‘Ways of Being in a Digital Age’ scoping

I’ve only just caught on here, but the ESRC’s “Ways of Being in a Digital Age” scoping review, for their new theme of the same name, has been awarded to the Liverpool Institute of Cultural Capital (a collaboration between Liverpool and Liverpool John Moores) in a partnership with 17 other institutions (a core of eight in the UK apparently). They say:

The project will undertake a Delphi review of expert opinion and a systematic literature review and overall synthesis to identify gaps in current research.

The project will also run a programme of events to build and extend networks among the academic community, other stakeholders and potential funding partners.

There’s a website, so you can read more there…

Reblog> 1:1 and Cartographic Operations

Via Machinology.

1:1 and Cartographic Operations

Cartographic Operations-exhibition is on at the Level 4 gallery in Southampton (Hartley Library). Supported by AMT, it features work from Winchester School of Art practitioners addressing maps. Jane Birkin, Abelardo Gil-Fournier, Sunil Manghani and Ian Dawson’s pieces address the main theme: “In Bernhard Siegert’s ‘The map is the territory’, he refers to the idea of ‘cartographic operations’. The suggestion is that our way of seeing the world is not simply represented in maps, but that map-making is itself a play of competing signs and discourses producing our subjecthood. These are the coordinates we come to live by, which in turn influence the marks and signs at our disposal when we seek to make and share representations of the world.”

One of the pieces is Jane Birkin’s 1:1 which is described and show below. It opens up the exhibition space to the depth of the surface by making visible the electric current and metal inside the wall. While it can be read in relation to some earlier pieces of contemporary art it also speaks to the current work in critical practices of infrastructure.

Birkin 1 to 1_med

From the catalogue text:

Jane Birkin’s 1:1 is a direct mapping of infrastructure behind the white space of display. It is ­a piece produced by performative procedure: a regulated operation where authorial control is established at the outset and rules are strictly followed. Electric current and metal are plotted using a DIY store metal/voltage detector and the information transferred simply to print.

There are literary precedents for mapping at this scale. In Jorge Luis Borges’ short story On Exactitude in Science cartography became exactingly precise, producing a map that has the same scale as its territory. And, in Lewis Carroll’s Sylvie and Bruno Concluded, a German professor tells how map-makers experimented with the use of ever larger maps, until they finally produced a map of the scale of 1:1. ‘It has never been spread out, yet’, said the professor. ‘The farmers objected: they said it would cover the whole country, and shut out the sunlight!’ In this case, the gallery wall is covered, shut off from light and eyes. Although 1:1 is an impassive engagement with the rule-based activity of cartography, it simultaneously performs an affective act of display.Birkin 1 to 1 detail_med.jpeg

Public scholarship, or: profs should edit wikipedia

Over on Savage Minds Rex Golub has written a compelling provocation about the places of ‘public anthropology’ (which I think could probably be broadened to ‘public scholarship). He points out that it’s all very well writing letters to venerable broad sheet newspapers but that doesn’t necessarily achieve much. Instead, Professors (or academics more broadly) might better spend their time editing wikipedia pages because that is the prime site of the public sourcing, and contestation, of knowledge. I think its quite a compelling argument… not least when thinking about the current trend and push for demonstrating “impact”. Isn’t it quite “impactful” to be the person who attempts to ensure that the most widely used source of knowledge on a given topic is rigorously written/edited? There’s no academic brownie points in that though… no promotions or awards/rewards are going to be given on that basis!

What do you think?

…my issue is that anthropologists are doing public anthropology in the wrong places and in the wrong way because they don’t understand how social media works today and are seduced by an out-moded model of cultural capital that makes them feels heroic, but it isn’t actually efficacious.

The new public anthropology, on the other hand, is not glamorous, will not make you famous, can be emotionally uncomfortable, involves working in new and unfamiliar genres, and can change the world. A good example of this sort of public anthropology is editing Wikipedia

Wikipedia is ground zero for knowledge in the world today. Everyone uses it to look stuff up quickly. Everyone. Some people may take it more seriously than others, but because its content can be reused on other sites, what wikipedia says spreads everywhere. For better or for worse — I’d say for better — it’s the public record of the state of human knowledge at the moment. Unlike letters to the New York Times, Wikipedia gets read. Constantly. When you contribute to Wikipedia, you are concretely and immediately altering what the world knows about your topic of expertise.

Containers and global capitalism (podcast)

Via Deterritorial Investigations Unit.

Containers is an 8-part audio documentary about how global trade has transformed the economy and ourselves. Host and correspondent Alexis Madrigal leads you through the world of ships and sailors, technology and tugboats, warehouses and cranes. At a time when Donald Trump is threatening to toss out the global economic order, Containers provides an illuminating, deep, and weird look at how capitalism actually works now.

