Via Nancy Baym:
This episode of the ‘Talking Politics‘ podcast is a conversation between LRB journalist John Naughton and the Oxford Internet Institute’s Professor Phillip Howard ranging over a number of issues but largely circling around the political issues that may emerge from ‘Internets of Things’ (the plural is important in the argument) that are discussed in Howard’s book ‘Pax Technica‘. Worth a listen if you have time…
One of the slightly throw away bits of the conversation, which didn’t concern the tech, that interested me was when Howard comments on the kind of book Pax Technica is – a ‘popular’ rather than ‘scholarly’ book and how that had led to a sense of dismissal by some. It seems nuts (to me, anyway) when we’re all supposed to be engaging in ‘impact’, ‘knowledge exchange’ and so on that opting to write a £17 paperback that opens out debate, instead of a £80+ ‘scholarly’ hardback, is frowned upon. I mean I understand some of the reasons why but still…
From the Programmable City team, looks interesting:
Another wonderful video from superflux exploring how to think about the kinds of relationships we may or may not have with our ‘smart’ stuff…
The film was commissioned by Mozilla’s Open IoT Studio. The devices in the film are made Loraine Clarke and Martin Skelly from Mozilla’s Open IoT Studio and the University of Dundee.
For more information about the project visit: http://superflux.in/index.php/work/friends-electric/#
Another interesting ‘long form’ essay on the Institute of Network Cultures site. This piece by Anastasia Kubrak and Sander Manse directly addresses some contemporary themes in geographyland – access, ‘digital’-ness, exclusion, ‘rights to the city’, technology & urbanism and ‘verticality’. The piece turns around an exploration of the idea of a ‘zone’ – ‘urban zoning’, ‘special economic zones’, ‘export processing zones’, ‘free economic/enterprise zones’, ‘no-go zones’. Some of this, of course, covers familiar ground for geographers but its interesting to see the argument play out. It seems to resonate, for example, with Matt Wilson’s book New Lines…
Here’s some blockquoted bits (all links are in the original).
We get into an Uber car, and the driver passes by the Kremlin walls, guided by GPS. At the end of the ride, the bill turns out to be three times as expensive than usual. What is the matter? We check the route, and the screen shows that we travelled to an airport outside of Moscow. Impossible. We look again: the moment we approached the Kremlin, our location automatically jumped to Vnukovo. As we learned later, this was caused by a GPS fence set up to confuse and disorient aerial sensors, preventing unwanted drone flyovers.
How can we benefit as citizens from the increase in sensing technologies, remote data-crunching algorithms, leaching geolocation trackers and parasite mapping interfaces? Can the imposed verticality of platform capitalism by some means enrich the surface of the city, and not just exploit it? Maybe our cities deserve a truly augmented reality – reality in which value generated within urban space actually benefits its inhabitants, and is therefore ‘augmented’ in the sense of increased or made greater. Is it possible to consider the extension of zoning not only as an issue, but also as a solution, a way to create room for fairer, more social alternatives? Can we imagine the sprawling of augmented zones today, still of accidental nature, being utilized or artificially designed for purposes other than serving capital?
Gated urban enclaves also proliferate within our ‘normal’ cities, perforating through the existing social fabric. Privatization of urban landscape affects our spatial rights, such as simply the right of passage: luxury stores and guarded residential areas already deny access to the poor and marginalized. But how do these acts of exclusion happen in cities dominated by the logic of platform capitalism? What happens when more tools become available to scan, analyze and reject citizens on the basis of their citizenship or credit score? Accurate user profiles come in handy when security is automated in urban space: surveillance induced by smart technologies, from electronic checkpoints to geofencing, can amplify more exclusion.
