Category Archives: pervasive media

Affect & Social Media 3.0 CFP

Via Tony Sampson

Affect and Social Media#3 2nd CFP

main2Call for presentations and artworks

Affect and Social Media#3

experience

engagement 

entanglement                                

Including the Sensorium Art Show (the sequel)

Event Date: Thurs 25th May, 2017

Venue: University of East London, Docklands Campus

Confirmed keynote: Prof Jessica Ringrose (UCL) 

https://iris.ucl.ac.uk/iris/browse/profile?upi=JLRIN58

Call for 15min presentations and artworks

The organizers of A&SM#3 welcome proposals for 15min presentations and artworks that interpret and explore the affective, feely and emotional encounters with social media grasped through the following themes:

  1. Experience
  2. Engagement
  3. Entanglement 

Presentations and artworks can widely interpret each theme, but preference will be given to proposals that respond in two ways.

Firstly, the organizers are particularly interested in creative responses (academic and artistic) to recent social media events – the US election, for example. So proposals might address how the Trump win allows us to develop a fresh understanding of shared experiences, emotional engagements or new entanglements with social media.

Secondly, we ask presenters and artists to consider how their approach to affect and social media can be put to work in an education context. For example, how can the potential of affect theory reach out across teaching practices and develop novel understandings of the political nature and transformative possibilities of teaching.

The academic part of this call is open to experienced scholars, new researchers and postgrad students from across the disciplinary boundaries of affect studies and related areas of study interested in theorizing and working with emotion and feelings in a social media context. We welcome a good mixture of innovative conceptual and methodological approaches.

The Sensorium Art Exhibit will interweave the conference proceedings and bring it to a close with a special show, alongside free drinks and nibbles.

15min presentations and artwork proposals to: t.d.sampson@uel.ac.uk

Please include 200 word max description and short bio including academic affiliation and relevant links to previous work and/or website profile.

DEADLINE: Tues 28th Feb 2017.

Full registration details will be made available from 27th Jan via UEL event page.

https://www.uel.ac.uk/Events/2017/05/Affect-and-Social-Media-3

When design fiction becomes the advert(?) Amazon Go and the refiguring of trust

I think I’ve been late to this. I saw the story about Barclaycard wanting to do “cardless” credit cards but, of course, Amazon want to vertically integrate. See the first video below. Interesting that this is incredibly similar to previous ‘envisionings’ of “the future” of retail/shopping. The first thing I thought was: ‘hang on, this is  Microsoft circa 2004’, see the second video below… and I’m sure there’s been others, not least from the likes of HP Labs… I wonder where patents lie on this stuff, cos that will be a big bargaining chip.

This is interesting though insofar as, when I was writing about the Microsoft Office Labs videos in 2008/9, the ‘future’ they figured was always positioned at some distance, it was certainly not explicitly stated that this is something you should definitely expect to happen, more a kind of ‘mood music’ to capture some sensibilities of a possible future, by representing it and hooking ideas into our general  imagination of technology and society. It certainly plays on the trope of the normalisation of heavy surveillance… what else can such a system be?

The Amazon Go video is an interesting confluence of lots of contemporary trends in attempts to refigure how we imagine digital technology. Implicit in the video is a normalisation of yet-more automation (of payment, of trust). Explicit here, as already mentioned, is that these kinds of places are not ‘private’ in any way – the system “knows” you, will know your habits, manages your money and that’s ok, in fact – it’s apparently preferable (trust, again).

Amazon seem to be fairly aggressively pushing this, taking the smooth apparently effortless aesthetics of many tech design fiction videos and using this as a means to capture the idea that such technology = Amazon. Apparently there is a “beta” shop in Seattle (where else?). No doubt someone will already be writing a journal article about this as code/space and, of course it is (and just as Kitchin & Dodge suggest about airports – I wouldn’t want to be in this shop when the servers go down), but I think the thing I find more interesting is that it seems to me that this is perhaps an overtly political manoeuvre to capture the public story about what ‘currency’ is and how payment works when we take for granted higher levels of automation, through what kinds of institution and who we can trust. This is quite a different story to the blockchain, Amazon seem to be saying “let us handle the trust issue” – a pitch usually made by a bank, or PayPal…  That might be interesting to think about (I’m sure people, like Rachel O’Dwyer, already are), not least in relation to other ways ‘trust’ is being addressed (and attempts are being made to refigure it) by other companies, institutions and groups.

