About an Organology of Dreams – After An Organisation of Dreams, Bernard Stiegler & Ken McMullen

Bernard Stiegler being interviewed

Over on Backdoor Broadcasting you can revisit a session that was part of the Film Philosophy conference in 2012, with a film piece by McMullen “An Organisation of Dreams”.

Stiegler responds to the film with a talk listed as: About an Organology of Dreams – After An Organisation of Dreams, here’s the blurb:

Beginning with well-known proposition that the cinema serves as the perfect enactment of Plato’s cave, I would like to examine in this paper the question of transcendental cinema, returning to the problems that I raised in Le temps du cinéma, but also reopening the possibility of a transcendental stupidity – or transcendental negativity, to put it otherwise.  By turning to Freud and the notion of the dream, I will explore my hypothesis by looking briefly at a work which is itself rather brief, and which suggests an archeology of cinema that begins thirty thousand years ago, in the Chauvet Cave.

Some resonances here with Keynote Stiegler delivered at the same conference, translated by Daniel Ross: The Organology of Dreams and Arche-Cinema. The first footnote of which reads:

This keynote address was delivered on September 12, 2012, at Queen Mary, University of London, for the “Film-Philosophy Conference”, and began with the following opening remarks: “I would like to begin by thanking John Mullarkey for inviting me here, allowing me to continue a discussion with Ken McMullen that began a long time ago, with Ghost Dance (UK 1983), and passed through Jacques Derrida, and which was then pursued in various directions, in particular with An Organization of Dreams (UK 2009). I would also like to point out that Dan Ross, who was kind enough to translate my lecture into English, is also the director, along with David Barison, of The Ister (Australia 2004), another film in which I was fortunate enough to participate at the very moment I was writing Le temps du cinéma. I here thank Ken, Dan and John, and hope that perhaps some day there will be an opportunity for the three of us to have a discussion.”

Theme issue: Sharing Economies? Theories, practices and impacts

Deliveroo cyclists

Interesting theme issue from July in the Cambridge Journal of Regions, Economy & Society” entitled “Sharing Economies? Theories, practices and impacts”.

See the full Table of Contents.

Here’s a snippet from the editorial statement about the issue:

The ten articles that comprise this issue collectively open up significant elements of sharing economies to greater academic reflection and critique. Substantively, they draw on a range of theories, territories and mechanisms to explore sharing economies from across different disciplinary perspectives. Davies, Donald, Gray and Hayes-Knox argue that five key issues emerge: (i) The etymology of sharing and sharing economies; (ii) The differentiated geographies to which sharing economies contribute; (iii) What it means to labour, work and be employed in sharing economies; (iv) The role of the state and others in governing, regulating and shaping the organisation and practice of sharing economies; and (v) the impacts of sharing economies.

Reblog> CFP: Alternative urbanisms

My colleagues Clive Barnett and Jon Cinnamon have a great CFP out, take a look:

Alternative Urbanisms: Call for papers

Do please circulate the Call for Papers below for a session at the Annual Meeting of the AAG next April, in New Orlean, on the theme of Alternative Urbanisms to anyone who might be interested:

Call for Papers

Annual Meeting of the Association of American Geographers,

New Orleans, 10th-14th April, 2018.

ALTERNATIVE URBANISMS

Organizers: Clive Barnett and Jon Cinnamon (University of Exeter)

Cities are increasingly characterized as important sites of political, economic, cultural and environmental transformation, yet the proliferating attention to ‘the urban’ from policymakers threatens a narrowing of the boundaries of urban imaginaries around certain favored models. This session thus seeks to bring together papers that address one or more aspects of a growing contemporary concern with developing ‘alternative urbanisms’ in theory, policy and practice (e.g. Derickson 2015, Buckley and Strauss 2016, Parnell and Robinson 2012). We conceive of ‘alternative urbanisms’ along three dimensions. Firstly, alternative urbanisms might describe a focus on counter-hegemonic forms of urban living and practice that are alternative in relation to mainstream models and trends. Secondly, it can refer to a focus on how urban spaces are configured as experimental fields for the development of new practices in response to imperatives to restructure and reconfigure economic, social and technological infrastructures. Thirdly, alternative urbanisms might refer to a concern to broaden the scope of intellectual reference points through which urban practices can be conceptualised and investigated methodologically. Across these dimensions, it is agreed that more effort is needed to extend the canon of contemporary urban studies, urban and regional science, planning, and human geography to include insights from the humanities, natural sciences, or engineering, and also to draw on empirical and theoretical resources from beyond the Global North.