 

Disciplining theory(?) – post-phenomenology(dot-org)

The website postphenomenology.org is an interesting resource, especially the bibliography compiled there (which perhaps implies an canon?), which got me returning to some thoughts I’ve had about how particular kinds of theory ‘travel’, how they co-opted and then, perhaps, disciplined. The website mentioned above is clearly, if not wholly explicitly, positioned within that interesting, apparently interdisciplinary, area of Science and Technology Studies – and one would think, then, that the reference list would take in a range of disciplinary debates, demonstrating how the ideas freighted by “post-phenomenology” have, perhaps, contributed to an interdisciplinary debate. Instead, it seem to me, the reference list demonstrates something like a kind of disciplining, whereby the journals and authors represented sit within what is de facto a particular field, potentially having not an open, interdisciplinary, debate but rather a fairly insular one. I don’t intend that observation as a slight to the compilers of what is a useful resource, I’m just interested in how the movement or spread of ideas can work – or, as Said says, how theory travels.

This cannot be uncommon, nor is it necessarily a normatively ‘bad’ thing. Recently I took part in a fascinating workshop on the generations of Southern theory – in relation to urbanism and in particular in relation to how this has historically played out through the empirical lens and academic institutions of South Africa. My colleague Clive Barnett highlighted that that set of debates has happened slightly differently (or perhaps not at all) in different but cognate disciplinary contexts. In the wake of Said and various others, Clive has, of course, written about such things – as have many others!

So, what should ‘post-phenomenological’ geographers do? Probably just carry on… One could try and forge the connections, but it of course takes effort and time etc etc. In the end, nobody ‘owns’ concepts and the theory will develop within different disciplinary contexts, albeit possibly siloed into particular journals and conferences. I suppose, it goes to show that when conversations become more than superficially interdisciplinary, taking in different points of view and contexts, it’s probably a precious moment…

Reblog> Workshop on Security and the Political Turn in the Philosophy of Technologies

An interesting event blogged by Peter-Paul Verbeek:

Workshop ‘Security and the Political Turn in the Philosophy of Technologies’, University of Twente | DesignLab, March 10 2017. How to understand the political significance of things? And how to deal with the politics of technology in a responsible way? Ever since Langdon Winner claimed in the early 1980s that “artifacts have politics”, these questions have been puzzling philosophers and ethicists of technology. Technologies are not just instruments for humans to do politics but actively shape politics themselves. In this workshop we will explore various dimensions of this political role of technologies, especially with regards to security, citizenship in a technological world, and the role of social media and ‘fake news’ in contemporary democracy.

Speakers include:

  • Babette Babich (Fordham)
  • Robin James (UNCC),
  • Laura Fichtner (TUD)
  • Wolter Pieters (TUD)
  • Melis Bas (UT)
  • Jonne Hoek (UT)
  • Philip Brey (UT)
  • Nolen Gertz (UT)
  • Michael Nagenborg (UT)
  • Peter-Paul Verbeek (UT)

The workshop is sponsored by the 4TU.Ethics working group on “Risk, Safety, and Security.”

“Do you hear voices? You do. So you are possessed” – @mikedotphillips talk @exetergeography

I’m really pleased to share that Prof. Mike Phillips (i-DAT, Plymouth) will be speaking  next week as part of the Exeter Geography seminar series. Mike is a founder of the Institute of Digital Art and Technology and one of the founders of the undergraduate programme I studied MediaLab Arts, which is now called  Digital Media Design.

Details: Thursday 16th March, 12:30: Amory 417. All welcome!

Automation in financial services and the ongoing re-imagination of work

From Technology outsmarts the human investor – FT

“It just gets harder and harder and harder,” reflected one money manager this week. His is the predicament of other professionals — anything done by a person that follows a pattern and can be coded into a form that a computer understands will soon get squeezed. Technology also has the advantage identified in 1970: algorithms stay constantly alert.

It does not imply the complete death — or automation — of the investment manager. A professional can still undertake original research on a company or a security that provides insight. As more of the market becomes automated, originality becomes rarer and more valuable: an idiosyncratic investor should achieve higher returns by standing out from the robotic crowd.

Nor can algorithmic efficiency be wholly divorced from human intelligence, as the Oregon study showed — the point was that humans needed to set parameters for computers to follow. Many asset managers use analysts and researchers to build investment models that then trade securities automatically; others blend their active risk-taking with passive elements.

But these difficulties demonstrate how automation eats into professions, not by taking away all the jobs in one day but by unbundling them — dividing them between tasks that only humans can perform and those of which an algorithm is quite capable. Then the boundary relentlessly shifts.

The last paragraph is key – there seems to be a growing consensus that automation doesn’t simply ‘destroy’ jobs, it makes particular aspects of or kinds of role redundant and the implementation and development of automated systems requires the remaining workers to fit around those systems in different ways. In many ways, then, automation is a company or institution-specifc organisational or administrative problem as well as a wider political economic problem.