This tendency becomes clearly visible with Facebook being able to allow for indirect urban discrimination through targeted advertising. This is triggered by Facebook’s ability to exclude entire social groups from seeing certain ads based on their user profile, so that upscale housing-related ads might be hidden from them, making it harder for them to leave poorer neighborhoods. Meanwhile Uber is charging customers based on the prediction of their wealth, varying prices for rides between richer and poorer areas. This speculation on value enabled by the aggregation of massive amounts of data crystallizes new forms of information inequality in which platforms observe users through a one-way mirror.
If platform economies take the city as a hostage, governmental bodies of the city can seek how to counter privatization on material grounds. The notorious Kremlin’s GPS spoofing fence sends false coordinates to any navigational app within the city center, thereby also disrupting the operation of Uber and Google Maps. Such gaps on the map, blank spaces are usually precoded in spatial software by platforms, and can expel certain technologies from a geographical site, leaving no room for negotiation. Following the example of Free Economic Zones, democratic bodies could gain control over the city again by artificially constructing such spaces of exception. Imagine rigorous cases of hard-line zoning such as geofenced Uber-free Zones, concealed neighborhoods on Airbnb, areas secured from data-mining or user-profile-extraction.
Vertical zoning can alter the very way in which capital manifests itself. The‘Bristol pound’ is an example of city-scale local currency, created specifically to keep added value in circulation within one city. It is accepted by an impressive number of local businesses and for paying monthly wages and taxes. Though the Bristol Pound still circulates in paper, today we can witness a global sprawl of blockchain based community currencies, landing within big cities or even limited to neighborhoods. Remarkably, Colu Local Digital Wallet can be used in Liverpool, the East London area, Tel Aviv and Haifa – areas with a booming tech landscape or strong sense of community.
Image credit: Mike Duggan.
At the RGS-IBG Annual International Conference 2017, co-originator of the Museum of Contemporary Commodities (MoCC) Paula Crutchlow and I staged a conversation with Mikayla the MoCC guide, a hacked ‘My Cayla Doll’. This was part of two sessions that capped off the presence of MoCC at the RGS-IBG and was performed alongside a range of other provocations on the theme(s) of ‘data-place-trade-value’. The doll was only mildly disobedient and it was fun to be able to show the subversion of an object of commercial surveillance in a playful way. Below is the visuals that displayed during the conversation, with additional sound…
For more, please do go and read Paula’s excellent blogpost about Mikayla on the MoCC website.
Next week, in advance of the RGS-IBG annual conference, the Museum of Contemporary Commodities (MoCC) will join the other museums in South Kensington on Exhibition Rd. MoCC is the brainchild of artist-activist-researcher Paula Crutchlow and promises to build on the provocative and inspiring work undertaken as part of the project over the last three years. I strongly encourage anyone in London next week to pop into the Royal Geographical Society to take a look.
I’m very privileged to be on Paula’s PhD committee. This is fantastic work – even if you cannot make it to Exhibition Rd, please do look at the MoCC website.
MoCC was co-founded by artist-researcher Paula Crutchlow from Blind Ditch and Geographer Ian Cook from followthethings.com and University of Exeter. The project is being developed in partnership with Furtherfieldand a growing number of artists, academics, technologists and members of the public.
Our early prototypes and events have been kindly supported by All Change Arts, Islington Turkish, Kurdish and Cypriot Women’s Group, Islington Council, Exeter City Council, Art Week Exeter, Exeter Scrapstore, Exeter Phoenix, Exeter CVS, St Sidwells Community Centre, Exeter Library, Art Week Exeter. With many thanks to the Royal Geographical Society (with the Institute of British Geographers) for their support with this 2017 exhibition. MoCC is funded by Arts Council England, University of Exeter and the Economic and Social Science Research Council.
ðŸŽ¶ Tell me more, tell me more
Did you get very far
Tell me more, tell me more
Like does he have a car ðŸŽ¶ pic.twitter.com/wVXTjaJxOw
– Parker Molloy (@ParkerMolloy) July 9, 2017
Photo on the left is making the rounds on social media. Photo on the right is the original Getty Image. pic.twitter.com/E9aoCI6eCu
– Evan McMurry (@evanmcmurry) July 9, 2017
Two tweets, about 12 hours apart. It seems to me, in an entirely unsystematic, morning coffee kind of analysis, that the two posts demonstrate something of the ambiguity of image sharing practices and circulation of images (on Twitter)… at least in my experience of one platform, Twitter.