We welcome theoretical and empirical papers that push up against the boundaries of urban thought, policy and practice – papers that aim to critique the urban mainstream as well identify new possibilities for understanding and acting on urban challenges. The following is a sample of questions germane to this session, although we welcome papers on all topics that fit the broad scope.

â–ª What marginalized or emerging theoretical and methodological traditions demand the attention of urban scholars?

â–ª Why do ‘mainstream’ urban ideas and policies not take root in certain jurisdictions? What localisms prevent the successful uptake of mainstream, globally circulating urbanisms?

â–ª What epistemological or political work can alternative urbanisms do?

â–ª What are the temporalities and spatialities of alternative urban thought and practice, and how is this reflected in or distinct from local and global political, economic or cultural hegemonies?

Please send an abstract of no more than 250 words by 13th October to: Clive Barnett (c.barnett@exeter.ac.uk) and Jon Cinnamon (j.cinnamon@exeter.ac.uk).

References

Barnett, C. and Bridge, G. (2016) The situations of urban inquiry: thinking problematically about the city. International Journal of Urban and Regional Research 40, 1186-1204.

Buckley, M. & Strauss, K. (2016) With, against and beyond Lefebvre: Planetary urbanization and epistemic plurality. Environment and Planning D: Society and Space, 34, 617-636.

Derickson, K. D. (2015) Urban geography I: Locating urban theory in the ‘urban age’. Progress in Human Geography, 39, 647-657.

Parnell, S. & Robinson, J. (2012) (Re)theorizing Cities from the Global South: Looking Beyond Neoliberalism. Urban Geography, 33, 593-617.

Talking with Mikayla

Talking with Mikayla, the Museum of Contemporary Commodities GuideImage credit: Mike Duggan.

At the RGS-IBG Annual International Conference 2017, co-originator of the Museum of Contemporary Commodities (MoCC) Paula Crutchlow and I staged a conversation with Mikayla the MoCC guide, a hacked ‘My Cayla Doll’. This was part of two sessions that capped off the presence of MoCC at the RGS-IBG and was performed alongside a range of other provocations on the theme(s) of ‘data-place-trade-value’. The doll was only mildly disobedient and it was fun to be able to show the subversion of an object of commercial surveillance in a playful way. Below is the visuals that displayed during the conversation, with additional sound…

For more, please do go and read Paula’s excellent blogpost about Mikayla on the MoCC website.

A Future for Intersectional Black Feminist Technology Studies – @safiyanoble

United Nations "women shouldn't..." advert concerning equality

This article is well worth a read, I’ve copied a bit below – but go over to the S&F website to read the whole thing. Safiya Noble has a new book coming out: Algorithms of Oppression – looks good.

A Future for Intersectional Black Feminist Technology Studies

by Safiya Umoja Noble

The most general statement of our politics at the present time would be that we are actively committed to struggling against racial, sexual, heterosexual, and class oppression and see as our particular task the development of integrated analysis and practice based on the fact that the major systems of oppression are interlocking.
–Combahee River Collective, 1986[1]

When we are able to end hyper-criminalization and sexualization of Black people and end the poverty, control, and surveillance of Black people, every single person in this world has a better shot at getting and staying free. When Black people get free, everybody gets free. This is why we call on Black people and our allies to take up the call that Black lives matter. We’re not saying Black lives are more important than other lives, or that other lives are not criminalized and oppressed in various ways. We remain in active solidarity with all oppressed people who are fighting for their liberation and we know that our destinies are intertwined.
–Alicia Garza, Patrisse Cullors, and Opal Tometi, 2014[2]

Introduction

Neoliberal narratives of digital technologies and the internet have flourished in information and internet studies and suggest that the web is a panacea of social liberation and empowerment. These ideas have been refuted with much evidence by critical theorists in the field, yet work remains to be done in shifting the complex, global patterns of capital that build the material infrastructures of the information and communications revolution at the expense of Black life diasporically.

