing reformulation of what it is to be human. Indeed, this resonates with the account of technogenesis that is firmly established in other disciplinary contexts (for example in the work of philosopher Mark Hansen, literary theorist Katherine Hayles, sociologist Adrian Mackenzie and philosopher Bernard Stiegler).

While the major theoretical contribution of the book is the work synthesising accounts of transduction, a substantial portion of the book is given over to case studies of how code/spaces emerge in everyday life. Chapters seven to nine provide three case studies of air travel, the home and consumption. Those familiar with the prolific output of this writing partnership will recognise some of the content of these chapters, although the detail has been updated. Equally, the analysis has been translated into the new lexicon put forward by the book. This works to the extent that the project here is clearly to advance a form of ‘software studies’, though it could prove bewildering to some (there is a helpful glossary at the back).

The empirically based analyses draw out something like a dialectic of software, with its potential to both empower and control, which the authors carefully unpick in the mode of the later Foucault. Genealogies of the various assemblages of actors and discursive regimes in which code/spaces consist are critically discussed to demonstrate how and where labour, power and values are variously located.

In the penultimate chapter the analysis takes a distinctly speculative direction. The authors consider future code/space in the guise of the ‘everyware’ (following Adam Greenfield) of ubiquitous computing, a long-held aim for computation embedded into the fabric of everyday life (following Mark Weiser). Kitchin and Dodge entertain a significant range of speculations about a world of ‘everyware’, from enthusiasm for a prospective empowerment of citizens, to opposition of an increased ‘securitisation’ through ‘sousveillance’.

However, despite a well argued and impartial discussion of these themes there remains a tacit acceptance of these visions of ‘everyware’ without much critical reflection upon the source and reasoning behind the speculation. The ‘powerful discursive regime’ that the authors argue supports the embedding of software into everyday life and the implementation of ‘everyware’ should also be recognised to include speculative discourse (see some of my research). Thus there remains cause for further critical reflection upon such governmentalised representations of the uses of computation.

Code/space offers a wealth of examples of the transformations of everyday life through the transductive capacities of software and code. It is not only a snapshot of contemporary technogenesis with and through computation, and a critical response to such observations. It is also a rallying cry for further critical research in the shape of the concluding manifesto for software studies. Many geographers may ignore or skim the concluding manifesto, focusing instead on the case studies of chapters seven to nine. However, in many ways it is in the concluding chapter that we find Kitchin and Dodge’s challenge to geography.

The ‘digital’ is the latest significant step in the processes of the discretisation of knowledge and memory external to the body, as Bernard Stiegler forcefully shows, and code is precisely its ontogenetic vanguard. Following Stiegler, to study code and software, is to study the latest stage in the spatialisation of time-based forms. To transform the temporal flow of speech and gesture into discrete forms, such as text and mechanical movements, makes them spatial objects: they are constituted in various material forms (from sheets of paper to silicon chips). The transductive power of code can accordingly be understood as the latest phase in the process of what Stiegler, following the linguist Sylvan Auroux, calls ‘grammatisation‘, which describes:

all technical processes that enable behavioural fluxes or flows to be made discrete”¦ and to be reproduced, those behavioural flows through which are expressed or imprinted the experiences of human beings (speaking, working, perceiving, interacting and so on). If grammatisation is understood in this way, then the digital is the most recent stage of grammatisation, a stage in which all behavioural models can now be grammatised and integrated through a planetary-wide industry of the production, collection, exploitation and distribution of digital traces [see Stiegler’s broader work].

Software code is thus the ‘grammar’ of an increasing range of objects and activities of everyday life. Read through Stiegler Code/space echoes his formidable challenge for conducting ‘digital studies‘. Kitchin and Dodge invite us to study (and offer the analytical tools to do so) the ongoing, and increasingly automated, spatialisation of knowledge and the forms of space they reciprocally produce.

Andrew Barry’s new book: Material Politics

Stuart Elden has highlighted on his blog that a new book by Andrew Barry entitled ‘Material politics: disputes along the pipeline‘ is forthcoming in the RGS-IBG book series, its currently set for release in September.

Andrew Barry is a thoughtful commentator on the politics intimately concerned with technology and, one might say, technics. His book ‘Political Machines’ was of significant help to me during my PhD work for thinking through how we can conceptualise the sorts of politics that emerge within institutions or networks focused on ‘innovation’ in technology.

Perhaps more importantly, Barry is also one of a still-limited number of social scientists engaging with the work of the philosopher Isabelle Stengers. In fact, his talk at the recent ‘Politics and Matter‘ event held by the University of Bristol’s geography department offered an excellent and rigorous exegesis of Stengers’ project of ‘cosmopolitics’, which, as he suggested, is not easy.

This new book clearly draws upon some of the thinking that Barry has been engaged in around these themes, as the blurb on the book’s web page demonstrates:

In Material Politics, author Andrew Barry reveals that as we are beginning to attend to the importance of materials in political life, materials has become increasingly bound up with the production of information about their performance, origins, and impact.
* Presents an original theoretical approach to political geography by revealing the paradoxical relationship between materials and politics
* Explores how political disputes have come to revolve not around objects in isolation, but objects that are entangled in ever growing quantities of information about their performance, origins, and impact
* Studies the example of the Baku-Tbilisi-Ceyhan oil pipeline – a fascinating experiment in transparency and corporate social responsibility – and its wide-spread negative political impact
* Capitalizes on the growing interdisciplinary interest, especially within geography and social theory, about the critical role of material artifacts in political life