Via Nancy Baym.
All those digits aren’t illegit,
they got it all mapped out for you…
Worth a listen/watch:
Via Nancy Baym.
All those digits aren’t illegit,
they got it all mapped out for you…
Worth a listen/watch:
This video of a panel session at HKW entitled “Speaking to Racial Conditions Today” is well-worth watching.
Follow this link (the video is not available for embedding here).
Inputs, discussions, Mar 15, 2018. With Zimitri Erasmus, Maya Indira Ganesh, Ruth Wilson Gilmore, David Theo Goldberg, Serhat Karakayali, Shahram Khosravi, Françoise Vergès
English original version
Via Tony Sampson. Looks interesting >
I came across this via Thomas Dekysser and AdDistortion on Twitter.
Just as with the old Nokia 3220 “funshell” LEDs the principle seems to be that if you turn your head (rather than the device being turned) the advert/picture appears to ‘drag’ out of the light unit.
This obviously presents yet another level of issues around the uses of ‘public’ space and what reasonable expectations of intrusion into one’s attention/vision/cognition might be made, what constitutes ‘choice’ in terms of exposure to these images and lots more things besides…
Over on Backdoor Broadcasting you can revisit a session that was part of the Film Philosophy conference in 2012, with a film piece by McMullen “An Organisation of Dreams”.
Stiegler responds to the film with a talk listed as: About an Organology of Dreams – After An Organisation of Dreams, here’s the blurb:
Beginning with well-known proposition that the cinema serves as the perfect enactment of Plato’s cave, I would like to examine in this paper the question of transcendental cinema, returning to the problems that I raised in Le temps du cinéma, but also reopening the possibility of a transcendental stupidity – or transcendental negativity, to put it otherwise. By turning to Freud and the notion of the dream, I will explore my hypothesis by looking briefly at a work which is itself rather brief, and which suggests an archeology of cinema that begins thirty thousand years ago, in the Chauvet Cave.
Some resonances here with Keynote Stiegler delivered at the same conference, translated by Daniel Ross: The Organology of Dreams and Arche-Cinema. The first footnote of which reads:
This keynote address was delivered on September 12, 2012, at Queen Mary, University of London, for the “Film-Philosophy Conference”, and began with the following opening remarks: “I would like to begin by thanking John Mullarkey for inviting me here, allowing me to continue a discussion with Ken McMullen that began a long time ago, with Ghost Dance (UK 1983), and passed through Jacques Derrida, and which was then pursued in various directions, in particular with An Organization of Dreams (UK 2009). I would also like to point out that Dan Ross, who was kind enough to translate my lecture into English, is also the director, along with David Barison, of The Ister (Australia 2004), another film in which I was fortunate enough to participate at the very moment I was writing Le temps du cinéma. I here thank Ken, Dan and John, and hope that perhaps some day there will be an opportunity for the three of us to have a discussion.”
This is good. Via dmf.
I found this video strangely calming and attractive. Plus, it’s got art and drops in discussion of all of the dead white male philosophers we’re supposed to be into… what’s not to like eh? 🙂
Here’s an exercise to do, as a non-specialist, for yourself or maybe as part of a classroom activity: discuss what Facebook (data brokers, credit checkers etc etc.) might know about me/us/you, how accurate the data/information might be, and what that means to our lives.
One of the persistent themes of how we tell stories about the ‘information society’, ‘big data’, corporate surveillance and so on is the extent of the data held about each and every one of us. Lots of stories are told on the back of that and there are, of course, real life consequences to inaccuracies.
Nevertheless, an interesting way of starting the exercise above is to compare and contrast the following two articles:
The exploitation of personal information has become a multi-billion industry. Yet only the tip of the iceberg of today’s pervasive digital tracking is visible; much of it occurs in the background and remains opaque to most of us.
If you like percentages, nearly 50 percent of the data in the report about me was incorrect. Even the zip code listed does not match that of my permanent address in the U.S.; it shows instead the zip code of an apartment where I lived several years ago. Many data points were so out of date as to be useless for marketing–or nefarious–purposes: My occupation is listed as “student”; my net worth does not take into account my really rather impressive student loan debt. And the information that is accurate, including my age and aforementioned net worth (when adjusted for the student debt), is presented in wide ranges.