Meanwhile, in other academic and political arenas, the struggle to recognize multiple, interlocking systems of oppression has been ongoing for roughly 40 years. Brittney Cooper has already offered a detailed analysis of intersectional theory,[3] tracing the emergence of the term “intersectionality”[4] and its problematics and possibilities. Yet the term remains highly pertinent to the field of information and communication studies, which has not sufficiently responded to nor benefitted from intersectional lenses such as Black queer feminist intervention. Indeed, systems of interlocking oppression have rarely been a framework of analysis in the field of internet studies, overlooked in favor of dominant and frequently technologically deterministic perspectives that ignore interlocking, structural, and globalized sites of oppression.

What is potent about Black feminism is its focus on the liberation of Black women globally, intentionally linking Black women in the West with Black women in the Third World, and making interdependent experiences shaped by race, gender, patriarchy, capitalism, and imperialism a driving imperative for liberation movements to end oppression. This through line–from the pan-Africanist movement of the early twentieth century, to the Combahee River Collective–powerfully resurfaced in the 2014 statement by the three Black and queer women who founded the #BlackLivesMatter movement. It is this lens that I wish to invoke in theorizing whether a liberatory, intersectional internet is even plausible, when contextualized in a Black feminist tradition.

In doing so, I explore the ways that the internet and its infrastructure are central to the myriad oppressive conditions facing Black life in the US and in the African diaspora. The goal of theorizing a liberatory, intersectional internet is to heighten awareness of how the global communications infrastructure is not just a site of communications affordance, nor is it made equally and equitably available to all people. On the contrary, it is implicated in a number of environmental and oppressive conditions for Black life. By making these connections more visible, my hope is to shift discourses away from simple arguments about the liberatory possibilities of the internet toward more critical engagements with how the internet is a site of power and control over Black life–a perspective relevant to scholars working in Black Studies, gender studies, and information studies.

Intersectionality was developed by many feminist, antiracist scholars and activists of color as a framework for deepening an analysis of power and oppression across multiple axes.[5] Intersectionality, however, has been woefully under-engaged as a way of thinking about the political economy of the internet and has, in fact, been separated from its Black feminist roots. To echo the critiques that Black women have levied at feminist movements over time, the pervasive under-commitment to the concerns of Black women as we intersect with, and are intersected by, technologies exemplifies a broader unwillingness among those promulgating mainstream discourses to engage with notions of racism, class, and sexuality in the fields of computer science, digital media studies, information, and technology studies.

We need more interdisciplinary research and theorizing about how a range of digital technologies are embedded with intersectional and uneven power relations, from the ways in which technologies are structured, through the range of engagements that happen on the web, to the materiality of digital communications infrastructures that include the role of the state and capital in the extraction, manufacture, and disposal of the digital.

Reblog> “How to get rid of your academic fake-self?”

A person removing a mask

Via Nicolas Nova on Twitter.

This from David Berliner is interesting. The original was perhaps a little combative in tone so I’ve adapted it a little [inside square brackets]…

  • Substitute a politics of competition with an ethics of care (for yourself and others). Science is about collaborative knowledge and not a massacre.
  • Acknowledge that you haven’t read everything and that you cannot debate all topics. Learn to say “I don’t really know anything about [theorist]. Maybe, one day, I will read [her/him, but not at the moment]”.
  • [If you’re not able to research, exhausted, between jobs or any of the other many other reasons we sometimes cannot do research then t]rain yourself to say publicly: “I am not researching anything new at the moment, [I am not actively] writing” (“I am teaching and that already takes a considerable amount of time”).
  • When a colleague asks you “what are you working on?”, [don’t make things up but maybe find ways of being honest, such as:] “I don’t know. [I’ve been focussing on other parts of my life] [a]nd I have nothing to publish right now”.
  • Always have a BIG (critical) laugh at metrics and other tricks of [competitive] evaluation (that will painfully reopen your narcissistic wounds).
  • Try to avoid – as much as possible – toxic colleagues who never ask you how you are, but [focus on lauding] their [own] academic achievements [or attempt to instruct you what you should be doing].
  • [Find allies with whom you can laugh, talk things through and commiserate].

If it doesn’t work, double the dose and try again.

Original post.

Museum of Contemporary Commodities – Exhibition Rd, Kensington 24-27 Aug.

Next week, in advance of the RGS-IBG annual conference, the Museum of Contemporary Commodities (MoCC) will join the other museums in South Kensington on Exhibition Rd. MoCC is the brainchild of artist-activist-researcher Paula Crutchlow and promises to build on the provocative and inspiring work undertaken as part of the project over the last three years. I strongly encourage anyone in London next week to pop into the Royal Geographical Society to take a look.