All this means I’ll definitely be re-writing my lecture about money for the next iteration of my “Geographies of Technology” module next term…

Planetary technics? “Technosphere”, HKW

Via: EnemyIndustry

The always interesting HKW and a project relevant to lots of geographers…

Technosphere

Research Project 2015–2018

The twentieth-century celebrated technology as a way to achieve planetary unity and control. Yet today technics, nature, and human activity seem to combine in increasingly disorienting, uncontrolled compositions in which once-reliable distinctions lose their stability. How did we end up in this world of technological vertigo, this Mobius strip of world and planetary technics, wherein cause and effect, local and global factors, human and non-human agency, perpetually confuse and confound one another’s borders? What governs this constitution (or collision) of forces? And what are the contingent, strategic, or historical events and networks that form durable apparatuses among them?

This dilemma of global technology and its identity will be the main theme of Technosphere (2015-18), a research project investigating origins and future itineraries of this technical world within a larger series of international events, performances, seminars, and conferences that will take place at HKW over the next four years.

Scientists and thinkers have introduced the term technosphere to describe the mobilization and hybridization of energy, material, and environments into a planetary system on par with other spheres such as the atmosphere or biosphere. The term emphasizes the leading role of the technological within this global system. At the same time this term encompasses the enclosure of human populations, forests, cities, seas, and other traditionally non-technical entities within systems of technical management and productivity. But where is that ominous technosphere to be found? How does it impact the everyday passions and experiences of humans, animals, a nation, or an ecosphere?

The coining of the term technosphere announces a conceptual innovation as well as a political challenge. As a conceptual innovation, the notion of the technosphere invites us to recognize and confront the reality of technical systems whose unintended consequences and internal dynamics have accumulated into a quasi-autonomous global force in the world today. Moreover, the very naming of these forces constitutes the posing of new political and social challenges that, though already widely felt, remain largely misunderstood. Their description and study will entail inquiries into physical and political science, but also topics as diverse as aesthetics, waste management, international law, social media, financial markets, animal studies, immigration, and colonialism.

From 2015 to 2018 the Technosphere project will host public events and seminars that explore the potential of this concept to coordinate conversations among scientists, artists, and the general public. It will explore the events, structures, and mechanisms by which the twentieth-century dreams of global unity and human hegemony morphed into disorienting compositions of technics and nature, of human and non-human actors. These investigative and experimental exchanges will ask how the technosphere operates today and endeavor to imagine alternative futures. The result will be a tentative vision of communities and understanding equal to the challenges of our world today.

Under the title The Technosphere, Now a daylong series of conversations and presentations that reveal the infrastructures and operations today will inaugurate the project on Friday, 2 October. Interwoven streams will address the infrastructural exploitation of earthly resources, how data monitors technical and social systems, and how the trauma maps out the dynamics of the technosphere on individual human bodies. The event is part of Haus der Kulturen der Welt’s opening weekend of 100 Years of Now, taking place from September 30th to October 4th 2015.

Concept and Realisation: Katrin Klingan, Bernard Geoghegan, Christoph Rosol, and Janek Müller

“Technosphere” takes place as part of the HKW series 100 Years of Now.

Ambient literature – new research project

Former colleagues at UWE in the Digital Cultures Research Centre are formally launching their project on what they call ‘ambient literature’ this Friday.

There’s some info on the project copied below, it follows on from a trajectory you can trace through the ‘pervasive media’ canon (with the lovely people from Calvium [many formerly of HP Labs Bristol] instrumental in how this has been technically achieved), from the Mobile Bristol RIOT! 1831 project, Duncan Speakman’s subtle mobs, the fabulous Fortnight project from Proto-typeCurzon Memories, REACT projects like These Pages Fall Like Ash and (my colleague Nicola Thomas’) Dollar Princess – a rich and varied history of work…

Ambient Literature is a two-year collaboration between the University of West EnglandBath Spa University, the University of Birmingham, and development partners Calvium, Ltd. established to investigate the locational and technological future of the book. Funded through a grant from the Arts and Humanities Research Council, the project is focused on the study of emergent forms of literature that make use of novel technologies and social practices in order to create robust and evocative experiences for readers.Launched in London, Bristol and online in June 2016, the project draws on the REACT Hub’s experience working with creative industries in order to produce three experimental projects from three different authors. Forming the heart of the project, these commissioned pieces allow researchers to study the processes of innovation and negotiation that become visible as established authors work in the new forms opened up by the idea of Ambient Literature. Combining practice-based, empirical and theoretical research, the project seeks to test out new literary forms and develop a grammar for writing Ambient Literature.

This is an interdisciplinary project focused on understanding how the situation of reading is changing through pervasive and ubiquitous computing. Drawing on literary studies, creative writing, design, human-computer interaction, performance and new media studies, the research being developed looks to engage with the history of the book and see what that history is able to tell us about its future.