The “Grease” tweet, through humour, attempts to comment on contemporary geopolitics. The veracity (or not) of the image possibly doesn’t matter.
The ‘fact check’ nature of the later tweet directly addresses the (lack of) authenticity of the image itself. Showing the ‘original’.
So there’s something about ‘fakeness’ of media, the politics of circulation, something about simulacrum and the convening of publics and maybe something about the ambivalence of image making and sharing practices that falls within the “meme” discourse.
In discussing her work as part of the RGS-IBG ‘digital geographies’ working group symposium about 10 days ago, Gillian Rose discussed the ways in which we may or may not malign the ‘everydayness’ of photographic or image practices and why it remains necessary to study and engage with the everyday practices of meaning-making (there’s a course for this, co-convened by Gillian).
This perhaps prompts some questions about the above tweets. For example, what is it we can or might want to say about the images themselves, their circulation and how they fit into wider, everyday, meaning-making practices? The doctored image fits into a particular aesthetic of ‘memes’ and is contextualised in text in the post, which also goes for the ‘fact check’ tweet too, in a way. How do we interpret the (likely) different intentions behind the thousands of retweets of the above? How might we capture the ‘polymedia’ (following Miller et al.) lives of such images? (Is that even possible?) How might we interrogate what I’m suggesting is the ambivalence of ‘sharing’? I suggest this cannot be served by the mass analysis of image corpora (following Manovich), nor is it really reducible to the ‘attention economy’ – it’s not only about the labour of sharing or the advertising it enables. Instead, I guess what I’m fumbling towards is asking for the analysis of the circulation practices for (copies of) a single image within a network (which may or may not span different platforms).
The danger, I increasingly feel, is that we all-too-quickly resort to super-imposing onto these case studies our ontotheological or ideological meta-narratives – so, it may ‘really’ be about affect, neoliberalism and so on… except of course, it isn’t only about those things, and while they may be important analytical frames they may not address the questions we’re interested in, or should be, posing. I’m not saying such framings are wrong, I’m saying they’re not the only frames of analysis.
All of this leads me to confess that I am beginning to wonder if our ‘digital methods‘ (following Rogers and others) are really up to this sort of task… As yet I’ve not read anything to convince me otherwise, which actually sort of surprises me. The closest I’ve got is the media ethnography work of the outstanding Why We Post project – but, of course, that isn’t particularly a “digital” method, which maybe says something (maybe about my own bias). I’d be interested to know if anyone has any thoughts.
A further thing I wonder is whether or not these sorts of practices will remain stable enough for long enough to warrant the ‘slower’, considered, kinds of research that might enable us to begin to get at answers to my all-too-general, or misplaced, questions above. I remain haunted by undergraduate and masters research into now-defunct platforms and styles of media use… friendster and myspace anyone?
Some relevant links:
Or “information theory for beginners”, maybe… A heavily stylised interpretation of Shannon’s information theory for IBM, by the Eames’, which may be of interest to those of a cybernetic persuasion.
… it’s a testament to the work of the US mathematician and ‘father of information theory’ Claude Shannon (1916-2001) that his model of communication, laid out in his landmark book A Mathematical Theory of Communication (1949), is still so broadly applicable.
Working from Shannon’s book, in 1953 the iconic husband-and-wife design team Ray and Charles Eames created the short film A Communications Primer for IBM, intending to ‘interpret and present current ideas on communications theory to architects and planners in an understandable way, and encourage their use as tools in planning and design’. Released at the dawn of the personal computer age, the film’s exploration of symbols, signals and ‘noise’ remains thoroughly – almost stunningly – relevant when viewed some 64 years later.