I’m very privileged to be on Paula’s PhD committee. This is fantastic work – even if you cannot make it to Exhibition Rd, please do look at the MoCC website.

Museum of Contemporary Commodities: valuing what we buy today as the heritage of tomorrow

Museum of Contemporary Commodities at the Royal Geographical Society, London.The Museum of Contemporary Commodities (MoCC) is an art-geography research and exhibition project investigating the deep links between data, trade, place and values that shape our everyday lives. This lively set of digital activities will be hosted in the Pavilion at RGS-IBG. Staffed by our friendly MoCC Invigilators, you will be able to browse the most valued exhibits, take our quiz, add something to the museum yourself and consult with the updated Mikayla 3.0 – our networked talking doll guide to all things MoCC. Two research and conversation events will also contribute to our continuing public conversations around the deep connections between data, trade, place and values.

All the events are free to attend. All are welcome. Please join us to re-value contemporary commodity culture one thing at time!

Exhibition open: Thursday 24 August-Sunday 27 August 2017, 10.00am-4.00pm

Additional events on Friday 25 August:

Data walkshop with data activist Alison Powell, LSE: 10.00am-12.30pm
Building on MoCC walkshops in Finsbury Park and Exeter, Alison will be investigating data mediations in the direct vicinity of the RGS-IBG through a process of rapid group ethnography. No experience necessary. Please book here.

Our Future Heritage: curating contemporary commodity cultures: 2.00pm-4.00pm
A public conversation event hosted in the Museum of Contemporary Commodities shop-gallery space at the RGS-IBG. With contributions from: MoCC co-founders Paula Crutchlow and Ian Cook, Senior Curator V&A Corrinna Gardner, Cultural Geographer Merle Patchett, Music Sociologist Lee Marshall, and researcher, publisher and curator D-M Withers. Please book here.

MoCC was co-founded by artist-researcher Paula Crutchlow from Blind Ditch and Geographer Ian Cook from followthethings.com and University of Exeter. The project is being developed in partnership with Furtherfieldand a growing number of artists, academics, technologists and members of the public.

Our early prototypes and events have been kindly supported by All Change Arts, Islington Turkish, Kurdish and Cypriot Women’s Group, Islington Council, Exeter City Council, Art Week Exeter, Exeter Scrapstore, Exeter Phoenix, Exeter CVS, St Sidwells Community Centre, Exeter Library, Art Week Exeter. With many thanks to the Royal Geographical Society (with the Institute of British Geographers) for their support with this 2017 exhibition. MoCC is funded by Arts Council England, University of Exeter and the Economic and Social Science Research Council.

To find out more, please visit http://www.moccguide.net/ or follow MoCC on Twitter at @moccofficial and on Instagram at @moccguidemikayla

Reblog> No dogs, no Indians: 70 years after partition, the legacy of British colonialism endures

Stamp commemorating Indian independence

I found this piece on The Conversation, with reference to the play No dogs, no Indians by Siddhartha Bose (see the video below), by Gajendra Singh, a colleague at Exeter, an interesting and helpful intervention into the partition stories the Beeb is currently running. Definitely worth a read.

No dogs, no Indians: 70 years after partition, the legacy of British colonialism endures

The 70th anniversary of the end of Britain’s Empire in India and the birth of the post-colonial states of India and Pakistan have led to a renewed interest in the portrayal of this distant and under-explored past in British arts and the media.

It does not always make for good history. In the stories told on film, radio and television – from the film Viceroy’s House, to BBC One’s My Family, Partition and Me: India 1947 and Radio 4’s Partition Voices – complexity and context are downplayed in favour of “British” stories of colonialism, anti-colonial movements and partition violence.

Something of an antidote to this was offered by Siddhartha Bose, the London-dwelling, Bombay-raised Bengali poet and playwright, in an evening of readings, performance and discussion as part of the Edinburgh Book Festival‘s own commemoration of the 70th anniversary of partition.

Bose is not a historian and does not pretend to be one, but the evening made for more interesting and innovative public history than that of efforts elsewhere. The event entitled No Dogs, No Indians: A Legacy that Lingers Long, after Bose’s recently published play, attempted to take the audience on a journey into the emotional worlds of urban life in colonial and post-colonial India.

Read the full article.