Reblog> Postdoc job on ProgCity project – great opportunity

This is a great opportunity for someone broadly working in the areas of interest specified below…

Post advertised: Postdoc on ProgCity project

We are seeking a postdoctoral researcher (14 month contract) to join the Programmable City project.  The researcher will critically examine:

  • the political economy of smart city technologies and initiatives; the creation of smart city markets; the inter-relation of urban (re)development and smart city initiatives; the relationship between vendors, business lobby groups, economic development agencies, and city administrations; financialization and new business models; and/or,
  • the relationship between the political geography of city administration, governance arrangements, and smart city initiatives; political and legal geographies of testbed urbanism and smart city initiatives; smart city technologies and governmentality.

There will be some latitude to negotiate with the principal investigator the exact focus of the research undertaken. While some of the research will require primary fieldwork (Dublin/Boston), it is anticipated it will also involve the secondary analysis of data already generated by the project.

More details on the post and how to apply can be found on the university HR website.  Closing date: 5th December.

“At play on the field of ghosts” – James Bridle on code/spaces of competitive sport

Reflecting upon the increasing instrumentation of the sporting field off play, for spectating, e.g. the ‘Hanwha chickens‘, and for the judgement of rules, e.g. ‘HawkEye’, James Bridle has written a nice piece on Medium about how the idea/ideal of ‘sport’ may be getting translated into something else…

This distinction between the actuality of the event and the fidelity of its recreation is narrow and could easily be dismissed as just another conjuration of spectacular TV coverage, were its remit limited to mere representation. But in the hyper-competitive domain of sports, lubricated with broadcasting and gambling dollars, recreation turns into prediction, and representation into judgement. The distinction between what is seen and what occurs becomes crucial.

More and more, the practice of human adjudication in sports is being crowded out by the supposed superiority of machine perception; a perception which is based on the recreation and prediction of real events, rather than their explicit witnessing. Since 2001, the Hawk-Eye computer system has become increasingly ubiquitous in major sporting competitions, combining machine vision with motion analysis to not only declare where precisely a ball touched or crossed a line, but where the ball would have gone if it were not rudely interrupted.

Behaviourism, productivity & the ‘quantified self’

metronome.gif

Steven Poole, in the New Statesman, on “How the craze for Apple Watches, Fitbits and other wearable tech devices revives the old and discredited science of behaviourism“:

Arguably, this authoritarian strand of behaviourist thinking is what morphed into the subtly reinforcing “choice architecture” of nudge politics, which seeks gently to compel citizens to do the right thing (eat healthy foods, sign up for pension plans) by altering the ways in which such alternatives are presented.

By contrast, the Apple Watch, the Pavlok and their ilk revive a behaviourism evacuated of all social concern and designed solely to optimise the individual customer. By ­using such devices, we voluntarily offer ourselves up to a denial of our voluntary selves, becoming atomised lab rats, to be manipulated electronically through the corporate cloud. It is perhaps no surprise that when the founder of American behaviourism, John B Watson, left academia in 1920, he went into a field that would come to profit very handsomely indeed from his skills of manipulation – advertising. Today’s neo-behaviourist technologies promise to usher in a world that is one giant Skinner Box in its own right: a world where thinking just gets in the way, and we all mechanically press levers for food pellets.

Echoes a common trope of theorising “subjectiv(is)ation” as a process (often labelled “neoliberal”, for good value) that gets done to a being/person… which gets entangled in an all-encompassing ‘labour theory of value’ but that’s a longer discussion…

Another AAG CFP: work & digital stuff

Following on from the proposed AAG annual conference 2017 sessions on ‘robots’, there’s another proposed set of sessions about labour/work and ‘the digital’… all the de rigueur concepts are in there*, yet it strikes me as a weird curious distinction between ‘digital’ and ‘human’, but there you go…

Tbh, readers of this blog have probably already seen the CFP but – anyway the whole thing is on Prof. Gillian Rose’s blog… Here’s a snippet:

digital \\ human \\ labour | session at AAG conference 2017

With Mark Graham and Jim Thatcher, I’m convening four sessions at the annual conference of the Association of American Geographers, which will be held in Boston, 5-9 April 2017.  The tile of the sessions is digital \\ human \\ labour, and here is the call for papers:

The proposed Digital Geographies Working Group of the RGS/IBG and the proposed Digital Geographies Specialty Group of the AAG would like to invite submissions to a series of paper sessions and panels for the 2017 meeting of the American Association of Geographers in Boston, MA. Reflecting the shared interests of these groups, and their mutual desire to facilitate conversations between a wide range of geographical scholarship, this call is for papers exploring specifically the various intersections of ‘digital’, ‘human’ and ‘labour’.

We will also convene a concluding panel session, and encourage interested participants to submit abstracts for any of these three paper sessions:

1 the human labour of digital work

2 the digital labour of being human

3 the algorithmic labour of being

Read the whole CFP on Visual/Method/Culture.

 

mais tout va très bien madame la marquise.