Of course, it does not matter if the data is correct – those inaccuracies have real-world consequences, and the granularity of the accuracy only matters in certain circumstances. So, thinking about how and why the data captured about us matters, what it might facilitate – allow or prevent us or those around us doing seems like an interesting activity to occupy thirty minutes or so…
Online Vitriol: Advocacy, Violence, and the Transforming Power of Social Media
A Joint Conference of the International Graduate Centre for the Study of Culture & the Zentrum fÃ¼r Medien und InteraktivitÃ¤t, Giessen, Germany
Wednesday June 29th – Saturday July 1st, 2017 (optional opening lecture by dr. Sarah Kendzior on the evening of June 28th)
Researchers in the fields of culture and (digital) media, and related fields
Professionals dealing with online advocacy and social media presence of their organization
Journalists and others dealing with social media and (violent) online discourse
PhD and MA students in culture and media studies
To employ our collective knowledge, experience, research and intelligence to arrive at a conceptual and practical understanding of the medial and cultural dynamics of online vitriol.
To work towards “A Rough Guide to Online Vitriol: Dealing with Violence and Activism on Social Media in Theory and Practice” (working title). To be published later.
Social media have become inescapable, and they have an overwhelming impact on sociality and public life. Platforms such as Facebook, YouTube, and Instagram give rise to a diverse range of discourses and communication styles. This conference wants to understand the power of social media, not only – as it has often been perceived – as democratizing, but also as powerful vehicles for politically driven bullying and violence. Relevant to people, organizations, and other agents across twenty-first-century society, this topic is increasingly studied from a range of disciplines and perspectives. Virtually everyone has to deal with social media and the discourses it enables and produces. But while the technology exists and seems at first sight intuitively accessible, the agency, dynamics and ethics of social media platforms are not yet well-understood.
‘Trolls for Trump’, online virus ‘scares’, fake news – social media discourse has become a formidable, yet elusive, political force. This conference wants to begin to address some of the issues around the power of online vitriol, by studying discourses, metaphors, media dynamics, and framing on social media. What is it? How does it work? What does it do? And how can it be addressed or countered?
To fruitfully question the political impact of contemporary communication structures and discourses, the conference goes beyond the traditional presenter/audience dichotomy. Instead, it works towards producing a book for academics and professionals confronted with social media violence, provisionally titled “A Rough Guide to Online Vitriol: Dealing with Violence and Advocacy on Social Media in Theory and Practice”. The conference combines academic theorizing with perspectives from professionals active in media, communication, the public sector and journalism, so as to arrive at conceptually rigorous and useful conclusions to guide our own and our organizations’ use of social media.
Bringing together media and communication specialists from various professions (e.g. public sector, press, NGOs) and cultural and media studies students and scholars, the aim is to create crosspollination between theoretical approaches from cultural and media studies on the one hand, and practical challenges and experiences ‘from the field’ on the other.
Possible topics include, but are not limited to:
Privacy and surveillance through social media platforms
Liveness and online temporalities
Tweeting while female
Clickbait as political activism
Shares, likes, profile clicks and other platform-specific metrics
The impact of Facebook’s platform structure and changing algorithms on what can be expressed
‘Communicative capitalism’ and the dynamics of online virality
Politics of trolling and reporting
Representing social media in popular culture
How ‘new’ are online communication practices?
Framing narratives and ideals in a potentially hostile environment
The conference is free of charge. However, we ask that, during the conference, all participants agree to be offline, and try to be fully present and contemplative.
We welcome proposals of papers, case studies, ideas, and discussion topics from scholars and professionals in the listed fields, as well as related areas of specialization. Please submit a 300-word abstract and a short biography (100 words) to Sara Polak (firstname.lastname@example.org), Rahel Schmitz (email@example.com), and Ann-Marie Riesner (firstname.lastname@example.org) by May 15th, 2017.
In a recording of a very lively double-header presentation by Maurizio Ferraris and Martin Scherzinger which has been podcast by Data & Society there’s some interesting discussion of Ferraris’ formulation of a ‘new realism‘ (which is sort of sympathetic to but perhaps distinct from speculative realisms) in relation to how we might understand ‘truth’ and truth claims and so how we might understand how ‘understanding’ works in relation digitally mediation.
Both Ferraris and Scherzinger are entertaining speakers but Scherzinger in particular offers some very incisive comments around how we can understand the sorts of manoeuvres different people are making around the constitutions and discussion of ‘theory’ (taken in its most general understanding).
Anyway… it’s an interesting listen: